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The Spear Cuts Th...
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by Simon Jimenez (Goodreads Author)
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One Hundred Years...
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  (page 203 of 429)
Mar 08, 2026 12:00PM

 
Nothing to Envy: ...
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by Barbara Demick (Goodreads Author)
bookshelves: currently-reading, non-fic, trks
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Oscar Wilde
“I am afraid that she is a coquette, for she is always flirting with the wind.”
Oscar Wilde, The Happy Prince

Daniel Woodrell
“The fella had wandered over to where I could totally see him, face on, in decent light, and how he looked—well, it ain’t easy for me to say out loud.

He’s the kind of fella that if he was to make it to the top based only on his looks you’d still have to say he deserved it. Hoodoo sculptors and horny witches knitted that boy, put his bone and sinew in the most fabulous order. Dark-haired, green-eyed, with face bones delicate and dramatic both. If your ex had his lips you’d still be married. His size was somewhat smallish, but he was otherwise for certain the most beautiful boy I ever had seen. I’m afraid “beautiful” is the only word I can make work here, and I’m not bent or nothin’, but beautiful is the truth.”
Daniel Woodrell, Tomato Red

Daniel Woodrell
“Fair?' Bev said. 'Poor baby. Look, you're really sayin' that the ways of life are glum and grim and nasty, and I guess you want to turn crybaby about that, but what's on my mind is, Whoever misled you things were otherwise, hon? What sugar factory spun you out with such silly candy-assed notions? For cryin' out loud. There's other staples I'll break to you right now, too: The sun gives life but you'd be an ash flake if you got too close to it, you got to swallow water to live but sometimes it kills you, Uncle Sam don't truly count you as any relation, and God has gone blank on your name and face.”
Daniel Woodrell, Tomato Red

Patrick Rothfuss
“There was a door, but it was terribly bashful, so Auri politely pretended not to see it.”
Patrick Rothfuss, The Slow Regard of Silent Things

Kathe Koja
“In his comfortable coffin, face veiled in dark silk, eyes open or closed, Pan Loudermilk lies waiting, a player from a tribe never stilled so much as gathered, potential as potent as a knife in the scabbard, a poem in the mind, a wind that rises as a breeze in the tropics, later to lash the wintry coastline, and smash its boats and sailors on the shore. Or perhaps that is purest make-believe, as a puppet is only a tool, made of wood, and wool, and wire. As we are blood, and fancy, and bites of bone and dream.”
Kathe Koja, Under the Poppy

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