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Book cover for Where Bigfoot Walks: Crossing the Dark Divide
For myself, I feel that nature is good enough and rich enough that a “supernatural” is not required. Therefore I try to look at the imponderables as things to ponder, certainly not to be dismissed as fantasy, phantasmagoria, or spectral ...more
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Olivia Laing
“Loneliness is collective; it is a city. As to how to inhabit it, there are no rules and nor is there any need to feel shame, only to remember that the pursuit of individual happiness does not trump or excuse our obligations to each another.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Ellen Meloy
“Sometimes the desert exhilarates me to the point of soaring. Other times I am so heartsick I cannot bear up against the despair, a palpable, aching longing. Longing for this wild beauty to last and for me never to die and no longer be able to feel, see, hear, taste, and breathe it. A yearning to die before the desert's wild heart is lost so I do not have to witness it. A longing to be a better person, for the world to be a better place, for us to truly measure up to this land, for this land not to be a battlefield of anger and greed. When these two opposing conditions, elation and despair, follow one another too quickly, the universe seems careless and precipitate. I soar, I crash, a squall of heat let loose in the ethos.

Or else I get hungry.”
Ellen Meloy, The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky

Jill Lepore
“History isn’t only a subject; it’s also a method. My method is, generally, to let the dead speak for themselves. I’ve pressed their words between these pages, like flowers, for their beauty, or like insects, for their hideousness. The work of the historian is not the work of the critic or of the moralist; it is the work of the sleuth and the storyteller, the philosopher and the scientist, the keeper of tales, the sayer of sooth, the teller of truth.”
Jill Lepore, These Truths: A History of the United States

Mary Oliver
“This I have always known - that if I did not live my life immersed in the one activity which suits me, and which also, to tell the truth, keeps me utterly happy and intrigued, I would come someday to bitter and mortal regret.”
Mary Oliver, A Poetry Handbook

Maggie Nelson
“I remember, in the eighties, when crack first hit the scene, hearing all kinds of horror stories about how if you smoked it even once, the memory of its unbelievable high would live on in your system forever, and you would thus never again be able to be content without it. I have no idea if this is true, but I will admit that it scared me off the drug. In the years since, I have sometimes found myself wondering if the same principle applies in other realms - if seeing a particularly astonishing shade of blue, for example, or letting a particularly potent person inside you, could alter you irrevocably, just to have seen or felt it. In which case, how does one know when, or how, to refuse? How to recover?”
Maggie Nelson, Bluets

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