Abhishek Jha

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The Girl on the T...
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by Paula Hawkins (Goodreads Author)
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Amor Towles
“I guess the point I’m trying to make is that as a species we’re just no good at writing obituaries. We don’t know how a man or his achievements will be perceived three generations from now, any more than we know what his great-great-grandchildren will be having for breakfast on a Tuesday in March. Because when Fate hands something down to posterity, it does so behind its back.”
Amor Towles, A Gentleman in Moscow

Amor Towles
“We turn the gun on ourselves not because we are more indifferent and less cultured than the British, or the French, or the Italians. On the contrary. We are prepared to destroy that which we have created because we believe more than any of them in the power of the picture, the poem, the prayer, or the person.”
Amor Towles, A Gentleman in Moscow

Amor Towles
“For all the varied concerns attendant to the raising of a child—over schoolwork, dress, and manners—in the end, a parent’s responsibility could not be more simple: To bring a child safely into adulthood so that she could have a chance to experience a life of purpose and, God willing, contentment.”
Amor Towles, A Gentleman in Moscow

Amor Towles
“the wise man celebrates what he can.”
Amor Towles, A Gentleman in Moscow

Amor Towles
“From the earliest age, we must learn to say good-bye to friends and family. We see our parents and siblings off at the station; we visit cousins, attend schools, join the regiment; we marry, or travel abroad. It is part of the human experience that we are constantly gripping a good fellow by the shoulders and wishing him well, taking comfort from the notion that we will hear word of him soon enough. But experience is less likely to teach us how to bid our dearest possessions adieu. And if it were to? We wouldn’t welcome the education. For eventually, we come to hold our dearest possessions more closely than we hold our friends. We carry them from place to place, often at considerable expense and inconvenience; we dust and polish their surfaces and reprimand children for playing too roughly in their vicinity—all the while, allowing memories to invest them with greater and greater importance. This armoire, we are prone to recall, is the very one in which we hid as a boy; and it was these silver candelabra that lined our table on Christmas Eve; and it was with this handkerchief that she once dried her tears, et cetera, et cetera. Until we imagine that these carefully preserved possessions might give us genuine solace in the face of a lost companion.”
Amor Towles, A Gentleman in Moscow

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