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E
https://www.goodreads.com/eringilson
I didn’t wear clothes from Abercrombie & Fitch or American Eagle unless I’d received them for Christmas.
I'm really not getting thd big deal about this book. the prose is singsongy and stale like it was ghostwritten by a medical professional. it lacks grit and is unconvincing, likd the diary of a teenager. it's been a struggle. im guessing his application to Yale Law School dwelled on these terrible hardships he hsd to endure but im shocked that someone with prose this awful convinced anyone of them. It's eyerolling.
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“In Senegal, the polite expression for saying someone died is to say his or her library has burned. When I first heard the phrase, I didn’t understand it, but over time I came to realize it was perfect. Our minds and souls contain volumes inscribed by our experiences and emotions; each individual’s consciousness is a collection of memories we’ve cataloged and stored inside us, a private library of a life lived. It is something that no one else can entirely share, one that burns down and disappears when we die. But if you can take something from that internal collection and share it—with one person or with the larger world, on the page or in a story recited—it takes on a life of its own.”
― The Library Book
― The Library Book
“Good writing, on the other hand, teaches the learning writer about style, graceful narration, plot development, the creation of believable characters, and truth-telling. A novel like The Grapes of Wrath may fill a new writer with feelings of despair and good old-fashioned jealousy—“I’ll never be able to write anything that good, not if I live to be a thousand”—but such feelings can also serve as a spur, goading the writer to work harder and aim higher. Being swept away by a combination of great story and great writing—of being flattened, in fact—is part of every writer’s necessary formation. You cannot hope to sweep someone else away by the force of your writing until it has been done to you.”
― On Writing: A Memoir of the Craft
― On Writing: A Memoir of the Craft
“Hemingway and Fitzgerald didn’t drink because they were creative, alienated, or morally weak. They drank because it’s what alkies are wired up to do. Creative people probably do run a greater risk of alcoholism and addiction than those in some other jobs, but so what? We all look pretty much the same when we’re puking in the gutter.”
― On Writing: A Memoir of the Craft
― On Writing: A Memoir of the Craft
“That’s no good. If there’s no joy in it, it’s just no good. It’s best to go on to some other area, where the deposits of talent may be richer and the fun quotient higher.”
― On Writing: A Memoir of the Craft
― On Writing: A Memoir of the Craft
“But what do we expect will become of students, successfully cocooned from uncomfortable feelings, once they leave the sanctuary of academe for the boorish badlands of real life? What becomes of students so committed to their own vulnerability, conditioned to imagine they have no agency, and protected from unequal power arrangements in romantic life? I can’t help asking, because there’s a distressing little fact about the discomfort of vulnerability, which is that it’s pretty much a daily experience in the world, and every sentient being has to learn how to somehow negotiate the consequences and fallout, or go through life flummoxed at every turn.”
― The Best American Essays 2016
― The Best American Essays 2016
E’s 2025 Year in Books
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