Dan Hassler-Forest

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Bob
Bob
5,406 books | 274 friends

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Ştefan ...
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Yvonne
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G M
G M
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Andy
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lex
lex
469 books | 35 friends

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Dan Hassler-Forest

Goodreads Author


Born
New York, The United States
Twitter

Genre

Influences

Member Since
August 2012


Dan Hassler-Forest is assistant professor of media and cultural studies at Utrecht University. He publishes widely on media convergence, genre cinema, critical theory, and zombies. He loves playing the ukulele and someday hopes to master the banjo.

Average rating: 3.57 · 148 ratings · 23 reviews · 16 distinct worksSimilar authors
Capitalist Superheroes: Cap...

3.63 avg rating — 62 ratings — published 2012 — 7 editions
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Science Fiction, Fantasy, a...

4.04 avg rating — 25 ratings5 editions
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Janelle Monáe's Queer Afrof...

really liked it 4.00 avg rating — 18 ratings3 editions
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Star Wars and the History o...

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3.71 avg rating — 14 ratings2 editions
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The Rise and Reason of Comi...

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3.06 avg rating — 17 ratings — published 2010 — 5 editions
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Transmedia: Verhalen Vertel...

3.07 avg rating — 15 ratings — published 2013 — 2 editions
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The Politics of Adaptation:...

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2.33 avg rating — 3 ratings — published 2015 — 6 editions
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Janelle Monáe’s "Dirty Comp...

really liked it 4.00 avg rating — 1 rating3 editions
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Fast and Furious Franchisin...

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Fast and Furious Franchisin...

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More books by Dan Hassler-Forest…
The MAD Archives,...
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Suddenly Somethin...
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Destiny of the Re...
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Dan’s Recent Updates

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The MAD Archives, Vol. 4 by Wallace Wood
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Suddenly Something Clicked by Walter Murch
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The Death and Return of Superman Omnibus by Dan Jurgens
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Reflections by Brad Dukes
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DC by Darwyn Cooke
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The Making of Quentin Tarantino's Once Upon a Time in Hollywood by Jay Glennie
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The Making of Quentin Tarantino's Once Upon a Time in Hollywood by Jay Glennie
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Beneath the Trees Where Nobody Sees by Patrick Horvath
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Reflections by Brad Dukes
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Quotes by Dan Hassler-Forest  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Bruce Wayne’s childhood experience of losing his parents during a random back-alley mugging remains the primary origin story for the Batman character, but other than irrationally (or, more accurately: insanely) motivating his desire to fight crime, the trauma seems to have had little discernable effect on his character.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

“Significantly, Superman’s first scene shows Jor-El rendering judgment, his deciding vote imposing the “Law of the Father ” on the criminal General Zod and his two followers, whose removal from Krypton’s symbolic order figuratively represents the castration associated with patriarchal punishment.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

Topics Mentioning This Author

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The Book Vipers: * Last book(s) you acquired 1293 511 Jan 29, 2020 10:25AM  
“To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. You’re everywhere you look, you’re the standard against which everyone else is measured. You’re like water, like air. People will tell you they went to see a “woman doctor” or they will say they went to see “the doctor.” People will tell you they have a “gay colleague” or they’ll tell you about a colleague. A white person will be happy to tell you about a “Black friend,” but when that same person simply mentions a “friend,” everyone will assume the person is white. Any college course that doesn’t have the word “woman” or “gay” or “minority” in its title is a course about men, heterosexuals, and white people. But we call those courses “literature,” “history” or “political science.”

This invisibility is political.”
Michael S. Kimmel, Privilege: A Reader

“There are too many books I haven’t read, too many places I haven’t seen, too many memories I haven’t kept long enough.”
Irwin Shaw

“The notion that capital – as an infinitely ramified system of exploitation, an abstract, intangible but overpowering logic, a process without a subject or a subject without a face – poses formidable obstacles to its representation has often been taken in a sublime or tragic key. *Vast*, beyond the powers of individual or collective cognition; *invisible*, in its fundamental forms; *overwhelming*, in its capacity to reshape space, time and matter – but unlike the sublime, or indeed the tragic, in its propensity to thwart any reaffirmation of the uniqueness and interiority of a subject. Not a shipwreck *with* a spectator, but a shipwreck *of* the spectator.”
Alberto Toscano

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