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Crime and Punishment
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Anne Rice
“I never laughed at you," he said. "I cannot afford to laugh at you. It is through you that I can save myself from the despair which I've described to you as our death. It is through you that I must make my link with this nineteenth century and come to understand it in a way that will revitalize me, which I so desperately need. It is for you that I've been waiting at the Théâtre des Vampires. If I knew of a mortal of that sensitivity, that pain, that focus, I would make him a vampire in an instant. But such can rarely be done. No, I've had to wait and watch for you. And now I'll fight for you. Do you see how ruthless I am in love? Is that what you meant by love?”
Anne Rice, Interview with the Vampire

Margaret  Rogerson
“God, Elisabeth, I've been doomed since the moment I watched you smack a fiend off my carriage with a crowbar. How could you not tell? Silas has been rolling his eyes at me for weeks.”
Margaret Rogerson, Sorcery of Thorns

Kelly Quindlen
“It takes me a while to fall asleep. I can feel Irene struggling, too. It feels too intimate, too revealing, to sleep alongside each other like this. I'm too attuned to her breathing cycle, to the sound of her cheek finding the cold part of the pillow. I'm too aware of the smell of her hair, only inches from my face.”
Kelly Quindlen, She Drives Me Crazy

Namina Forna
“He'll grow older as I remain unchanged, and I have to make my peace with that, have to understand that no matter what I feel for him, we will never be what I want us to be.

Besides, I'll always have Britta. The feelings I have for Keita always make me feel warm, but Britta's the one who's forever there by my side, ready to support me, to push me when I'm being silly, to laugh with me when I need cheer. I've learned many things these past few months, and if there's one thing I know, it's this: Britta is my dearest friend, and my kinship with her is the foundation I stand on.”
Namina Forna, The Gilded Ones

N.G. Peltier
“Heart's beating a bit fast there."

"You can feel that?" she asked, absolutely mortified.

He laughed and spun her away, not missing a beat with the music. This time when their bodies met again, their faces were so close, she felt his breath on her cheek when he said, "I can feel everything.”
N.G. Peltier, Sweethand

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