Amanda Denney > Amanda's Quotes

“I like to imagine that the world is one big machine. You know, machines never have any extra parts. They have the exact number and type of parts they need. So I figure if the entire world is a big machine, I have to be here for some reason. And that means you have to be here for some reason, too.”
― Brian Selznick, The Invention of Hugo Cabret

“Be serious,” said Enjolras. “I am wild,” replied Grantaire.”
― Victor Hugo, Les Misérables

“Grantaire, earthbound in doubt, loved to watch Enjolras soaring in the upper air of faith. He needed Enjolras. Without being fully aware of it, or seeking to account for it himself, he was charmed by that chaste, upright, inflexible and candid nature.”
― Victor Hugo, Les Misérables

“Brothers, he who dies here dies in the radiance of the future, and we are entering a tomb all flooded with the dawn.”
― Victor Hugo, Les Misérables

“This barricade is made neither of paving stones, nor of timbers, nor of iron; it is made of two mounds, a mound of ideas and a mound of sorrows. Here misery encounters the ideal. Here the day embraces the night, and says: I will die with you and you will be born again with me.”
― Victor Hugo, Les Misérables

“God bless the book people for their boundless knowledge absorbed from having words instead of friends.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“We are not broken things, neither of us. We are cracked pottery mended with laquer and flakes of gold, whole as we are, complete unto each other. Complete and worthy and so very loved.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“Just thinking about all that blood." I nearly shudder. "Doesn't it make you a bit squeamish?"
"Ladies haven't the luxury of being squeamish about blood," she replies, and Percy and I go fantastically red in unison.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“We're not courting trouble," I say. "Flirting with it, at most.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“The great tragic love story of Percy and me is neither great nor truly a love story, and is tragic only for its single-sidedness. It is also not an epic monolith that has plagued me since boyhood, as might be expected. Rather, it is simply the tale of how two people can be important to each other their whole lives, and then, one morning, quite without meaning to, one of them wakes to find that importance has been magnified into a sudden and intense desire to put his tongue in the other's mouth.
A long, slow slide, then a sudden impact.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“The stars dust gold leafing on his skin. And we are looking at each other, just looking, and I swear there are whole lifetimes lived in those small, shared moments.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“It's beginning to feel like he's shuffling his way through the seven deadly sins, in ascending order of my favourites.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“Love may be a grand thing, but goddamn if it doesn't take up more than its fair share of space inside a man.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“I swear, you would play the coquette with a well-upholstered sofa."
"First, I would not. And second, how handsome is this sofa?”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“Oh no."
Percy looks sideways at me. "Oh no what?"
I swallow. "I'd first like it to be noted that I am most certainly not a smuggler."
"Monty..." he says, my name sopping with dread.
"And," I continue overtop him, "I'd like you to both remember just how much you adore me and how dull and gloomy your lives would be without me in them."
"What did you do?”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“Against the sky, the stars crown him, marking the edges of his silhouette like he is a constellation of himself.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“Ugh. Feelings.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“In the east," she says after a time, her gaze still downcast, "there is a tradition known as kintsukuroi. It is the practice of mending broken ceramic pottery using lacquer dusted with gold and silver and other precious metals. It is meant to symbolize that things can be more beautiful for having been broken."
"Why are you telling me this?" I ask.
At last she looks at me. Her irises are polished obsidian in the moonlight. "Because I want you to know," she says, "that there is life after survival.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“And then Jesus says, 'Well, watch this' - "
"Really? Well, watch this?"
"That's biblical language."
"If your Bible is written by Henry Montague.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“It occurs to me then that perhaps getting my little sister drunk and explaining why I screw boys is not the most responsible move on my part.”
― Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

“You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.”
― Adam Silvera, They Both Die at the End

“...stories can make someone immortal as long as someone else is willing to listen.”
― Adam Silvera, They Both Die at the End

“Maybe it's better to have gotten it right and been happy for one day instead of living a lifetime of wrongs.”
― Adam Silvera, They Both Die at the End

“I cannot tell you how you will survive without me. I cannot tell you how to mourn me.  I cannot convince you to not feel guilty if you forget the anniversary of my death, or if you realize days or weeks or months have gone by without thinking about me. I just want you to live.”
― Adam Silvera, They Both Die at the End

“Entire lives aren't lessons, but there are lessons in lives.”
― Adam Silvera, They Both Die at the End

“People have their time stamps on how long you should know someone before earning the right to say it, but I wouldn't like to you no matter how little time we have. People waste time and wait for the right moment and we don't have that luxury. If we had our entire lives ahead of us I bet you'd get tired of me telling you how much I love you because I'm positive that's thepath we were heading on. But because we're about to die, I want to say it as many times as I want--I love you, I love you, I love you, I love you.”
― Adam Silvera, They Both Die at the End

“There has to be more to life than just imagining a future for yourself. I can't just wish for the future; I have to take risks to create it.”
― Adam Silvera, They Both Die at the End

“But books are curious objects. They have the power to trap, transport, and even transform you if you are lucky.”
― Traci Chee, The Reader

“When someone you love dies, and you're not expecting it, you don't lose her all at once; you lose her in pieces over a long time—the way the mail stops coming, and her scent fades from the pillows and even from the clothes in her closet and drawers. Gradually, you accumulate the parts of her that are gone. Just when the day comes—when there's a particular missing part that overwhelms you with the feeling that she's gone, forever—there comes another day, and another specifically missing part.”
― John Irving, A Prayer for Owen Meany

“Hello? This is Clary Fairchild.”

“Clary? It’s me, Emma.”

“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”

“Tahiti sounds nice.”

“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”

“Is this a bad time?”

“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”

“What’s a trebuchet?”

“It’s a huge catapult.”

“What are they going to use it for?”

“I have no idea. Alec, you’re enabling! You’re an enabler!”

“Maybe it is a bad time.”

“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”

“I think we have your cat.”

“What?”

“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”

“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”

“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”

“How did you wind up with him?”

“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”

“Brother Zachariah left you a cat.”

“But I don’t even really know him. And he’s not a Silent Brother any more.”

“You may not know him, but he clearly knows you.”

“What do you think the J stands for?”

“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”

“Are you sure? The Lightwoods —“

‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”

“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”

“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”

“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”

“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”

“That’s good. I have a feeling we’re going to need it.”

“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”

“But we can keep the cat?”

“You can keep the cat.”
― Cassandra Clare, Lady Midnight