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message 1:
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Wanda
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Nov 27, 2013 11:26AM

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message 4:
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The FountainPenDiva, Old school geek chick and lover of teddy bears
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As far as contemporary IR is concerned. Race is a no-no. It's lazy writing first of all, and it's predictable. Grown ups shouldn't give a damn about other folks' ignorance. The biggest problem is that it's sometimes written so heavy-handed and of course skewed against the black heroine. She's the one with the issue. That bothers me. Wouldn't it be interesting for the hero to have the issue and yet want the heroine in spite of himself? Maybe an ex-skinhead trying to redeem himself?
I don't think it should be an obstacle to the couple. It might be disingenuous for there to be no background friction about race, depending on the setting. I prefer that it not be a major part of the story though.

I wish more authors had my obsession with history because I would be all over some BC/IR. The two I used as examples were set in pre civil war & 1960's Dixie Six so it wouldn't have made sense if race wasn't a huge factor. I was skeptical about both but they were excellent and managed to have conflict within the relationships that had nothing to do with race.
I am to the point where I try to look for hints of what I call BBHW aka "but... but he's white" in the previews of any IR or MC I read. I want to rationalize and say that the male leads rarely ever have issues because there is no privilege like WM privilege. The cynic in me says the authors are just feeding into the stereotype that BW are more concerned with melanin than happiness.

I'm with you Pagan. I don't mind if race is discussed or even acknowledged because I always think of what is the motivation myself. My curiosity is not due to ever having an awkward situation or anything, but because I'm just fascinated as to the why. How is that conflict, if there is one, going to be solved? How do the characters evolve? I feel that it should be done in a tasteful manner that is not always filled with open, hostile confrontation. Many authors try to explore this, but the way that it is handled, is usually poorly executed which has made it an automatic turnoff for many to read a book like that. If an author would take the time to flesh out those scenes and not just make it a 1 or 2 page scene, I don't think there would be as much animosity towards that kind of writing, but since most don't it's probably best to not go down that alley if it's not going to be done well.

Happy Turkey day Connie!
Now I don't mind it just being a random thought that goes through a characters mind. Especially if it's a established that the hero is a player. It only makes sense to question all the possible motives.

Thanks Pagan! Happy Thanksgiving to you as well and everyone else reading this thread today! :)

One the other hand, if the book is plot driven the racial component can get tricky. I'd rather not read a story where the hero and heroine are thrown into random racially uncomfortable situations. This comes off as manufactured drama, and it is a disingenuous plot device (at best).
I like books where you find out the hero and heroines race and that is where the race topic stops. I do not like reading stories where race is an issue. Everyone is not against interracial relationship. When I write my stories I focus on the story and not race. My characters are not their race.

I don't want a story where it's made into the main plot point, but do like when it's mentioned and sometimes vibes on. I would really love an IR


Books mentioned in this topic
Wallbanger (other topics)Seduction and Snacks (other topics)