Matt Wright

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Olivia Laing
“I don't believe the cure for loneliness is meeting someone, not necessarily. I think it's about two things: learning how to befriend yourself and understanding that many of the things that seem to afflict us as individuals are in fact a result of larger forces of stigma and exclusion, which can and should be resisted.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Olivia Laing
“So much of the pain of loneliness is to do with concealment, with feeling compelled to hide vulnerability, to tuck ugliness away, to cover up scars as if they are literally repulsive. But why hide? What's so shameful about wanting, about desire, about having failed to achieve satisfaction, about experiencing unhappiness? Why this need to constantly inhabit peak states, or to be comfortably sealed inside a unit of two, turned inward from the world at large?”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Wendell Berry
“THE WILD ROSE” – BY WENDELL BERRY

Sometimes, hidden from me in daily custom and in ritual
I live by you unaware, as if by the beating of my heart.
Suddenly you flare again in my sight
A wild rose at the edge of the thicket where yesterday there was only
shade
And I am blessed and choose again,
That which I chose before.”
WENDELL BERRY
tags: poems

Olivia Laing
“There is a gentrification that is happening to cities, and there is a gentrification that is happening to the emotions too, with a similarly homogenising, whitening, deadening effect. Amidst the glossiness of late capitalism, we are fed the notion that all difficult feeling - depression, anxiety, loneliness, rage - are simply a consequence of unsettled chemistry, a problem to be fixed, rather than a response to structural injustice or, on the other hand, to the native texture of embodiment, of doing time, as David Wojnarowicz memorably put it, in a rented body, with all the attendant grief and frustration that entails.”
Olivia Laing, The Lonely City: Adventures in the Art of Being Alone

Rachel Cusk
“But in a way it's like looking at old photographs of yourself. There comes a point at which the record needs to be updated, because you've shed too many links with what you were. He doesn't quite know how it happened; all he knows is that he doesn't recognize himself in those stories any more, though he remembers the bursting feeling of writing them, something in himself massing and pushing irresistibly to be born. He hasn't had that feeling since; he almost thinks that to remain a writer he'd have to become one all over again, when he might just easily become an astronaut, or a farmer. It's as if he can't quite remember what drove him into words in the first place, all those years before, yet words are what he still deals in. I suppose it's a bit like marriage, he said. You build a whole structure on a period of intensity that's never repeated. It's the basis of your faith and sometimes you doubt it, but you never renounce it because too much of your life stands on that ground.”
Rachel Cusk, Outline

289056 The Best Book Club on Earth — 8 members — last activity Nov 20, 2017 12:51PM
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