Ching Netzley

“The old novels are all about Jane Austen and Dickens heroines who'd as soon put bullets through their heads as let a man kiss them. And, the new novels are...about Brett Ashley, who sleeps with any guy who really insists, but is a poetic pure tortured soul at heart....She talks Lady Brett and acts Shirley, handling the situation on the whole with remarkable willpower----'...'It doesn't take too much willpower, ' Marjorie burst out,...'with most of the boys, who are plain animals, and just need slapping down. And it doesn't take much willpower either wth the conceited intellectuals who try to disarm you by telling you that you're frigid. They're just amusing.”
― Herman Wouk, Marjorie Morningstar

“These contradictions, of course, lead to explosions, crises, in which momentary suspension of all labour and annihilation of a great part of the capital violently lead it back to the point where it is enabled [to go on] fully employing its productive powers without committing suicide. Yet, these regularly recurring catastrophes lead to their repetition on a higher scale, and finally to its violent overthrow. There are moments in the developed movement of capital which delay this movement other than by crises; such as e.g. the constant devaluation of a part of the existing capital: the transformation of a great part of capital into fixed capital which does not serve as agency of direct production; unproductive waste of a great portion of capital etc.”
― Karl Marx, Grundrisse: Foundations of the Critique of Political Economy

“You’re thinking somebody came over here, in the middle of a Category 4 hurricane, caught Nelson in the den, whacked him in the head, dragged his body outside, tried to clean up the blood, and then ran off? Seriously?”
― John Grisham, Camino Winds

“Ever morning, until you dead in the ground, you gone have to make this decision.” Constantine was so close, I could see the blackness of her gums. “You gone have to ask yourself, Am I gone believe what them fools say about me today?”
― Kathryn Stockett, The Help