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  • #1
    نزار قباني
    “أرقى النفوس هي التي تجرعت الألم فتجنبت أن تذيق الآخرين مرارته

    -

    The finest souls are those who gulped pain and avoided making others taste it.”
    Nizar Qabbani

  • #2
    Mary Oliver
    “I want to think again of dangerous and noble things.
    I want to be light and frolicsome.
    I want to be improbable beautiful and afraid of nothing,
    as though I had wings.”
    Mary Oliver, Owls and Other Fantasies: Poems and Essays

  • #3
    Emily Dickinson
    “Sweet hour, blessed hour, to carry me to you, and to bring you back to me, long enough to snatch one kiss, and whisper goodbye again.”
    Emily Dickinson, Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson

  • #4
    Emily Brontë
    “He's more myself than I am. Whatever our souls are made of, his and mine are the same. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.”
    emily bronte

  • #5
    Virginia Woolf
    “Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.”
    Virginia Woolf

  • #6
    Virginia Woolf
    “The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.”
    Virginia Woolf

  • #6
    Emily Dickinson
    A Word is Dead

    A word is dead
    When it is said,
    Some say.

    I say it just
    Begins to live
    That day.”
    Emily Dickinson, The Complete Poems of Emily Dickinson

  • #8
    Emily Dickinson
    “I'll tell you how the sun rose, a ribbon at a time.
    The steeples swam in amethyst,
    The news like squirrels ran.
    The hills untied their bonnets,
    The bobolinks begun.
    Then I said softly to myself,
    "That must have been the sun!”
    Emily Dickinson

  • #9
    Emily Dickinson
    “Who loves you most, and loves you best, and thinks of you when others rest? 'Tis Emilie.”
    Emily Dickinson, Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson

  • #10
    Edna St. Vincent Millay
    “The world stands out on either side
    No wider than the heart is wide;
    Above the world is stretched the sky,
    No higher than the soul is high.
    The heart can push the sea and land
    Farther away on either hand;
    The soul can split the sky in two,
    And let the face of God shine through.
    But East and West will pinch the heart
    That can not keep them pushed apart;
    And he whose soul is flat—the sky
    Will cave in on him by and by.”
    Edna St. Vincent Millay , Renascence and Other Poems

  • #11
    Mary Oliver
    “Hello, sun in my face. Hello you who made the morning and spread it over the fields...Watch, now, how I start the day in happiness, in kindness.”
    Mary Oliver

  • #12
    Percy Bysshe Shelley
    “The sunlight claps the earth, and the moonbeams kiss the sea: what are all these kissings worth, if thou kiss not me?”
    Percy Bysshe Shelley

  • #13
    نزار قباني
    “ kill him, then hug him
    Men are more faithful when dead ”
    - Nizar Qabbani

  • #14
    Rainer Maria Rilke
    “Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #15
    Rainer Maria Rilke
    “Find out the reason that commands you to write; see whether it has spread its roots into the very depth of your heart; confess to yourself you would have to die if you were forbidden to write.”
    Rainer Maria Rilke

  • #16
    Wendy Cope
    “Nine-Line Triolet

    Here's a fine mess we got ourselves into,
    My angel, my darling, true love of my heart
    Etcetera. Must stop it but I can't begin to.
    Here's a fine mess we got ourselves into -
    Both in spin with nowhere to spin to,
    Bound by the old rules in life and in art.
    Here's a fine mess we got ourselves into,
    (I'll curse every rule in the book as we part)
    My angel, my darling, true love of my heart.”
    Wendy Cope, Serious Concerns

  • #17
    Wisława Szymborska
    “The Three Oddest Words

    When I pronounce the word Future,
    the first syllable already belongs to the past.
    When I pronounce the word Silence,
    I destroy it.
    When I pronounce the word nothing,
    I make something no nonbeing can hold.”
    Wislawa Szymborska

  • #18
    Wisława Szymborska
    “True love. Is it normal
    is it serious, is it practical?
    What does the world get from two people
    who exist in a world of their own?”
    Wisława Szymborska, View with a Grain of Sand: Selected Poems

  • #19
    Wisława Szymborska
    “No day copies yesterday,
    no two nights will teach what bliss is
    in precisely the same way,
    with precisely the same kisses.”
    Wisława Szymborska, Poems New and Collected

  • #20
    Madeleine L'Engle
    “You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.”
    Madeleine L'Engle

  • #21
    Ursula K. Le Guin
    “Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.”
    Ursula K. Le Guin, The Lathe of Heaven

  • #22
    Silvina Ocampo
    “In a way, like Scheherazade to King Shahryar, I told stories to death so that it would spare my life and my images, stories that seemed to never end.”
    Silvina Ocampo, The Promise
    tags: poetry

  • #23
    Anne Carson
    “You remember too much,
    my mother said to me recently.
    Why hold onto all that? And I said,
    Where can I put it down?”
    Anne Carson, Glass, Irony and God

  • #24
    Wisława Szymborska
    “I prefer the absurdity of writing poems
    to the absurdity of not writing poems.”
    Wisława Szymborska, Nothing Twice: Selected Poems / Nic dwa razy: Wybór wierszy

  • #25
    Walter Rodney
    “After all, if there is no class stratification in a society, it follows that there is no state, because the state arose as an instrument to be used by a particular class to control the rest of society in its own interests.”
    Walter Rodney, How Europe Underdeveloped Africa

  • #26
    Brandon Sanderson
    “That soup tasted better than the blood of my enemies.
    Considering I'd never actually tasted the blood of my enemies, perhaps that didn't do justice to the soup.”
    Brandon Sanderson, Skyward

  • #27
    Jane Austen
    “Were I to fall in love, indeed, it would be a different thing; but I have never been in love ; it is not my way, or my nature; and I do not think I ever shall.”
    Jane Austen, Emma

  • #28
    Eileen Myles
    “Sometimes in utter hopelessness I put my cheek on the table like it was someone. I wanted to wake my brain up and be loved.”
    Eileen Myles, Inferno

  • #29
    Horacio Quiroga
    “Tell the story as if it were only of interest to the small circle of your characters, of which you may be one. There is no other way to put life into the story.”
    Horacio Quiroga

  • #30
    Victor Hugo
    “What about me?’ said Grantaire. ‘I’m here.’
    ‘You?’
    ‘Yes, me.’
    ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
    ‘Why not?’
    ‘Are you capable of being good for something?’
    ‘I have the vague ambition to be,’ said Grantaire.
    ‘You don’t believe in anything.’
    ‘I believe in you.’
    ‘Grantaire, will you do me a favour?’
    ‘Anything. Polish your boots.’
    ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
    ‘You’re heartless, Enjolras.’
    ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
    ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
    ‘Do you know them at all, those comrades who meet at Richefeu’s?'
    ‘Not very well. But we’re on friendly terms.’
    ‘What will you say to them?’
    ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
    ‘You?’
    ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
    ‘Be serious,’ said Enjolras.
    ‘I mean it,’ replied Grantaire.

    Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’

    Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
    ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
    And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
    He resolutely jammed on his hat, and off he went.”
    Victor Hugo, Les Misérables



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