Victor Lopez > Victor's Quotes

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  • #1
    Virginia Woolf
    “The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.”
    Virginia Woolf, The Voyage Out

  • #2
    Virginia Woolf
    “I feel so intensely the delights of shutting oneself up in a little world of one’s own, with pictures and music and everything beautiful.”
    Virginia Woolf, The Voyage Out

  • #3
    Oscar Wilde
    “Paradoxically though it may seem, it is none the less true that life imitates art far more than art imitates life.”
    Oscar Wilde

  • #4
    Oscar Wilde
    “You must have a cigarette. A cigarette is the perfect type of a perfect pleasure. It is exquisite, and it leaves one unsatisfied. What more can one want?”
    Oscar Wilde, The Picture of Dorian Gray

  • #5
    Virginia Woolf
    “Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not become consoling to believe that death ended absolutely?”
    Virginia Woolf, Mrs. Dalloway

  • #6
    Virginia Woolf
    “Well, I’ve had my fun; I’ve had it, he thought, looking up at the swinging baskets of pale geraniums. And it was smashed to atoms—his fun, for it was half made up, as he knew very well; invented, this escapade with the girl; made up, as one makes up the better part of life, he thought—making onself up; making her up; creating an exquisite amusement, and something more. But odd it was, and quite true; all this one could never share—it smashed to atoms.”
    Virginia Woolf, Mrs. Dalloway

  • #7
    Virginia Woolf
    “A thing there was that mattered; a thing, wreathed about with chatter, defaced, obscured in her own life, let drop every day in corruption, lies, chatter. This he had preserved. Death was defiance. Death was an attempt to communicate; people feeling the impossibility of reaching the centre which, mystically, evaded them; closeness drew apart; rapture faded, one was alone. There was an embrace in death.”
    Virginia Woolf, Mrs. Dalloway

  • #8
    Oscar Wilde
    “Indeed I have always been of the opinion that hard work is simply the refuge of people who have nothing to do.”
    Oscar Wilde

  • #9
    Haruki Murakami
    “Pain is inevitable. Suffering is optional.”
    haruki murakami, What I Talk About When I Talk About Running

  • #10
    Virginia Woolf
    “First a warning, musical; then the hour, irrevocable. The leaden circles dissolved in the air.”
    Virginia Woolf, Mrs. Dalloway

  • #11
    Oscar Wilde
    “Yes: I am a dreamer. For a dreamer is one who can only find his way by moonlight, and his punishment is that he sees the dawn before the rest of the world.”
    Oscar Wilde, The Critic As Artist: With Some Remarks on the Importance of Doing Nothing and Discussing Everything

  • #12
    Oscar Wilde
    “Whenever people agree with me I always feel I must be wrong.”
    Oscar Wilde

  • #13
    Aldous Huxley
    “I want to know what passion is. I want to feel something strongly.”
    Aldous Huxley, Brave New World

  • #14
    Haruki Murakami
    “Symbolism and meaning are two separate things. I think she found the right words by bypassing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly’s wings as it flutters around. Artists are those who can evade the verbose.”
    Haruki Murakami, Kafka on the Shore

  • #15
    Henri Bergson
    “The pure present is an ungraspable advance of the past devouring the future. In truth, all sensation is already memory.”
    Henri Bergson, Matter and Memory

  • #16
    Haruki Murakami
    “What I think is this: You should give up looking for lost cats and start searching for the other half of your shadow.”
    Haruki Murakami, Kafka on the Shore

  • #17
    Haruki Murakami
    “Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.”
    Haruki Murakami, Kafka on the Shore

  • #18
    John Steinbeck
    “Maybe ever’body in the whole damn world is scared of each other.”
    John Steinbeck, Of Mice and Men

  • #19
    John Steinbeck
    “As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment.”
    John Steinbeck, Of Mice and Men

  • #20
    Haruki Murakami
    “It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
    Haruki Murakami, Kafka on the Shore

  • #21
    Haruki Murakami
    “If you remember me, then I don't care if everyone else forgets.”
    Haruki Murakami, Kafka on the Shore

  • #22
    Haruki Murakami
    “Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.”
    Haruki Murakami, Kafka on the Shore

  • #23
    Haruki Murakami
    “But if something did happen, it happened. Whether it's right or wrong. I accept everything that happens, and that's how I became the person I am now.”
    Haruki Murakami, Kafka on the Shore

  • #24
    Haruki Murakami
    “You sit at the edge of the world,
    I am in a crater that's no more.
    Words without letters
    Standing in the shadow of the door.

    The moon shines down on a sleeping lizard,
    Little fish rain from the sky.
    Outside the window there are soldiers,
    steeling themselves to die.

    (Refrain)

    Kafka sits in a chair by the shore,
    Thinking for the pendulum that moves the world, it seems.
    When your heart is closed,
    The shadow of the unmoving Sphinx,
    Becomes a knife that pierces your dreams.

    The drowning girl's fingers
    Search for the entrance stone, and more.
    Lifting the hem of her azure dress,
    She gazes --
    at Kafka on the shore”
    Haruki Murakami, Kafka on the Shore
    tags: poem

  • #25
    Haruki Murakami
    “Nakata let his body relax, switched off his mind, allowing things to flow through him. This was natural for him, something he'd done ever since he was a child, without a second thought. Before long the borders of his consciousness fluttered around, just like the butterflies. Beyond these borders lay a dark abyss. Occasionally his consciousness would fly over the border and hover over that dizzying black crevasse. But Nakata wasn't afraid of the darkness or how deep it was. And why should he be? That bottomless world of darkness, that weighty silence and chaos, was an old friend, a part of him already. Nakata understood this well. In that world there was no writing, no days of the week, no scary Governor, no opera, no BMWs. No scissors, no tall hats. On the other hand, there was also no delicious eel, no tasty bean-jam buns. Everything is there, but there are no parts. Since there are no parts, there's no need to replace one thing with another. No need to remove anything, or add anything. You don't have to think about difficult things, just let yourself soak it all in. For Nakata, nothing could be better.”
    Haruki Murakami, Kafka on the Shore

  • #26
    Aldous Huxley
    “Words can be like X-rays if you use them properly – they’ll go through anything. You read and you’re pierced.”
    Aldous Huxley, Brave New World

  • #27
    Aldous Huxley
    “But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
    Aldous Huxley, Brave New World

  • #28
    Aldous Huxley
    “If one's different, one's bound to be lonely.”
    Aldous Huxley, Brave New World

  • #29
    Neil Postman
    “We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by Orwellian nightmares.

    But we had forgotten that alongside Orwell's dark vision, there was another - slightly older, slightly less well known, equally chilling: Aldous Huxley's Brave New World. Contrary to common belief even among the educated, Huxley and Orwell did not prophesy the same thing. Orwell warns that we will be overcome by an externally imposed oppression. But in Huxley's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think.

    What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that what we desire will ruin us.

    This book is about the possibility that Huxley, not Orwell, was right.”
    Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business

  • #30
    Aldous Huxley
    “All right then," said the savage defiantly, I'm claiming the right to be unhappy."
    "Not to mention the right to grow old and ugly and impotent; the right to have syphilis and cancer; the right to have too little to eat, the right to be lousy; the right to live in constant apprehension of what may happen tomorrow; the right to catch typhoid; the right to be tortured by unspeakable pains of every kind."
    There was a long silence.
    "I claim them all," said the Savage at last.”
    Aldous Huxley, Brave New World



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