Serra > Serra's Quotes

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  • #1
    Rainer Maria Rilke
    “And you should not let yourself be confused in your solitude by the fact that there is something in you that wants to move out of it.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #2
    W.B. Yeats
    “The world is full of magic things, patiently waiting for our senses to grow sharper.”
    W.B. Yeats

  • #3
    Clarissa Pinkola Estés
    “Sometimes the one who is running from the Life/Death/Life nature insists on thinking of love as a boon only. Yet love in its fullest form is a series of deaths and rebirths. We let go of one phase, one aspect of love, and enter another. Passion dies and is brought back. Pain is chased away and surfaces another time. To love means to embrace and at the same time to withstand many endings, and many many beginnings- all in the same relationship.”
    Clarissa Pinkola Estés, Women Who Run With the Wolves

  • #4
    Clarissa Pinkola Estés
    “How does one know if she has forgiven? You tend to feel sorrow over the circumstance instead of rage, you tend to feel sorry for the person rather than angry with him. You tend to have nothing left to say about it all.”
    Clarissa Pinkola Estés

  • #5
    Clarissa Pinkola Estés
    “One of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Struggling souls catch light from other souls who are fully lit and willing to show it.”
    Clarissa Pinkola Estés

  • #6
    Nicole Krauss
    “The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

    During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."

    "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.”
    Nicole Krauss, The History of Love

  • #7
    Nicole Krauss
    “She struggled with her sadness, but tried to conceal it, to divide it into smaller and smaller parts and scatter these in places she thought no one would find them.”
    Nicole Krauss, Great House

  • #8
    Nicole Krauss
    “There are so many ways to be alive, but only one way to be dead.”
    Nicole Krauss, The History of Love

  • #9
    Kahlil Gibran
    “Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.”
    Khalil Gibran, The Prophet

  • #10
    Alan W. Watts
    “What we have forgotten is that thoughts and words are conventions, and that it is fatal to take conventions too seriously. A convention is a social convenience, as, for example, money ... but it is absurd to take money too seriously, to confuse it with real wealth ... In somewhat the same way, thoughts, ideas and words are "coins" for real things.”
    Alan Wilson Watts, The Wisdom of Insecurity: A Message for an Age of Anxiety

  • #11
    Susan Sontag
    “My library is an archive of longings.”
    Susan Sontag, As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980

  • #12
    Susan Sontag
    “I discovered that I am tired of being a person. Not just tired of being the person I was, but any person at all”
    Susan Sontag

  • #13
    Susan Sontag
    “The ideal or the dream would be to arrive at a language that heals as much as it separates.”
    Susan Sontag, Against Interpretation and Other Essays

  • #14
    Susan Sontag
    “Opinions are like some kind of crust that grows on top of things and you want to kind of peel them off.”
    Susan Sontag

  • #15
    Oruç Aruoba
    “Kendi olarak, sana gelen-
    sana gereksinimi olmadan, seni isteyen-
    sensiz de olabilecekken, senin ile olmayı seçen-
    kendi olmasını, seninle olmaya bağlayan- -
    O, işte...”
    Oruç Aruoba

  • #16
    Oruç Aruoba
    “Yaşamında, şunları da yaşayabileceksin:-
    1) Birisini, ona söyleyecek birşey bulamadığın için, aramak…
    2) Birisini, onu artık göremeyeceğini söylemek için, beklemek…
    3) Birisini, onu görmemeye dayanamadığın için, terketmek… Neler yaşamayacaksın ki!…”
    Oruç Aruoba, de ki işte

  • #17
    Oruç Aruoba
    “Sana kendimden bir şey getirmiştim.
    Bir yerde oturuyorduk, konuşarak. Nasıl olduysa, garsonlar masayı toplarken, getirdiğimi de alıp kaldırmışlar. Çıktık. Bir araca tam bindik ki, senin aklına geldi - çantana bir baktın, ve hemen, "İniyoruz" dedin. İndik. Geri gidip bulup aldık sana getirdiğimi; araç sırasına geri döndük.
    O, kesin, "İniyoruz" demen, belirleyiciydi - içime ışık dolmuştu, sen bunu söyleyince-
    Her şeyi, apaçık, ortaya koyuyordu:-
    Önem veriyordun - benim olan; benden sana gelen, önemliydi senin için- kararlıydın:-
    En temelidir bu, ilişkinin: önem vermekte kararlı olmak.
    Bunun önemi de, hiçbir öndüşünce taşımamasında : öyle, kendiliğinden, oluşuvermesinde; sanki, hiç düşünülmeden, hesaplanmadan, amaçlanmadan, yapılıvermesinde.
    İlişkinin kendisi gibi...”
    Oruç Aruoba, ile

