Dan Hassler-Forest

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Elizabe...
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Dan Hassler-Forest

Goodreads Author


Born
New York, The United States
Twitter

Genre

Influences

Member Since
August 2012


Dan Hassler-Forest is assistant professor of media and cultural studies at Utrecht University. He publishes widely on media convergence, genre cinema, critical theory, and zombies. He loves playing the ukulele and someday hopes to master the banjo.

Average rating: 3.56 · 149 ratings · 24 reviews · 17 distinct works
Capitalist Superheroes: Cap...

3.64 avg rating — 61 ratings — published 2012 — 7 editions
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Science Fiction, Fantasy, a...

4.04 avg rating — 25 ratings5 editions
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Janelle Monáe's Queer Afrof...

really liked it 4.00 avg rating — 18 ratings3 editions
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Star Wars and the History o...

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3.71 avg rating — 14 ratings2 editions
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Transmedia: Verhalen Vertel...

3.07 avg rating — 15 ratings — published 2013 — 2 editions
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The Politics of Adaptation:...

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2.33 avg rating — 3 ratings — published 2015 — 6 editions
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Janelle Monáe’s "Dirty Comp...

really liked it 4.00 avg rating — 1 rating3 editions
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Fast and Furious Franchisin...

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Fast and Furious Franchisin...

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More books by Dan Hassler-Forest…
A Cinema Without ...
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Partially Devoure...
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Reflections: On C...
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Dan’s Recent Updates

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A Cinema Without Walls by Timothy Corrigan
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Twin Peaks by Jeff Wood
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An inspired reading of the greatest hour of television ever produced. Wood's writing is a tour de force that rips through the episode minute by minute, with a magnificent balance between inspired detours and precise attention to the tiniest formal de ...more
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Partially Devoured by Daniel Kraus
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Twin Peaks by Jeff Wood
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An inspired reading of the greatest hour of television ever produced. Wood's writing is a tour de force that rips through the episode minute by minute, with a magnificent balance between inspired detours and precise attention to the tiniest formal de ...more
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Reflections by Sir Roger Deakins
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A Place Both Wonderful and Strange by Scott Meslow
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Why Horror Seduces by Mathias  Clasen
Why Horror Seduces
by Mathias Clasen (Goodreads Author)
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While I can understand the impulse to push back against the psychoanalytical frameworks that have historically dominated horror studies with an overwhelming emphasis on gender, this flimsy and under-theorized study pushes back much too hard without p ...more
A Very Nervous Person's Guide to Horror Movies by Mathias  Clasen
"As a horror scholar, I cannot help but find Clasen reductive in his analysis, a fact that is worsened by occasional oversights in the horror history he incorporates into A Very Nervous Person's Guide's to Horror Movies--for example, he attributes the" Read more of this review »
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Capitalism Hates You by Joshua Gooch
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Horror Film and Affect by Xavier Aldana  Reyes
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A superb study of horror cinema that confidently outlines a theoretical framework that prioritizes the body rather than any cultural or narrative codes as foundational in how the genre affects us. The writing can be a little stuffy and the high numbe ...more
More of Dan's books…
Quotes by Dan Hassler-Forest  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Bruce Wayne’s childhood experience of losing his parents during a random back-alley mugging remains the primary origin story for the Batman character, but other than irrationally (or, more accurately: insanely) motivating his desire to fight crime, the trauma seems to have had little discernable effect on his character.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

“Significantly, Superman’s first scene shows Jor-El rendering judgment, his deciding vote imposing the “Law of the Father ” on the criminal General Zod and his two followers, whose removal from Krypton’s symbolic order figuratively represents the castration associated with patriarchal punishment.”
Dan Hassler-Forest, Capitalist Superheroes: Caped Crusaders in the Neoliberal Age

Topics Mentioning This Author

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The Book Vipers: * Last book(s) you acquired 1293 511 Jan 29, 2020 10:25AM  
“To be white, or straight, or male, or middle class is to be simultaneously ubiquitious and invisible. You’re everywhere you look, you’re the standard against which everyone else is measured. You’re like water, like air. People will tell you they went to see a “woman doctor” or they will say they went to see “the doctor.” People will tell you they have a “gay colleague” or they’ll tell you about a colleague. A white person will be happy to tell you about a “Black friend,” but when that same person simply mentions a “friend,” everyone will assume the person is white. Any college course that doesn’t have the word “woman” or “gay” or “minority” in its title is a course about men, heterosexuals, and white people. But we call those courses “literature,” “history” or “political science.”

This invisibility is political.”
Michael S. Kimmel, Privilege: A Reader

“There are too many books I haven’t read, too many places I haven’t seen, too many memories I haven’t kept long enough.”
Irwin Shaw

“The notion that capital – as an infinitely ramified system of exploitation, an abstract, intangible but overpowering logic, a process without a subject or a subject without a face – poses formidable obstacles to its representation has often been taken in a sublime or tragic key. *Vast*, beyond the powers of individual or collective cognition; *invisible*, in its fundamental forms; *overwhelming*, in its capacity to reshape space, time and matter – but unlike the sublime, or indeed the tragic, in its propensity to thwart any reaffirmation of the uniqueness and interiority of a subject. Not a shipwreck *with* a spectator, but a shipwreck *of* the spectator.”
Alberto Toscano

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