Thomas
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Thomas

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Getting What You ...
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"Putting this one on hold for now, having finished the section about admissions. Relevant and helpful advice despite the book's publishing date of 1997. Now I just need to do my part and work hard." Jul 31, 2014 09:11PM

 
As We Have Always...
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Desiring Arabs
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“I survived because I remained soft, because I listened, because I wrote. Because I huddled close to my truth, protected it like a tiny flame in a terrible storm. Hold up your head when the tears come, when you are mocked, insulted, questioned, threatened, when they tell you you are nothing, when your body is reduced to openings. The journey will be longer than you imagined, trauma will find you again and again. Do not become the ones who hurt you. Stay tender with your power. Never fight to injure, fight to uplift. Fight because you know that in this life, you deserve safety, joy, and freedom. Fight because it is your life. Not anyone else’s. I did it, I am here. Looking back, all the ones who doubted or hurt or nearly conquered me faded away, and I am the only one standing. So now, the time has come. I dust myself off, and go on.”
Chanel Miller, Know My Name: A Memoir

Olivia Laing
“It seems funny to think that healing or coming to terms with loneliness and loss, or with the damage accrued in scenes of closeness, the inevitable wounds that occur whenever people become entangled with one another, might take place by means of objects. It seems funny, and yet the more I thought about it the more prevalent it was. People make things – make art or things that are akin to art – as a way of expressing their need for contact, or their fear of it; people make objects as a way of coming to terms with shame, with grief. People make objects to strip themselves down, to survey their scars, and people make objects to resist oppression, to create a space in which they can move freely. Art doesn’t have to have a reparative function, any more than it has a duty to be beautiful or moral. All the same, there is art that gestures towards repair; that, like Wojnarowicz’s stitched loaf of bread, traverses the fragile space between separation and connection.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Olivia Laing
“Loneliness is personal, and it is also political. Loneliness is collective; it is a city. As to how to inhabit it, there are no rules and nor is there any need to feel shame, only to remember that the pursuit of individual happiness does not trump or excuse our obligations to each another. We are in this together, this accumulation of scars, this world of objects, this physical and temporary heaven that so often takes on the countenance of hell. What matters is kindness; what matters is solidarity. What matters is staying alert, staying open, because if we know anything from what has gone before us, it is that the time for feeling will not last.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Min Jin Lee
“You want to see a very bad man? Make an ordinary man successful beyond his imagination. Let’s see how good he is when he can do whatever he wants.”
Min Jin Lee, Pachinko

Min Jin Lee
“Living everyday in the presence of those who refuse to acknowledge your humanity takes great courage.”
Min Jin Lee, Pachinko

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