Barthes Books

“Indeed, it was perhaps the most iconic scene from any novel of its day, immortalised in engravings and artworks from the period and later. Werther, as Geothe’s narrator, describes the moment of desire in the first person: "I walked across the court to a well-built house, and, ascending the flight of steps in front, opened the door, and saw before me the most charming spectacle I had ever witnessed. Six children, from eleven to two years old, were running about the hall, and surrounding a lady of middle height, with a lovely figure, dressed in a robe of simple white, trimmed with pink ribbons. She was holding a rye loaf in her hand and was cutting slices for the little ones all around, in proportion to their age and appetite. She performed her task in a graceful and affec-tionate manner; each claimant awaiting his turn with outstretched hands, and boisterously shouting his thanks. Some of them ran away at once, to enjoy their evening meal; whilst others, of a gentler disposition, retired to the courtyard to see the strangers, and to survey the carriage in which their Charlotte was to drive away." The focus here is not on Lotte herself, of whom we learn only that she is ‘a lady of middle height, with a lovely figure, dressed in a robe of simple white’. Instead, for Werther what is important is what Barthes would call ‘the arrangements of objects’: Lotte’s relation to the children, the rye loaf, and the knife, all appear as scene-setting props which make desire possible. Lotte emerges from amidst these objects and Werther is ‘initiated’ as ‘the scene’ (described by Werther as the ‘most charming spectacle’) ‘consecrates the object [he is] going to love.’ It is that scene, that arrangement of objects, which makes desire – even love – possible. The technologies of our space, place and time set the scene for love to appear – make the emergence of desire possible. We don’t fall in love with an object in isolation but with how it appears in a curate scene determined by a variety of technologies. The Tinder profile card could hardly be a more perfect example from today.”
― Alfie Bown, Dream Lovers: The Gamification of Relationships