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Sarah

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Sarah’s graphic-nonfiction shelf

The Complete Persepolis by Marjane Satrapi

Your Illustrated Guide To Becoming One With The Universe by Yumi Sakugawa

Meanwhile in San Francisco by Wendy MacNaughton

I Was Their American Dream by Malaka Gharib

The Loneliness of the Long-Distance Cartoonist by Adrian Tomine

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Sarah’s Bookshelves

to-read‎ (655)
currently-reading‎ (0)
read‎ (1309)
did-not-finish‎ (0)
bio-memoir‎ (116)
ballet‎ (112)
mystery-thriller‎ (80)
poc-nonfiction‎ (71)
anglo-euro-am-nonfic‎ (69)
aapi‎ (61)
balanchine‎ (48)
essays‎ (48)

childhood‎ (47)
history‎ (44)
graphic-novel‎ (41)
drama‎ (40)
graphic-nonfiction‎ (40)
ballet-memoir‎ (39)
2021-non-challenge‎ (38)
ya‎ (36)
french‎ (35)
ballet-history‎ (34)
food‎ (30)
nature‎ (30)

sci-fi‎ (27)
dance-studies‎ (26)
france‎ (24)
some-favorites‎ (24)
writing‎ (24)
fantasy‎ (23)
poetry‎ (23)
los-angeles‎ (22)
ballet-fiction‎ (20)
dance‎ (20)
genius-writers‎ (20)
penguin-little-black-classics‎ (20)

manga‎ (16)
old-adult‎ (16)
book-club‎ (14)
antarctica‎ (13)
cats‎ (13)
knitting‎ (13)
science‎ (13)
travel‎ (13)
comics-sequential-art‎ (12)
romance‎ (11)
ballet-reference‎ (10)
dick-lit‎ (10)

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Sarah’s Notes & Highlights

Book cover for Craft in the Real World: Rethinking Fiction Writing and Workshopping

Craft in the Real World: Rethinking Fiction Writing and Workshopping by Matthew Salesses

1 note & 15 highlights

Imagine, for example, a conversation about gardening in which other gardeners look at your garden and tell you about it without allowing you to talk about your attempts to grow it.

See Sarah’s 52 books with notes and highlights…

Sarah’s Quotes

“yes, yes, yes. I was and am awful and terrible.”
― Rufi Thorpe, The Girls from Corona del Mar

2 likes

“I like to do things certain ways and I disagree with everybody but I don't even want to argue.”
― George Balanchine

14 likes

“Still, a living, breathing human being--even a boneheaded or barely articulate one--conveys so much in person. The physical fact of a creature with heart thrumming and neurons flickering--what Shakespeare called the 'poor, bare, forked animal'--compels us all; we're all hardwired in moments of empathy to see ourselves in another.”
― Mary Karr, The Art of Memoir

2 likes