martha > martha's Quotes

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  • #1
    Audrey Niffenegger
    “I don't know about you, but I'm kind of fed up with realism. After all, there's enough reality already; why make more of it? Why not leave realism for the memoirs of drug addicts, the histories of salt, the biographies of porn stars? Why must we continue to read about the travails of divorced people or mildly depressed Canadians when we could be contemplating the shopping habits of zombies, or the difficulties that ensue when living and dead people marry each other? We should be demanding more stories about faery handbags and pyjamas inscribed with the diaries of strange women. We should not rest until someone writes about a television show that features the Free People's World-Tree Library, with its elaborate waterfalls and Forbidden Books and Pirate-Magicians. We should be pining for a house haunted by rabbits.

    (from the review of Kelly Link's Magic for Beginners in The Guardian)”
    Audrey Niffenegger

  • #2
    George Saunders
    “I felt myself a new species of child. Not a boy (most assuredly) but neither a (mere) girl. That skirt-bound race perpetually moving about serving tea had nothing to do with me.

    I had such high hopes, you see.

    The boundaries of the world seemed vast. I would visit Rome, Paris, Constantinople. Underground cafés presented in my mind where, crushed against wet walls, a (handsome, generous) friend and I sat discussing—many things. Deep things, new ideas. Strange green lights shone in the streets, the sea lapped nearby against greasy tilted moorings; there was trouble afoot, a revolution, into which my friend and I must— Well, as is often the case, my hopes were…not realized.”
    George Saunders, Lincoln in the Bardo

  • #3
    George Saunders
    “One feels such love for the little ones, such anticipation that all that is lovely in life will be known by them, such fondness for that set of attributes manifested uniquely in each: mannerisms of bravado, of vulnerability, habits of speech and mispronouncement and so forth; the smell of the hair and head, the feel of the tiny hand in yours—and then the little one is gone! Taken! One is thunderstruck that such a brutal violation has occurred in what had previously seemed a benevolent world. From nothingness, there arose great love; now, its source nullified, that love, searching and sick, converts to the most abysmal suffering imaginable.”
    George Saunders, Lincoln in the Bardo

  • #4
    Jasper Fforde
    “Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world.”
    Jasper Fforde, First Among Sequels

  • #5
    Marilynne Robinson
    “This is an interesting planet. It deserves all the attention you can give it.”
    Marilynne Robinson, Gilead

  • #6
    Lindy West
    “Women matter. Women are half of us. When you raise every woman to believe that we are insignificant, that we are broken, that we are sick, that the only cure is starvation and restraint and smallness; when you pit women against one another, keep us shackled by shame and hunger, obsessing over our flaws rather than our power and potential; when you leverage all of that to sap our money and our time—that moves the rudder of the world. It steers humanity toward conservatism and walls and the narrow interests of men, and it keeps us adrift in waters where women’s safety and humanity are secondary to men’s pleasure and convenience.”
    Lindy West, Shrill: Notes from a Loud Woman

  • #7
    Tell me, what is it you plan to do with your one wild and precious
    “Tell me, what is it you plan to do
    with your one wild and precious life?”
    Mary Oliver

  • #8
    Rebecca Solnit
    “I read, I daydreamed, I wandered the city so ardently in part because it was a means of wandering in my thoughts, and my thoughts were runaways, constantly taking me away in the midst of the conversation, the meal, the class, the work, the play, the dance, the party. They were a place I wanted to be, thinking, musing, analyzing, imagining, hoping, tracing connections, integrating new ideas, but they grabbed me and ran with me from the situations at hand over and over. I disappeared in the middle of conversations, sometimes because I was bored but just as often because someone said something so interesting that my mind chased after the idea they offered and lost track of the rest of what they said. I lived in a long reverie for years, went days without much interruption to it, which was one of the gifts of solitude.”
    Rebecca Solnit, Recollections of My Nonexistence: A Memoir

  • #9
    Jonathan Safran Foer
    “Sometimes I can hear my bones straining under the weight of all the lives I'm not living.”
    Jonathan Safran Foer, Extremely Loud & Incredibly Close

  • #10
    Marilynne Robinson
    “There is no justice in love, no proportion in it, and there need not be, because in any specific instance it is only a glimpse or parable of an embracing, incomprehensible reality. It makes no sense at all because it is the eternal breaking in on the temporal. So how could it subordinate itself to cause or consequence?”
    Marilynne Robinson, Gilead

  • #11
    Marilynne Robinson
    “I’m writing this in part to tell you that if you ever wonder what you’ve done in your life, and everyone does wonder sooner or later, you have been God’s grace to me, a miracle, something more than a miracle. You may not remember me very well at all, and it may seem to you to be no great thing to have been the good child of an old man in a shabby little town you will no doubt leave behind. If only I had the words to tell you.”
    Marilynne Robinson, Gilead

  • #12
    Michael Cunningham
    “It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and its perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”
    Michael Cunningham

  • #13
    Sylvia Plath
    “That’s one of the reasons I never wanted to get married. The last thing I wanted was infinite security and to be the place an arrow shoots off from. I wanted change and excitement and to shoot off in all directions myself, like the colored arrows from a Fourth of July rocket.”
    Sylvia Plath, The Bell Jar

