André Bazin

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André Bazin


Born
in Angers, France
April 18, 1918

Died
November 11, 1958

Genre


An influential film critic and theorist, André Bazin was the founder of the reknowned and pioneering film journal, Cahiers du cinéma.

Bazin was a major force in post-World War II film studies and criticism. In addition to editing Cahiers until his death, a four-volume collection of his writings was published posthumously from 1958 to 1962 and titled Qu'est-ce que le cinéma? (What is Cinema?). Two of these volumes were translated into English in the late 1960s and 1970s and became mainstays of film courses in the US and England.

Bazin argued for films that depicted what he saw as "objective reality" (such as documentaries and films of the Italian neorealism school) and directors who made themselves "invisible" (such as Howard Hawks). He advoca
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Average rating: 4.13 · 3,237 ratings · 139 reviews · 101 distinct worksSimilar authors
What is Cinema?: Volume I

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4.15 avg rating — 1,726 ratings — published 1967 — 18 editions
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Qu'est ce que le cinéma?

4.11 avg rating — 546 ratings — published 1958 — 27 editions
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What is Cinema?: Volume 2

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4.19 avg rating — 499 ratings — published 1971 — 10 editions
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Orson Welles: A Critical View

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3.92 avg rating — 142 ratings — published 1972 — 15 editions
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Charlie Chaplin

3.96 avg rating — 49 ratings — published 1985 — 15 editions
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Jean Renoir: Períodos, film...

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3.88 avg rating — 49 ratings — published 1973 — 16 editions
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Bazin at Work

4.53 avg rating — 17 ratings — published 1997 — 7 editions
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French Cinema of the Occupa...

4.13 avg rating — 15 ratings — published 1981 — 6 editions
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André Bazin and Italian Neo...

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4.11 avg rating — 9 ratings — published 2011 — 10 editions
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The Evolution of the Langua...

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More books by André Bazin…
What is Cinema?: Volume I What is Cinema?: Volume 2
(2 books)
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4.16 avg rating — 2,225 ratings

Quotes by André Bazin  (?)
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“The cinema substitutes for our gaze a world more in harmony with our desires.”
André Bazin

“it was montage that gave birth to film as an art, setting it apart from mere animated photography, in short, creating a language.”
André Bazin, What is Cinema?: Volume 1

“The preoccupation of Rossellini when dealing with the face of the child in Allemania Anno Zero is the exact opposite of that of Kuleshov with the close-up of Mozhukhin. Rossellini is concerned to preserve its mystery.”
André Bazin, What is Cinema?: Volume 1