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by Susan Choi (Goodreads Author)
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Women, Race & Class
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""Contrary to Kearney's and Tillman's logic, racial conflict did not emerge spontaneously, but rather was consciously planned by the representatives of the economically ascendant class. They needed to impede working-class unity so as to facilitate their own exploitative designs. The forthcoming 'race riots' ... were orchestrated ... to heighten the tensions and antagonism within the multiracial working class."" Aug 02, 2025 03:08PM

 
A People’s Histor...
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Jul 24, 2025 01:43PM

 
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Charlotte Brontë
“If there are words and wrongs like knives, whose deep inflicted lacerations never heal - cutting injuries and insults of serrated and poison-dripping edge - so, too, there are consolations of tone too fine for the ear not fondly and for ever to retain their echo: caressing kindnesses - loved, lingered over through a whole life, recalled with unfaded tenderness, and answering the call with undimmed shine, out of that raven cloud foreshadowing Death himself.”
Charlotte Brontë, Villette

A.A. Milne
“It's snowing still," said Eeyore gloomily.
"So it is."
"And freezing."
"Is it?"
"Yes," said Eeyore. "However," he said, brightening up a little, "we haven't had an earthquake lately.”
A.A. Milne

Cornelia Funke
“If you take a book with you on a journey," Mo had said when he put the first one in her box, "an odd thing happens: The book begins collecting your memories. And forever after you have only to open that book to be back where you first read it. It will all come into your mind with the very first words: the sights you saw in that place, what it smelled like, the ice cream you ate while you were reading it... yes, books are like flypaper—memories cling to the printed page better than anything else.”
Cornelia Funke, Inkheart

Cornelia Funke
“Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.”
Cornelia Funke, Inkspell

Rachel Hartman
“That’s the secret to performance: conviction. The right note played tentatively still misses its mark, but play boldly and no one will question you. If one believes there is truth in art – and I do – then it’s troubling how similar the skill of performing is to lying. Maybe lying is itself a kind of art. I think about that more than I should.”
Rachel Hartman, Seraphina

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