Ben Lerner


Born
in Topeka, Kansas, The United States
February 04, 1979

Genre


Ben Lerner is an American poet, novelist, and critic. He was awarded the Hayden Carruth prize for his cycle of fifty-two sonnets, The Lichtenberg Figures. In 2004, Library Journal named it one of the year's twelve best books of poetry. The Lichtenberg Figures appeared in a German translation in 2010, for which it received the "Preis der Stadt Münster für internationale Poesie" in 2011, making Lerner the first American to receive this honor.

Born and raised in Topeka, which figures in each of his books of poetry, Lerner is a 1997 graduate of Topeka High School where he was a standout in debate and forensics. At Brown University he earned a B.A. in Political Theory and an MFA in Poetry. He traveled on a Fulbright Scholarship to Madrid, Spain i
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Average rating: 3.72 · 38,245 ratings · 4,824 reviews · 41 distinct worksSimilar authors
10:04

3.74 avg rating — 10,186 ratings — published 2014 — 34 editions
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Leaving the Atocha Station

3.79 avg rating — 11,330 ratings — published 2011 — 38 editions
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The Topeka School

3.55 avg rating — 12,133 ratings — published 2019 — 18 editions
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The Hatred of Poetry

3.80 avg rating — 2,052 ratings — published 2016 — 19 editions
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Angle of Yaw

4.13 avg rating — 782 ratings — published 2006 — 5 editions
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The Lichtenberg Figures

4.17 avg rating — 607 ratings — published 2004 — 7 editions
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Mean Free Path

4.07 avg rating — 446 ratings — published 2010 — 4 editions
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No Art: Poems

4.05 avg rating — 74 ratings2 editions
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Elegías doppler

4.28 avg rating — 18 ratings — published 2015 — 3 editions
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Eleven Eleven

4.60 avg rating — 5 ratings — published 2007
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“Art has to offer something other than stylized despair.”
Ben Lerner, 10:04

“The chicken is a little dry and/or you've ruined my life.”
Ben Lerner

“I tried hard to imagine my poems or any poems as machines that could make things happen, changing the government, or the economy or even their language, the body or its sensorium, but I could not imagine this, could not even imagine imagining it. And yet when I imagined the total victory of those other things over poetry, when I imagined, with a sinking feeling, a world without even the terrible excuses for poems that kept faith with the virtual possibilities of the medium, without the sort of absurd ritual I'd participated in that evening then I intuited an inestimable loss, a loss not of artworks but of art, and therefore infinite, the total triumph of the actual, and I realized that, in such a world, I would swallow a bottle of white pills.”
Ben Lerner, Leaving the Atocha Station

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