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Nobody's Girl: A ...
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Aug 11, 2026 03:32PM

 
Book cover for Twixt Firelight and Water (Sevenwaters, #5.5)
‘By earth and air, by fire and water, I bind myself to you. Until the stars no longer shine on us, until the earth covers our bones, until the light turns to dark, until death changes us forever, I will stand by you, Conri, my husband.’
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E.J. Mellow
“The middle of the night is just as advantageous as the middle of the day.”
E.J. Mellow, Symphony for a Deadly Throne

Stephanie Garber
“Hope is a powerful thing. Some say it’s a different breed of magic altogether. Elusive, difficult to hold on to. But not much is needed.”
Stephanie Garber, Caraval

Stephanie Garber
“She couldn't honestly deny he was extremely appealing physically. His rugged face, his wild dark hair, his warm brown skin. And even though she would never tell him, she loved the way he moved, with total confidence, as though nothing in the world could harm him. It made her less fearful when she was around him. As if boldness and bravery did not always end in defeat.”
Stephanie Garber, Caraval

“For this scribe has read a great many of these accounts and taken away another lesson: that to be a woman is to have your story misremembered. Discarded. Twisted. In courtyard tales, women are the adulterous wives whose treachery begins a husband's descent into murderous madness or the long-suffering mothers who give birth to proper heroes. Biographers polish away the jagged edges of capable, ruthless queens so they may be remembered as saints, and geographers warn believing men away from such and such a place with scandalous tales of lewd local females who cavort in the sea and ravish foreign interlopers. Women are the forgotten spouses and unnamed daughters. Wet nurses and handmaidens; thieves and harlots. Witches. A titillating anecdote to tell your friends back home or a warning.”
S A Chakraborty

“For as I have been reminded again and again and AGAIN, history is a construct, ever-changing and always subjective. Not only does it reveal the biases of its teller, audience and intention, but also there is often much we simply don’t know.”
S A Chakraborty

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