˚ ౨ৎ⋆｡˚ ⋆ دانه

“To be, or not to be: that is the question:
Whether 'tis nobler in the mind to suffer
The slings and arrows of outrageous fortune,
Or to take arms against a sea of troubles,
And by opposing end them? To die: to sleep;
No more; and by a sleep to say we end
The heart-ache and the thousand natural shocks
That flesh is heir to, 'tis a consummation
Devoutly to be wish'd. To die, to sleep;
To sleep: perchance to dream: ay, there's the rub;
For in that sleep of death what dreams may come
When we have shuffled off this mortal coil,
Must give us pause: there's the respect
That makes calamity of so long life;
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's contumely,
The pangs of despised love, the law's delay,
The insolence of office and the spurns
That patient merit of the unworthy takes,
When he himself might his quietus make
With a bare bodkin? who would fardels bear,
To grunt and sweat under a weary life,
But that the dread of something after death,
The undiscover'd country from whose bourn
No traveller returns, puzzles the will
And makes us rather bear those ills we have
Than fly to others that we know not of?
Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o'er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.--Soft you now!
The fair Ophelia! Nymph, in thy orisons
Be all my sins remember'd!”
― William Shakespeare, Hamlet

“If I lived by the sea I would never be really sad. I get an immense sense of eternity and peace from the ocean. I can lose myself in staring at it hour after hour.

--from a letter to Aurelia Plath, written c. July 1951”
― Sylvia Plath, Letters of Sylvia Plath, Volume I: 1940-1956

“O, that this too too solid flesh would melt
Thaw and resolve itself into a dew!
Or that the Everlasting had not fix'd
His canon 'gainst self-slaughter! O God! God!
How weary, stale, flat and unprofitable,
Seem to me all the uses of this world!
Fie on't! ah fie! 'tis an unweeded garden,
That grows to seed; things rank and gross in nature
Possess it merely. That it should come to this!
But two months dead: nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr; so loving to my mother
That he might not beteem the winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would hang on him,
As if increase of appetite had grown
By what it fed on: and yet, within a month--
Let me not think on't--Frailty, thy name is woman!--
A little month, or ere those shoes were old
With which she follow'd my poor father's body,
Like Niobe, all tears:--why she, even she--
O, God! a beast, that wants discourse of reason,
Would have mourn'd longer--married with my uncle,
My father's brother, but no more like my father
Than I to Hercules: within a month:
Ere yet the salt of most unrighteous tears
Had left the flushing in her galled eyes,
She married. O, most wicked speed, to post
With such dexterity to incestuous sheets!
It is not nor it cannot come to good:
But break, my heart; for I must hold my tongue.”
― William Shakespeare, Hamlet

“في كل مرة أقول فيها " أحبك"، فإن الكلمة تخرج و كأنها جديدة، أعمق، و أغنى و كأنها كعكة خوخ مع فارق بسيط في الذوق و الملمس. بسبب كل هذا أتساءل، من ناحية المكان و الزمان، كم من الوقت المستمر و الفاصل احتاجه حتى أتمكن من الجلوس في نفس الغرفة معك و القراءة لساعات دون قول كلمة أو مقاطعة التحدث أو المناقشة أو مشاركة شيء معك، أن أقرأ دون ان يتراقص صوتي الداخلي مكرراً:"انت هنا… انت هنا..هنا!”
― Sylvia Plath, رسائل سيلفيا بلاث 1940 - 1963