Aistė Nadolskyte > Aistė's Quotes

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  • #1
    Hélène Cixous
    “And why don't you write? Write! Writing is for you, you are for you; your body is yours, take it. I know why you haven't written. (And why I didn't write before the age of twenty-seven.) Because writing is at once too high, too great for you, it's reserved for the great-that is for "great men"; and it's "silly."

    Besides, you've written a little, but in secret. And it wasn't good, because it was in secret, and because you punished yourself for writing, because you didn't go all the way, or because you wrote, irresistibly, as when we would masturbate in secret, not to go further, but to attenuate the tension a bit, just enough to take the edge off. And then as soon as we come, we go and make ourselves feel guilty-so as to be forgiven; or to forget, to bury it until the next time.”
    Hélène Cixous, The Laugh of the Medusa

  • #2
    Emily St. John Mandel
    “My point is, there’s always something. I think, as a species, we have a desire to believe that we’re living at the climax of the story. It’s a kind of narcissism. We want to believe that we’re uniquely important, that we’re living at the end of history, that now, after all these millennia of false alarms, now is finally the worst that it’s ever been, that finally we have reached the end of the world.”
    Emily St. John Mandel, Sea of Tranquility

  • #3
    Sayaka Murata
    “Society was a system for falling in love. People who couldn't fall in love had to fake it. What came first: the system or love?”
    Sayaka Murata, Earthlings

  • #4
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #5
    Emily St. John Mandel
    “First we only want to be seen, but once we’re seen, that’s not enough anymore. After that, we want to be remembered.”
    Emily St. John Mandel, Station Eleven

  • #6
    Emily St. John Mandel
    “Pandemics don’t approach like wars, with the distant thud of artillery growing louder every day and flashes of bombs on the horizon. The arrive in retrospect, essentially. It’s disorienting. The pandemic is far away and then it’s all around you with seemingly no intermediate step.”
    Emily St. John Mandel, Sea of Tranquility

  • #7
    John Green
    “I never excelled academically, and took some pride in “not fulfilling my potential,” in part because I was terrified that if I tried my hardest, the world would learn that I didn’t actually have that much potential”
    John Green, The Anthropocene Reviewed: Essays on a Human-Centered Planet

  • #8
    Susan Sontag
    “To paraphrase several sages: Nobody can think and hit someone at the same time.”
    Susan Sontag, Regarding the Pain of Others

  • #9
    Susan Sontag
    “[O]ne person's 'barbarian' is another person's 'just doing what everybody else is doing.”
    Susan Sontag, Regarding the Pain of Others

  • #10
    Maggie Nelson
    “the mainstream thrust of anti-intellectualism, as it stands today, characterizes thinking itself as an elitist activity.”
    Maggie Nelson, The Art of Cruelty: A Reckoning

  • #11
    Maggie Nelson
    “Girls are cruelest to themselves,” observes Anne Carson in “The Glass Essay,” her brilliant long poem about the ravages of female anger, loneliness, grief, and desire, giving us as poetic adage what any number of other fields give us as statistic.”
    Maggie Nelson, The Art of Cruelty: A Reckoning

  • #12
    Susan Sontag
    “Compassion is an unstable emotion. It needs to be translated into action, or it withers. The question of what to do with the feelings that have been aroused, the knowledge that has been communicated. If one feels that there is nothing 'we' can do -- but who is that 'we'? -- and nothing 'they' can do either -- and who are 'they' -- then one starts to get bored, cynical, apathetic.”
    Susan Sontag, Regarding the Pain of Others

  • #13
    Susan Sontag
    “It is passivity that dulls feeling.”
    Susan Sontag, Regarding the Pain of Others

  • #14
    Susan Sontag
    “Narratives can make us understand. Photographs do something else: they haunt us.”
    Susan Sontag, Regarding the Pain of Others

  • #15
    Hélène Cixous
    “Every woman has known the torment of getting up to speak. Her heart racing, at times entirely lost for words, ground and language slipping away – that’s how daring a feat, how great a transgression it is for a woman to speak – even just open her mouth – in public.”
    Hélène Cixous, The Laugh of the Medusa

  • #16
    Hélène Cixous
    “Women should break out of the snare of silence. They shouldn't be conned into accepting a domain which is the margin or the harem.”
    Hélène Cixous, The Laugh of the Medusa

  • #17
    Hélène Cixous
    “Men say that there are two unrepresentable things: death and the feminine sex. That's because they need femininity to be associated with death; it's the jitters that gives them a hard-on! for themselves! They need to be afraid of us. Look at the trembling Perseuses moving backward toward us, clad in apotropes. What lovely backs! Not another minute to lose. Let's get out of here.”
    Hélène Cixous, The Laugh of the Medusa

  • #18
    Mackenzi Lee
    “God bless the book people for their boundless knowledge absorbed from having words instead of friends.”
    Mackenzi Lee, The Gentleman's Guide to Vice and Virtue

  • #19
    Shaun David Hutchinson
    “You can't fight gravity. Gravity is love. Love requires us to fall.”
    Shaun David Hutchinson, We Are the Ants

  • #20
    Toni Morrison
    “Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe. There is no gift for the beloved. The lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glare of the lover’s inward eye.”
    Toni Morrison, The Bluest Eye

  • #21
    Jacqueline Harpman
    “My memory begins with my anger.”
    Jacqueline Harpman, I Who Have Never Known Men

  • #22
    Tennessee Williams
    “I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!”
    Tennessee Williams, A Streetcar Named Desire

  • #23
    Tennessee Williams
    “What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.”
    Tennessee Williams, A Streetcar Named Desire

  • #24
    Tennessee Williams
    “Physical beauty is passing - a transitory possession - but beauty of the mind, richness of the spirit, tenderness of the heart - I have all these things - aren't taken away but grow! Increase with the years!”
    Tennessee Williams, A Streetcar Named Desire

  • #25
    Eliza  Clark
    “he tells me to stop being such a bitch. Which is unfair, because I haven't even been a bitch, I've just been sad, and I've been sad because he's been not very nice to me.”
    Eliza Clark, She's Always Hungry

  • #26
    Rachel Cusk
    “Not to be understood is effectively to be silenced, but not understanding can in its turn legitimise that silence, can illuminate one’s own unknowability. Art is the pact of individuals denying society the last word.”
    Rachel Cusk, Parade
    tags: art

  • #27
    Renata Adler
    “I think when you are truly stuck, when you have stood still in the same spot for too long, you throw a grenade in exactly the spot you were standing in, and jump, and pray. It is the momentum of last resort.”
    Renata Adler, Speedboat

  • #28
    Simone de Beauvoir
    “When someone you love dies you pay for the sin of outliving her with a thousand piercing regrets.”
    Simone de Beauvoir, A Very Easy Death



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