Rambling Reader

“In the center of all these transformations is the fugitive slave. Winning her emancipation singly, in groups and en masse, stealing through dark swamps and across busy roads, dodging the slave catchers and outwitting police patrols, she moves unseen on the edges of history, changing it inexorably with her flight. To find herself, she must steal and abolish white property, must abolish herself-as-property. She strikes fear into the heart of white society because she reveals just how flimsy their regimes of property, power, and domination can be in the face of her jailbreak for freedom. This specter of slaves freeing themselves is American history’s first image of Black looters.”
― Vicky Osterweil, In Defense of Looting: A Riotous History of Uncivil Action

“Ballad"

Oh dream, why do you do me this way?
Again, with the digging, again with the digging up.
Once more with the shovels.
Once more, the shovels full of dirt.
The vault lid. The prying. The damp boards.

Mother beside me.
Like she’s an old hat at this.
Like all she’s got left is curiosity.
Like curiosity didn’t kill the red cat.
Such a sweet, gentle cat it was.

Here we go again, dream.
Mother, wearing her take-out-the-garbage coat.
I haven’t seen that coat in years.
The coat she wore to pick me up from school early.
She appeared at the back of the classroom, early.

Go with your mother, teacher said.
Diane, you are excused.
I was a little girl. Already a famous actress.
I looked at the other kids. I acted lucky.
Though everyone knows what an early pick-up means.

An early pick-up, dream.
What’s wrong, I asked my mother. It is early spring.
Bright sunlight. The usual birds.
Air, teetering between bearable and unbearable.
Cold, but not cold enough to shiver.

Still, dream, I shiver.
You know, my mother said.
Her long garbage coat flying.
There was a wind, that day.
A wind like a scurrying grandmother, dusting.

Look inside yourself, my mother said.
You know why I have come for you.
And still I acted lucky. Lucky to be out.
Lucky to be out in the cold world with my mother.
I’m innocent, I wanted to say.

A little white girl, trying out her innocence.
A white lamb, born into a cold field.
Frozen almost solid. Brought into the house.
Warmed all night with hair dryers.
Death? I said. Smiling. Lucky.

We’re barely to the parking lot.
Barely to the car ride home.
But the classroom already feels like the distant past.
Long ago, my classmates pitying me.
Arriving at this car full of uncles.

Were they wearing suits? Death such a formal occasion.
My sister, angry-crying next to me.
Me, encountering a fragment of evil in myself.
Evilly wanting my mother to say it.
What? I asked, smiling. My lamb on full display at the fair.

He’s dead! my sister said. Hit me in the gut with her flute.
Her flute case. Her rental flute. He’s dead!
Our father.
Our father, who we were not supposed to know had been dying.
He’s dead! The flute gleaming in its red case.

Here, my mother said at home.
She’d poured us each a small glass of Pepsi
We normally couldn’t afford Pepsi.
Lucky, I acted.
He’s no longer suffering, my mother said.

Here, she said. Drink this.
The little bubbles flew. They bit my tongue.
My evil persisted. What is death? I asked.
And now, dream, once more you bring me my answer.
Dig, my mother says. Pry, she says.

I don’t want to see, dream.
The lid so damp it crumbles under my hands.
The casket just a drawerful of bones.
A drawerful. Just bones and teeth.
That one tooth he had. Crooked like mine.”
― Diane Seuss

“Then I caught myself foolishly imagining that gays might someday constitute a community rather than a diagnosis.”
― Edmund White, The Beautiful Room Is Empty

“The best explanation of masochism, the appeal of masochism, is that it accepts shame; the sickening shame one must swallow and hide is at last accepted, employed, even loved—the shame about a mutilation, hairiness, too much or not enough fat, the shame about wanting to serve, to be a dog, son, wife, slave, horse, prisoner.”
― Edmund White, The Beautiful Room Is Empty