“I formed several possible stories out of her speech, formed them at once, so it was less like I failed to understand than that I understood in chords, understood in a plurality of worlds.”
― Leaving the Atocha Station
― Leaving the Atocha Station
“because the cigarette or spliff was an indispensable technology, a substitute for speech in social situations, a way to occupy the mouth and hands when alone, a deep breathing technique that rendered exhalation material, a way to measure and/or pass the time. More important than the easily satisfiable addiction, what the little cylinders provided me was a prefabricated motivation and transition, a way to approach or depart from a group of people or a topic, enter or exit a room, conjoin or punctuate a sentence. The hardest part of quitting would be the loss of narrative function; it would be like removing telephones or newspapers from the movies of Hollywood’s Golden Age; there would be no possible link between scenes, no way to circulate information or close distance, and when I imagined quitting smoking, I imagined “settling down,” not because I associated quitting with a more mature self-care, but because I couldn’t imagine moving through an array of social spaces without the cigarette as bridge or exit strategy.”
― Leaving the Atocha Station
― Leaving the Atocha Station
“I told the waiter I was looking for a hotel whose name I didn't know on a street whose name I didn't know and could he help me; we both laughed and he said: Aren't we all.”
― Leaving the Atocha Station
― Leaving the Atocha Station
“And if we never slept together or otherwise 'realized' our relationship, I would leave Spain with this gorgeous possibility intact, and in my memory could always ponder the relationship I might have had in the flattering light of the subjunctive.”
― Leaving the Atocha Station
― Leaving the Atocha Station
Michele’s 2025 Year in Books
Take a look at Michele’s Year in Books, including some fun facts about their reading.
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