  • #18
    Haruki Murakami
    “Silence, I discover, is something you can actually hear.”
    Haruki Murakami, Kafka on the Shore

  • #19
    Maggie Nelson
    “If he hadn't lied to you, he would have been a different person than he is.' She is trying to get me to see that although I thought I loved this man very completely for exactly who he was, I was in fact blind to the man he actually was, or is.”
    Maggie Nelson, Bluets

  • #20
    Elif Batuman
    “It was hard to decide on a literature course. Everything the professors said seemed to be somehow beside the point. You wanted to know why Anna had to die, and instead they told you that 19th century Russian landowners felt conflicted about whether they were really a part of Europe. The implication was that it was somehow naive to want to talk about anything interesting, or to think that you would ever know anything important.”
    Elif Batuman, The Idiot

  • #21
    Elif Batuman
    “Most people, the minute they meet you, were sizing you up for some competition for resources. It was as if everyone lived in fear of a shipwreck, where only so many people would fit on the lifeboat, and they were constantly trying to stake out their property and identify dispensable people – people they could get rid of.... Everyone is trying to reassure themselves: I'm not going to get kicked off the boat, they are. They're always separating people into two groups, allies and dispensable people... The number of people who want to understand what you're like instead of trying to figure out whether you get to stay on the boat - it's really limited.”
    Elif Batuman, The Idiot

  • #22
    Elif Batuman
    “I tried to hang out with my peer group, Defne, Murat and Yudum, but was unable to assimilate myself to their mode of being. They seemed always to be waiting for something, for the removal of some obstacle-- for a business to open, for the sun to move, or for someone to come back from going to get something. Whenever they actually did anything, like go in the water, eat lunch, or walk somewhere, they did it in an abstracted, halfhearted way, as if to show that this was just a side diversion from the main business of waiting. All they talked about was when the thing they were waiting for was going to happen, But whenever that thing did happen, nothing seemed to change. The sense of provisionality was the same, it just gradually found a new object.”
    Elif Batuman, The Idiot

  • #23
    Elif Batuman
    “Moreover, my policy at the time was that, when confronted by two courses of action, one should always choose the less conservative and more generous. I thought this was tantamount to a moral obligation for anyone who had any advantages at all, and especially for anyone who wanted to be a writer.”
    Elif Batuman, The Idiot

  • #24
    James Hillman
    “The pathologized images have moved the soul in several ways: we are afraid; we feel vulnerable and in danger; our very physical sustance and sanity appear to be menaced; we want to prevent or rectify. Especially this last seizes us. We feel protective, impelled to correct, straighten, repair. For we have confused something sick with something wrong. [...]
    affliction reaches us partly through the guilt it brings. Guilt belongs to the experiences of deviation, the the sense of being off, failing, 'missing the mark'. [...]
    However the true missing of the mark is taking the guilt literally, where failings becomes faults to be set right. This places the guilt on the shoulders of the ego who 'should not' have failed. Then pathologizing reinforces the ego's style and guilt serves a secondary gain, increasing the ego's sense of importance: ego becomes superego, drivenly busy with repairing wrongs. A guilty ego is no less egocentric than a proud one.”
    James Hillman, Re-Visioning Psychology

  • #25
    Kay Redfield Jamison
    “I remember sitting in his office a hundred times during those grim months and each time thinking, What on earth can he say that will make me feel better or keep me alive? Well, there never was anything he could say, that's the funny thing. It was all the stupid, desperately optimistic, condescending things he didn't say that kept me alive; all the compassion and wamrth I felt from him that could not have been said; all the intelligence, competence, and time he put into it; and his granite belief that mine was a life worth living.”
    Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness



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