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Fiction- What are you reading? Part 2
Christine wrote: "LauraT I really liked the book called called Christmas on the Coast by Lee Tobin McClain"
Seen it; but it's the third in a series I see; I'll have to start from the first
Seen it; but it's the third in a series I see; I'll have to start from the first

I always see something new when I revisit her books; she was so clever.



Sorry—I’ll fix the typo, it should be snirp.
I don’t know exectly what it means—clearly an unlikable person. Here’s t...”
Looks to me like a portmanteau of “snot” and “twirp.”

It wasn't as good as I had hoped, Christine. How are you enjoying Unsound by Ash Finley?
Greg wrote: "Continuing The Holly-Tree Inn and reading The Bluest Eye"
XIX Century together with the XX.
Best coupled ever!
XIX Century together with the XX.
Best coupled ever!


Apparently, this is book 1 of author Michael Michaud's The Introvert series. I didn't know that earlier.
Listening to The Bluest Eye in audio format for commuting when I need to do it, and I don't want to get too much further ahead of the group in The Holly-Tree Inn.
So, I started another book last night for my bedtime reading: The Sailor Who Fell from Grace with the Sea by Yukio Mishima. I had been looking forward to reading more by Mishima for so long as some other things I've read by him were so lovely. But I'm a little disappointed by the translation by John Nathan. It has the feel of academically accurate translations, which for me are so often dead on the page. There's no strong sense of cadence or rhythm, and nothing is very vivid or evocative in the way it's expressed.
It's too bad. I'd read an exquisite translation of Kawabata not long ago - I wish that translator had worked on this one.
So, I started another book last night for my bedtime reading: The Sailor Who Fell from Grace with the Sea by Yukio Mishima. I had been looking forward to reading more by Mishima for so long as some other things I've read by him were so lovely. But I'm a little disappointed by the translation by John Nathan. It has the feel of academically accurate translations, which for me are so often dead on the page. There's no strong sense of cadence or rhythm, and nothing is very vivid or evocative in the way it's expressed.
It's too bad. I'd read an exquisite translation of Kawabata not long ago - I wish that translator had worked on this one.






I would love to discuss it with you. It just seemed so out of tune with the rest of the book.
Shall we discusss it here or open a new thread to avoid spoiling anyone?
Ugh, earlier I got to a
really
unpleasant passage in The Sailor Who Fell from Grace with the Sea (by Yukio Mishima) involving an extremely evocative, gory, and lengthy description of violence to an animal. A warning to any who might be triggered by such things, it is the most extreme example of its kind that I've read or seen to date . . . and I have never been squeamish in my reading.
Oddly, the translation was not particularly evocative prior to that particular scene, but then it suddenly became almost excruciatingly so. Good grief! I wonder if in the original Japanese it is like this - evocative only in the most disturbing or violent sections? I'll admit the language was lovely and that it acted vividly upon all five senses in this very extended scene, but I had to use all my determination just to get through it.
I'm really hoping this book is going somewhere and that there's going to be motivations beyond nihilistic drifting!
On the positive side, just now there's finally some character depth in Ryuji and Fusako that's a bit satisfying. But I still don't understand what's happening with Noburu or his pals at any level of depth that satistfies me.
I just hope that by the end of the book, the trauma will have been worth it!
Oddly, the translation was not particularly evocative prior to that particular scene, but then it suddenly became almost excruciatingly so. Good grief! I wonder if in the original Japanese it is like this - evocative only in the most disturbing or violent sections? I'll admit the language was lovely and that it acted vividly upon all five senses in this very extended scene, but I had to use all my determination just to get through it.
I'm really hoping this book is going somewhere and that there's going to be motivations beyond nihilistic drifting!
On the positive side, just now there's finally some character depth in Ryuji and Fusako that's a bit satisfying. But I still don't understand what's happening with Noburu or his pals at any level of depth that satistfies me.
I just hope that by the end of the book, the trauma will have been worth it!


It's Beginning to Look a Lot Like Murder by Maria DiRico. This is book 3 in DiRico's The Catering Hall cozy mystery series.

Greg wrote: "Ugh, earlier I got to a
really
unpleasant passage in The Sailor Who Fell from Grace with the Sea (by Yukio Mishima) involving an extremely evocative, gory, ..."
THanks for the warning: I don't think I'll ever get close to that then!
really
unpleasant passage in The Sailor Who Fell from Grace with the Sea (by Yukio Mishima) involving an extremely evocative, gory, ..."
THanks for the warning: I don't think I'll ever get close to that then!

Re-reading Rebecca by Daphne du Maurier. Still not really a fan. sigh
Just finished listening to Owls Well That Ends Well by Donna Andrews. It was pretty cute. Now I'm listening to Murder in Black Tie by Sara Rosett. So far it's a lot better than the previous book in the series.

I hope this was a great read Christine. ❤📚🎄☃️🎅

That's good Christine. What are you reading next?❤📚
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Tyll (other topics)
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Authors mentioned in this topic
Jan Lynn Bastien (other topics)Cheri Farnsworth (other topics)
T. Kingfisher (other topics)
Jean Rhys (other topics)
Daniel Kehlmann (other topics)
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I totally agree, but Auntie Jane is always apleasure. I'm planning to listen to something by her soon enough...