Gregg

“Since she started teaching and become a mother, she'd felt old, but that night, she realized she wasn't old at all. You couldn't be old and still be wrong about as many things as she'd been wrong about, and it was a kind of immaturity to call yourself old before you were.”
― Gabrielle Zevin, Tomorrow and Tomorrow and Tomorrow

“A waitress had come out of nowhere. “What can I get you?”

​I looked around the table, only to realize that everyone was staring at me. ​“Uh... five... beers?” ​

“Five beers.”

​“Yup!”

​“Any particular kind?”

​“…good ones?” ​

“Can I see your ID?” ​

“Goddammit.” I handed it over.”
― Mark Hill

“She was happy, in a bubble, and the only reason to pop it was on the grounds that bubbles were not real life. But bubbles made life tolerable, and the trick was to blow as many as possible. There were new-baby bubbles, and honeymoon bubbles, and success-at-work bubbles, and new-friends bubbles, and great-holiday bubbles, and even tiny TV-series bubbles, dinner bubbles, party bubbles. They all burst without intervention, and then it was a matter of getting through to the next one. Life hadn’t been fizzy for a while. It had been hard.”
― Nick Hornby, Just Like You

“Now, we’ll begin,’ interrupted Mr. Torkingham, his mind returning to this world again on concluding his search for a hymn.

Thereupon the racket of chair-legs on the floor signified that they were settling into their seats,—a disturbance which Swithin took advantage of by going on tiptoe across the floor above, and putting sheets of paper over knot-holes in the boarding at points where carpet was lacking, that his lamp-light might not shine down. The absence of a ceiling beneath rendered his position virtually that of one suspended in the same apartment.

The parson announced the tune, and his voice burst forth with ‘Onward, Christian soldiers!’ in notes of rigid cheerfulness.

In this start, however, he was joined only by the girls and boys, the men furnishing but an accompaniment of ahas and hems. Mr. Torkingham stopped, and Sammy Blore spoke,—

‘Beg your pardon, sir,—if you’ll deal mild with us a moment. What with the wind and walking, my throat’s as rough as a grater; and not knowing you were going to hit up that minute, I hadn’t hawked, and I don’t think Hezzy and Nat had, either,—had ye, souls?’

‘I hadn’t got thorough ready, that’s true,’ said Hezekiah.

‘Quite right of you, then, to speak,’ said Mr. Torkingham. ‘Don’t mind explaining; we are here for practice. Now clear your throats, then, and at it again.’

There was a noise as of atmospheric hoes and scrapers, and the bass contingent at last got under way with a time of its own:

‘Honwerd, Christen sojers!’

‘Ah, that’s where we are so defective—the pronunciation,’ interrupted the parson. ‘Now repeat after me: “On-ward, Christ-ian, sol-diers.”’

The choir repeated like an exaggerative echo: ‘On-wed, Chris-ting, sol-jaws!’

‘Better!’ said the parson, in the strenuously sanguine tones of a man who got his living by discovering a bright side in things where it was not very perceptible to other people. ‘But it should not be given with quite so extreme an accent; or we may be called affected by other parishes. And, Nathaniel Chapman, there’s a jauntiness in your manner of singing which is not quite becoming. Why don’t you sing more earnestly?”
― Thomas Hardy, Two on a Tower