110 books
—
8 voters
Cinematography Books
Showing 1-50 of 690
Five C's of Cinematography: Motion Picture Filming Techniques (Paperback)
by (shelved 37 times as cinematography)
avg rating 4.18 — 993 ratings — published 1983
Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers (Paperback)
by (shelved 31 times as cinematography)
avg rating 4.21 — 966 ratings — published 2002
Notes on the Cinematographer (Paperback)
by (shelved 22 times as cinematography)
avg rating 4.20 — 3,602 ratings — published 1975
Painting With Light (Paperback)
by (shelved 22 times as cinematography)
avg rating 4.10 — 399 ratings — published 1995
The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition
by (shelved 20 times as cinematography)
avg rating 4.20 — 690 ratings — published 2010
The Visual Story: Creating the Visual Structure of Film, TV and Digital Media (Paperback)
by (shelved 18 times as cinematography)
avg rating 4.30 — 767 ratings — published 2007
Master Shots Vol 1, 1st edition: 100 Advanced Camera Techniques to Get an Expensive Look on Your Low-Budget Movie (Paperback)
by (shelved 18 times as cinematography)
avg rating 4.10 — 715 ratings — published 2009
Film Directing Shot by Shot: Visualizing from Concept to Screen (Michael Wiese Productions)
by (shelved 17 times as cinematography)
avg rating 4.00 — 1,983 ratings — published 1991
Master Shots Vol 2: Shooting Great Dialogue Scenes (Paperback)
by (shelved 14 times as cinematography)
avg rating 4.32 — 284 ratings — published 2011
Masters of Light: Conversations with Contemporary Cinematographers (Paperback)
by (shelved 13 times as cinematography)
avg rating 4.26 — 207 ratings — published 1984
Cinematography (Paperback)
by (shelved 12 times as cinematography)
avg rating 3.92 — 228 ratings — published 1989
Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image (The CineTech Guides to the Film Crafts)
by (shelved 11 times as cinematography)
avg rating 4.08 — 107 ratings — published 2014
Film Lighting: Talks with Hollywood's Cinematographers and Gaffers (Paperback)
by (shelved 11 times as cinematography)
avg rating 4.20 — 172 ratings — published 1986
Motion Picture and Video Lighting (Paperback)
by (shelved 11 times as cinematography)
avg rating 3.97 — 171 ratings — published 1992
Reflections: Twenty-One Cinematographers at Work (Paperback)
by (shelved 11 times as cinematography)
avg rating 4.30 — 44 ratings — published 2002
A Man With A Camera (Paperback)
by (shelved 11 times as cinematography)
avg rating 4.23 — 199 ratings — published 1980
Master Shots Vol 3, The Director's Vision: 100 Setups, Scenes and Moves for Your Breakthrough Movie (Paperback)
by (shelved 10 times as cinematography)
avg rating 4.35 — 130 ratings — published 2013
Set Lighting Technician's Handbook: Film Lighting Equipment, Practice, and Electrical Distribution (Paperback)
by (shelved 9 times as cinematography)
avg rating 4.33 — 227 ratings — published 1998
Cinematography for Directors: A Guide for Creative Collaboration (Paperback)
by (shelved 9 times as cinematography)
avg rating 4.17 — 155 ratings — published 2009
Making Movies (Paperback)
by (shelved 8 times as cinematography)
avg rating 4.29 — 10,038 ratings — published 1995
Every Frame a Rembrandt: Art and Practice of Cinematography (Paperback)
by (shelved 8 times as cinematography)
avg rating 3.98 — 57 ratings — published 2000
In the Blink of an Eye: A Perspective on Film Editing (Paperback)
by (shelved 7 times as cinematography)
avg rating 4.21 — 8,480 ratings — published 1995
Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know (Paperback)
by (shelved 7 times as cinematography)
avg rating 4.00 — 870 ratings — published 2005
The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image (Kindle Edition)
by (shelved 6 times as cinematography)
avg rating 4.22 — 60 ratings — published 2010
Digital Cinematography: Fundamentals, Tools, Techniques, and Workflows (Kindle Edition)
by (shelved 6 times as cinematography)
avg rating 4.16 — 44 ratings — published 2013
Grammar of the Film Language (Paperback)
by (shelved 6 times as cinematography)
avg rating 4.14 — 265 ratings — published 1976
If It's Purple, Someone's Gonna Die: The Power of Color in Visual Storytelling (Paperback)
by (shelved 6 times as cinematography)
avg rating 3.77 — 326 ratings — published 2005
Film Art: An Introduction (Paperback)
by (shelved 6 times as cinematography)
avg rating 4.09 — 2,599 ratings — published 1979
FilmCraft: Cinematography (Paperback)
by (shelved 6 times as cinematography)
avg rating 4.01 — 94 ratings — published 2011
The Magic Lantern (Paperback)
by (shelved 6 times as cinematography)
avg rating 4.08 — 3,528 ratings — published 1987
The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age (Mass Market Paperback)
by (shelved 6 times as cinematography)
avg rating 3.88 — 843 ratings — published 1984
American Cinematographer Manual (Kindle Edition)
by (shelved 5 times as cinematography)
avg rating 4.33 — 21 ratings — published 2013
Making Pictures: A Century of European Cinematography (Hardcover)
by (shelved 5 times as cinematography)
avg rating 4.69 — 26 ratings — published 2003
Light: Science and Magic: An Introduction to Photographic Lighting (Paperback)
by (shelved 5 times as cinematography)
avg rating 4.25 — 3,061 ratings — published 1997
Film Directing: Cinematic Motion (Paperback)
by (shelved 5 times as cinematography)
avg rating 3.98 — 226 ratings — published 1992
On Film-making: An Introduction to the Craft of the Director (Paperback)
by (shelved 5 times as cinematography)
