Barbara

“You must make your own map of the world. Search out your own piece of sky and patch of earth, your own awning to sleep under when it is raining and it feels the sun may never shine again, for there will certainly be such days. No one can walk this path for you. You cannot simply follow in another's footsteps, as though life were a complicated dance, every turn and twist memorized and prepared for ahead of time. There are many things in the world you can inherit: money, land, power, a crown. But an adventure is not one of them; you must make your own journey.”
― Katherine J. Chen, Joan

“What would I gain by being a man?" she says. "A cock, a deeper voice, hair across my chest. I would not become stronger. I am already strong." And, she thinks, I would inherit several weaknesses of man's nature: his lust, his boundless aggression, his desire to tame all that he touches--the beasts of the field, the earth, women. For a man cannot see anything in the world without wishing to wear it like a trophy on his back, to call himself master over it. To her, this is what it means to be a man.”
― Katherine J. Chen, Joan

“Power changes men, and not for the better or kings and soldiers wouldn't be so merciless. And on such power the world is built: gods and kings at the top, who are bound to no will but their own., then governors and courtiers, then soldiers and so on, until, at the bottom, common people such as herself. All commoners can do is pray and worship, gaining favors with loyalty and adulation. And, of course, subdue those even smaller and weaker than they are.”
― Costanza Casati, Babylonia

“Guitar Town was out, and it was doing okay," [Steve] Earle recalled. "But the label didn't want it to happen. Jimmy [Bowen] certainly didn't. He didn't like the record. He didn't like me. But it was out there and got really good reviews, though mostly from the rock side of things. . . . "'Guitar Town' was doing okay as the second single," Earle said. "Then around the same time, Bruce Springsteen walked into Tower Records in L.A. and bought a couple of things. He got Willy DeVille's first solo record, and he bought Guitar Town. A kid who worked there at Tower reported it, and it ended up in a column in Billboard. I sold fifty thousand records the next week and got booked all over the place. So that was it: I had a career largely because Bruce bought my record and it got into print.”
― Warren Zanes, Deliver Me from Nowhere: The Making of Bruce Springsteen's Nebraska