Discover new books on Goodreads
See if your friends have read any of Dan Hassler-Forest's books
Dan Hassler-Forest

year in books

Dan Hassler-Forest’s Followers (159)

member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
member photo
Wick We...
1,561 books | 498 friends

Bob
Bob
6,707 books | 275 friends

Kartik
4,530 books | 583 friends

Michael...
1,141 books | 4,230 friends

Edward ...
3,402 books | 1,222 friends

Hans Klis
6,978 books | 211 friends

sydney
2,129 books | 53 friends

Nicholas
1,887 books | 666 friends

More friends…

Dan Hassler-Forest

Goodreads Author


Born
New York, The United States
Twitter

Genre

Influences

Member Since
August 2012


Dan Hassler-Forest is assistant professor of media and cultural studies at Utrecht University. He publishes widely on media convergence, genre cinema, critical theory, and zombies. He loves playing the ukulele and someday hopes to master the banjo.

Average rating: 3.56 · 156 ratings · 27 reviews · 18 distinct worksSimilar authors
Capitalist Superheroes: Cap...

3.65 avg rating — 62 ratings — published 2012 — 7 editions
Rate this book
Clear rating
Science Fiction, Fantasy, a...

3.92 avg rating — 26 ratings5 editions
Rate this book
Clear rating
Janelle Monáe's Queer Afrof...

really liked it 4.00 avg rating — 18 ratings3 editions
Rate this book
Clear rating
Star Wars and the History o...

by
3.71 avg rating — 14 ratings2 editions
Rate this book
Clear rating
Transmedia: Verhalen Vertel...

3.07 avg rating — 15 ratings — published 2013 — 2 editions
Rate this book
Clear rating
Fast and Furious Franchisin...

4.25 avg rating — 4 ratings
Rate this book
Clear rating
The Politics of Adaptation:...

by
2.33 avg rating — 3 ratings — published 2015 — 6 editions
Rate this book
Clear rating
Janelle Monáe’s "Dirty Comp...

really liked it 4.00 avg rating — 1 rating3 editions
Rate this book
Clear rating
Fast and Furious Franchisin...

0.00 avg rating — 0 ratings
Rate this book
Clear rating
Fast and Furious Franchisin...

0.00 avg rating — 0 ratings
Rate this book
Clear rating
More books by Dan Hassler-Forest…
Open Wide: How Ho...
Rate this book
Clear rating

 
The Terror
Dan is currently reading
bookshelves: currently-reading
Rate this book
Clear rating

 
The Mastery of Lo...
Rate this book
Clear rating

 

Dan’s Recent Updates

Dan is currently reading
Open Wide by Dade Hayes
Rate this book
Clear rating
Dan rated a book really liked it
Mothers Who Can't Love by Susan Forward
Rate this book
Clear rating
Dan rated a book liked it
Strangers on a Train by Patricia Highsmith
Rate this book
Clear rating
Dan rated a book liked it
Mad as Hell by Dave Itzkoff
Rate this book
Clear rating
Dan is currently reading
The Terror by Dan Simmons
Rate this book
Clear rating
Dan rated a book it was amazing
The Lost City of Z by David Grann
Rate this book
Clear rating
Dan is currently reading
Mad as Hell by Dave Itzkoff
Rate this book
Clear rating
Dan rated a book really liked it
Will I Ever Be Good Enough? Healing the Daughters of Narcissi... by Karyl McBride
Rate this book
Clear rating
Dan is currently reading
The Mastery of Love by Miguel Ruiz
Rate this book
Clear rating
Dan finished reading
Will I Ever Be Good Enough? Healing the Daughters of Narcissi... by Karyl McBride
Rate this book
Clear rating
More of Dan's books…
Quotes by Dan Hassler-Forest  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Bruce Wayne’s childhood experience of losing his parents during a random back-alley mugging remains the primary origin story for the Batman character, but other than irrationally (or, more accurately: insanely) motivating his desire to fight crime, the trauma seems to have had little discernable effect on his character.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

“Significantly, Superman’s first scene shows Jor-El rendering judgment, his deciding vote imposing the “Law of the Father ” on the criminal General Zod and his two followers, whose removal from Krypton’s symbolic order figuratively represents the castration associated with patriarchal punishment.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

Topics Mentioning This Author

topics posts views last activity  
The Book Vipers: * Last book(s) you acquired 1293 513 Jan 29, 2020 10:25AM  
“To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. You’re everywhere you look, you’re the standard against which everyone else is measured. You’re like water, like air. People will tell you they went to see a “woman doctor” or they will say they went to see “the doctor.” People will tell you they have a “gay colleague” or they’ll tell you about a colleague. A white person will be happy to tell you about a “Black friend,” but when that same person simply mentions a “friend,” everyone will assume the person is white. Any college course that doesn’t have the word “woman” or “gay” or “minority” in its title is a course about men, heterosexuals, and white people. But we call those courses “literature,” “history” or “political science.”

This invisibility is political.”
Michael S. Kimmel, Privilege: A Reader

“There are too many books I haven’t read, too many places I haven’t seen, too many memories I haven’t kept long enough.”
Irwin Shaw

“The notion that capital – as an infinitely ramified system of exploitation, an abstract, intangible but overpowering logic, a process without a subject or a subject without a face – poses formidable obstacles to its representation has often been taken in a sublime or tragic key. *Vast*, beyond the powers of individual or collective cognition; *invisible*, in its fundamental forms; *overwhelming*, in its capacity to reshape space, time and matter – but unlike the sublime, or indeed the tragic, in its propensity to thwart any reaffirmation of the uniqueness and interiority of a subject. Not a shipwreck *with* a spectator, but a shipwreck *of* the spectator.”
Alberto Toscano

No comments have been added yet.