avg rating 4.34 — 953 ratings — published 2004
Save the Cat: The Last Book on Screenwriting You'll Ever Need (Paperback)
by (shelved 5 times as cinematography)
avg rating 4.01 — 21,880 ratings — published 2005
Grammar of the Shot (Media Manuals)
by (shelved 5 times as cinematography)
avg rating 3.69 — 146 ratings — published 1998
Practical Cinematography (Paperback)
by (shelved 5 times as cinematography)
avg rating 3.54 — 37 ratings — published 1999
New Cinematographers (Paperback)
by (shelved 5 times as cinematography)
avg rating 4.56 — 73 ratings — published 2004
How to Read a Film: Movies, Media, Multimedia (Paperback)
by (shelved 5 times as cinematography)
avg rating 3.80 — 1,251 ratings — published 1977
The Cine Lens Manual (Hardcover)
by (shelved 4 times as cinematography)
avg rating 4.82 — 11 ratings — published
Vittorio Storaro: Writing with Light: Volume 1: The Light (Hardcover)
by (shelved 4 times as cinematography)
avg rating 4.38 — 21 ratings — published 2002
Screenplay: The Foundations of Screenwriting Paperback – November 29, 2005 (Paperback)
by (shelved 4 times as cinematography)
avg rating 3.99 — 8,773 ratings — published 1979
What is Cinema? Volume I (Paperback)
by (shelved 4 times as cinematography)
avg rating 4.13 — 1,893 ratings — published 1967
Film Theory: An Introduction Through the Senses (Paperback)
by (shelved 4 times as cinematography)
avg rating 3.81 — 366 ratings — published 2009
Cinema 1: The Movement-Image (Paperback)
by (shelved 4 times as cinematography)
avg rating 4.11 — 2,320 ratings — published 1983
Hitchcock/Truffaut (Paperback)
by (shelved 4 times as cinematography)
avg rating 4.48 — 9,324 ratings — published 1966
Color Correction Handbook: Professional Techniques for Video and Cinema (Paperback)
by (shelved 4 times as cinematography)
avg rating 4.41 — 203 ratings — published 2010
Matters of Light & Depth (Paperback)
by (shelved 4 times as cinematography)
avg rating 4.21 — 84 ratings — published 1992
“Known as “Leni,” Helene Bertha Amalie Riefenstahl was born on August 22, 1902. During the Third Reich she was known throughout Germany as a close friend and confidant of the Adolf Hitler. Recognized as a strong swimmer and talented artist, she studied dancing as a child and performed across Europe until an injury ended her dancing career. During the 1920’s Riefenstahl was inspired to become an actress and starred in five motion pictures produced in Germany. By 1932 she directed her own film “Das Blaue Licht.”
With the advent of the Hitler era she directed “Triumph des Willens” anf “Olympia” which became recognized as the most innovative and effective propaganda films ever made. Many people who knew of her relationship with Hitler insisted that they had an affair, although she persistently denied this. However, her relationship with Adolf Hitler tarnished her reputation and haunted her after the war. She was arrested and charged with being a Nazi sympathizer, but it was never proven that she was involved with any war crimes. Convinced that she had been infatuated and involved with the Führer, her reputation and career became totally destroyed. Her former friends shunned her and her brother, who was her last remaining relative, was killed in action on the “Eastern Front.” Seeing a bleak future “Leni” Riefenstahl left Germany, to live amongst the Nuba people in Africa.
During this time Riefenstahl met and began a close friendship with Horst Kettner, who assisted her with her acknowledged brilliant photography. They became an item from the time she was 60 years old and he was 20. Together they wrote and produced photo books about the Nuba tribes and later filmed marine life. At that time she was one of the world's oldest scuba divers and underwater photographer.
Leni Riefenstahl died of cancer on September 8, 2003 at her home in Pöcking, Germany and was laid to rest at the Munich Waldfriedhof.”
―
With the advent of the Hitler era she directed “Triumph des Willens” anf “Olympia” which became recognized as the most innovative and effective propaganda films ever made. Many people who knew of her relationship with Hitler insisted that they had an affair, although she persistently denied this. However, her relationship with Adolf Hitler tarnished her reputation and haunted her after the war. She was arrested and charged with being a Nazi sympathizer, but it was never proven that she was involved with any war crimes. Convinced that she had been infatuated and involved with the Führer, her reputation and career became totally destroyed. Her former friends shunned her and her brother, who was her last remaining relative, was killed in action on the “Eastern Front.” Seeing a bleak future “Leni” Riefenstahl left Germany, to live amongst the Nuba people in Africa.
During this time Riefenstahl met and began a close friendship with Horst Kettner, who assisted her with her acknowledged brilliant photography. They became an item from the time she was 60 years old and he was 20. Together they wrote and produced photo books about the Nuba tribes and later filmed marine life. At that time she was one of the world's oldest scuba divers and underwater photographer.
Leni Riefenstahl died of cancer on September 8, 2003 at her home in Pöcking, Germany and was laid to rest at the Munich Waldfriedhof.”
―
“You make the movie through the cinematography - it sounds quite a simple idea, but it was like a huge revelation to me.”
― Conversations with Cinematographers
― Conversations with Cinematographers












