Mary Catelli
Goodreads Author
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in The United States
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Member Since
June 2013
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A Diabolical Bargain
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published
2015
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3 editions
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The Princess Seeks Her Fortune
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published
2018
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2 editions
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Madeleine and the Mists
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published
2015
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3 editions
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Curses And Wonders
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published
2014
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3 editions
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Treachery And Spells
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published
2016
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3 editions
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The Wolf and the Ward
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published
2015
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The Witch-Child and the Scarlet Fleet
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published
2016
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3 editions
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The Lion and the Library
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published
2015
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3 editions
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Queen Shulamith's Ball
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published
2019
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2 editions
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Spells in Secret
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published
2020
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2 editions
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Mary’s Recent Updates
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Mary Catelli
rated a book it was amazing
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A short-story cycle, with delicate threads weaving it together past the main connection, which is that, in every story, someone comes to the library while troubled at heart. The librarian gives recommendations for books, one of which is off-the-wall, ...more |
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Mary Catelli
rated a book it was amazing
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Book 7 of The Vixen War Bride Series. Spoilers for the earlier ones ahead. Five years after the Dark Ones -- Ben and Alacea have adopted a war orphan; Ramirez and Alzoria returned, with Ramirez now working with Ben to train Va'Shen commandos. In this p ...more |
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Mary Catelli
rated a book it was amazing
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Book 2 of Magical Empires, but it does shift to new characters and fill you in the relevant first book knowledge. (Spoilers for the first book, though.) It opens with the two main characters separately: Michael Aisling, son and now brother of a duke, ...more |
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Mary Catelli
made a comment in the group
Sci-fi and Heroic Fantasy
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What have you been reading this May?
topic
"
Isabella wrote: "Re-reading The Lord of the Rings from cover to cover because I haven't read it for years."
It was amazing how much more marvelous it w ...more " |
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"
Sea Bunny wrote: "The art in this series is really lovely."
Gorgeous. ...more " |
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Wanda Pedersen
is on page 20 of 368 of Trace Elements: One big difference between genre fantasy and magical realism is that the genre fantasy contract promises that the consequences of the fantastic element will be deep and significant, consistent through the world, while in magical realism the fantastic element will not affect the larger world and serves mainly as an allegory to help character(s) undergo character development.
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Mary Catelli
and
1 other person
liked
Wanda Pedersen's status update
Wanda Pedersen
is on page 45 of 368 of Trace Elements: Old SF works sometimes look very clunky, as if they're inventing the wheel--because they are inventing the wheel, explaining common SF concepts like telepathy or time dilation in plodding detail because they're writing for audiences who (unlike current ones) hadn't met these ideas before. Modern SF assumes we know the basics.
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Mary Catelli
rated a book really liked it
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The tale continues. Mid-cliffhanger, so spoiler warning for the earlier volumes Tez and Ailette must face the final boss of the dungeon, whose claim of death being rest does not impress Tez. But then it does on with the church. (I must say, the metaphy ...more |
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Mary Catelli
rated a book it was amazing
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A slightly misleading subtitle -- but only slightly. The first volume Our narrator is about to complete brewing the poison that will mark the end of his studies. He will become an assassin and a valued servant to the fae Autumn King, and do his family ...more |
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Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
Hoyt's Huns:
December 2021 -- Fairy tales
|
4 | 9 | Nov 21, 2021 07:33PM | |
| Beyond Reality: Sorcery & Cecelia Buddy Read | 35 | 21 | Feb 18, 2023 07:52PM | |
Hoyt's Huns:
December 2024 -- retold fairy tales
|
2 | 3 | Nov 18, 2024 10:35AM | |
Hoyt's Huns:
November 2025 -- high fantasy
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2 | 3 | Oct 10, 2025 09:05PM | |
| Hoyt's Huns: * Book Of the Month Announcements | 593 | 96 | Nov 03, 2025 07:08PM |
“It is necessary to create constraints, in order to invent freely. In poetry the constraint can be imposed by meter, foot, rhyme, by what has been called the "verse according to the ear."... In fiction, the surrounding world provides the constraint. This has nothing to do with realism... A completely unreal world can be constructed, in which asses fly and princesses are restored to life by a kiss; but that world, purely possible and unrealistic, must exist according to structures defined at the outset (we have to know whether it is a world where a princess can be restored to life only by the kiss of a prince, or also by that of a witch, and whether the princess's kiss transforms only frogs into princes or also, for example, armadillos).”
―
―
“The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!”
―
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!”
―
“Let us not, therefore, be prompt in arguments and indolent in prayers.”
― The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ...
― The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ...
“The man of system, on the contrary, is apt to be very wise in his own conceit; and is often so enamoured with the supposed beauty of his own ideal plan of government, that he cannot suffer the smallest deviation from any part of it. He goes on to establish it completely and in all its parts, without any regard either to the great interests, or to the strong prejudices which may oppose it.
He seems to imagine that he can arrange the different members of a great society with as much ease as the hand arranges the different pieces upon a chess-board. He does not consider that the pieces upon the chess-board have no other principle of motion besides that which the hand impresses upon them; but that, in the great chess-board of human society, every single piece has a principle of motion of its own, altogether different from that which the legislature might chuse to impress upon it. If those two principles coincide and act in the same direction, the game of human society will go on easily and harmoniously, and is very likely to be happy and successful. If they are opposite or different, the game will go on miserably, and the society must be at all times in the highest degree of disorder.”
―
He seems to imagine that he can arrange the different members of a great society with as much ease as the hand arranges the different pieces upon a chess-board. He does not consider that the pieces upon the chess-board have no other principle of motion besides that which the hand impresses upon them; but that, in the great chess-board of human society, every single piece has a principle of motion of its own, altogether different from that which the legislature might chuse to impress upon it. If those two principles coincide and act in the same direction, the game of human society will go on easily and harmoniously, and is very likely to be happy and successful. If they are opposite or different, the game will go on miserably, and the society must be at all times in the highest degree of disorder.”
―
“The most dangerous person on earth is the arrogant intellectual who lacks the humility necessary to see that society needs no masters and cannot be planned from the top down.”
― The Fatal Conceit (Paper)(Hardback) - 1991 Edition
― The Fatal Conceit (Paper)(Hardback) - 1991 Edition
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