The Murder of Roger Ackroyd
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Do you think the ending was a cheat?
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Plus on a side note I found another aspect of Poirot enlightening. He showed mercy to the character by presenting a chance for the person to admit it... and then later spoke to them privately, letting all comeuppance fall upon that one since the person wouldn't confess.
Makes me kind of like that detective character even more!

Even so I guessed the twist a few pages before the reveal...

You should have had a spoiler warning before you wrote that line! No, I think the ending was the best part of the book. It made it memorable.

That is not correct. She does it (at least*) one other time.
* I have to say "at least" because I haven't read them all yet. (But I'm close.)





However, after finishing that other novel of Christie's where she used the same trick, I was a little upset. I did not like it at all; that did feel like she was cheating purely for the fact that she had done it before. Or well, perhaps cheating isn't the right term. I thought it was lazy, at any rate, and that book is therefore my least favourite of Christie's, and the only one so far to leave a bad taste in my mouth upon completion.

Dr. Sheppard was a cheat. We knew it from his narration. He hid facts from everyone.



But I think that's wrong. The point of a mystery is not to give the reader the answer. It's to have the characters solve the mystery. It would have been a cheat if there were no clues, if the character's personality was clearly opposite of the murderer's, if we witnessed certain things happening that the narrator lied about. But see here:
The phonecall: we never actually hear what was on the other line. We weren't told an outright lie.
The murder: It says: "I looked back to see if I had left anything undone, but it seems I had not." It never said what happened in between Ackroyd not reading the letter and the doctor leaving.
Ralph: it never said exactly what the doctor did in between leaving the house and getting home.
I guarantee there was more. It was not cheating because there were clues, even if they were almost impossible to guess. The facts had all been given. Just like Poirot says, we were given the facts, and we must make what we can of them. We didn't guess, it seems, but it wasn't because she cheated: it was because she's a master.

I recently watched the Poirot episode with David Suchet and I gotta say I liked the way that it was presented.
Husein wrote: "The Brilliance of murder mysteries is that it leaves you guessing as to who the murderer is and sometimes you get it right and feel the satisfaction. Even if you get it wrong, the chances that the ..."
I agree
I agree

Farhan, this book is Christie's masterpiece and can often be found on lists such as "The Greatest Books of the 20th Century". And if you read it a second time (I have) you simply have to appreciate what Christie did: she in no way cheated (there isn't a word out of place, it falls together beautifully) and she created the greatest twist in all of crime literature. And, yes, there is another book in which she did this. It'd be a crime to reveal it, so I wont.

Yes, I read Endless Night just prior to TMORA and enjoyed Night much better. I guess I'm one of the few....still, nothing compares - in my opinion - to And Then There Were None.

Although I do understand other people's annoyance- Perhaps this Watson as murderer type of thing does't appeal to all. Guess we'll just have to admit- Christie fooled us!
Look forward to re reading the book and to try to pick up the clues I missed first time!
From now on, I'll always be suspicious of narrators, although I think this plot was just the only one of its kind. I say Good job Christie!





By the time I had read the last page, I was royally worked up. The most obvious reason being: it just wasn't fair play.
A mystery invites the reader to participate, to put themselves in the shoes of the detective, and see if they can out run the author to the conclusion. At least, that's how I've always felt.
With this one? I felt like the board was rigged, and the rules were rewritten, just so the Queen of Crime could have a laugh at our expense...
I've since come to respect her for pulling it off by the way :D It took some time, but it happened.


I just reviewed it here: https://www.goodreads.com/review/show...


Besides, the idea was to read between the lines if one had to guess the killer. That appealed to me greatly!


1. It isn’t told from Poirot’s POV, which instantly made me suspicious of the narrator; and
2. Being suspicious of the good doctor from the start, I questioned everything we were told from exclusively his point of view.
It was a good mystery to be sure, but easily “solved”. If you want a good mystery that rewards you for paying attention to clues rather than relying on an unreliable narrator twist, check out Christie’s superior “Five Little Pigs”.
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Agatha Christie did..."
There actually were rules. She was a member of the "Detection Society", which had some specific rules for writers who belonged.
She didn't care since the book was such a hit.