  • #14
    Nicole Krauss
    “I, too, like to read. Once a month, I go to the local branch. For myself, I pick a novel and, for Bruno, with his cataracts, a book on tape. At first Bruno was doubtful. “What am I supposed to do with this?” he said, looking at the box set of “Anna Karenina” as if I’d handed him an enema. And yet. A day or two later I was going about my business when a voice from above bellowed, ALL HAPPY FAMILIES RESEMBLE ONE ANOTHER, nearly giving me a conniption. After that, he listened to whatever I’d brought him at top volume and then returned it to me without comment. One afternoon, I came back from the library with Ulysses. For a month straight he listened. He had a habit of pressing the stop button and rewinding when he hadn’t fully grasped something. INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT. Pause, rewind. INELUCTABLE MODALITY OF THE. Pause, rewind. INELUCTABLE MODALITY. Pause. INELUCT.”
    Nicole Krauss

  • #15
    Rachel Cusk
    “When she is with them she is not herself; when she is without them she is not herself; and so it is as difficult to leave your children as it is to stay with them. To discover this is to feel that your life has become irretrievably mired in conflict, or caught in some mythic snare in which you will perpetually, vainly struggle.”
    Rachel Cusk, A Life's Work: On Becoming a Mother

  • #16
    Nicole Krauss
    “Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.”
    Nicole Krauss, The History of Love

  • #17
    Nicole Krauss
    “All the times I have suddenly realized that my parents are dead, even now, it still surprises me, to exist in the world while that which made me has ceased to exist.”
    Nicole Krauss, The History of Love

  • #18
    Miranda July
    “Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.”
    Miranda July, No One Belongs Here More Than You

  • #19
    Erin McKean
    “You don’t owe prettiness to anyone. Not to your boyfriend/spouse/partner, not to your co-workers, especially not to random men on the street. You don’t owe it to your mother, you don’t owe it to your children, you don’t owe it to civilization in general. Prettiness is not a rent you pay for occupying a space marked ‘female’.”
    Erin McKean

  • #20
    Rainer Maria Rilke
    “Let everything happen to you
    Beauty and terror
    Just keep going
    No feeling is final”
    Rainer Maria Rilke

  • #21
    Rebecca Solnit
    “To me, the grounds for hope are simply that we don’t know what will happen next, and that the unlikely and the unimaginable transpire quite regularly. And that the unofficial history of the world shows that dedicated individuals and popular movements can shape history and have, though how and when we might win and how long it takes is not predictable.”
    Rebecca Solnit, Men Explain Things to Me

  • #22
    Franz Wright
    “literature will lose, sunlight will win, don't worry.”
    Franz Wright, God's Silence

  • #23
    Zadie Smith
    “I am seized by two contradictory feelings: there is so much beauty in the world it is incredible that we are ever miserable for a moment; there is so much shit in the world that it is incredible we are ever happy for a moment.”
    Zadie Smith, Feel Free: Essays

  • #24
    Suzanne Collins
    “So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.”
    Suzanne Collins, Catching Fire

  • #25
    Lorrie Moore
    “Though she would have preferred long ago to have died, fled, gotten it all over with, the body--Jesus, how the body!--took its time. It possessed its own wishes and nostalgias. You could not just turn neatly into light and slip out the window. You couldn't go like that. Within one's own departing but stubborn flesh, there was only the long, sentimental, piecemeal farewell. Sir? A towel. Is there a towel? The body, hauling sadness, pursued the soul, hobbled after. The body was like a sweet, dim dog trotting lamely toward the gate as you tried slowly to drive off, out the long driveway. Take me, take me, too, barked the dog. Don't go, don't go, it said, running along the fence, almost keeping pace but not quite, its reflection a shrinking charm in the car mirrors as you trundled past the viburnium, past the pin grove, past the property line, past every last patch of land, straight down the swallowing road, disappearing and disappearing. Until at last it was true: you had disappeared.”
    Lorrie Moore, Birds of America: Stories
    tags: death

  • #26
    Lorrie Moore
    “Her rage flopped awkwardly away like a duck. She felt as she had when her cold, fierce parents had at last grown sick and old, stick-boned and saggy, protected by infirmity the way cuteness protected a baby, or should, it should protect a baby, and she had been left with her rage--vestigial, girlhood rage--inappropriate and intact. She would hug her parents good-bye, the gentle, emptied sacks of them, and think Where did you go?
    Lorrie Moore

  • #27
    W.H. Auden
    “You owe it to all of us to get on with what you're good at.”
    W.H. Auden

  • #28
    Kim Addonizio
    “Maybe you're one of those people who writes poems, but rarely reads them. Let me put this as delicately as I can: If you don't read, your writing is going to suck.”
    Kim Addonizio, Ordinary Genius: A Guide for the Poet Within

  • #29
    C.S. Lewis
    “I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.”
    C.S. Lewis

  • #30
    Ford Madox Ford
    “You seduced a young woman in order to be able to finish your talks with her. You could not do that without living with her. You could not live with her without seducing her; but that was the by-product. The point is that you can't otherwise talk. You can't finish talks at street corners; in museums; even in drawing-rooms. You mayn't be in the mood when she is in the mood – for the intimate conversation that means the final communion of your souls. You have to wait together – for a week, for a year, for a lifetime, before the final intimate conversation may be attained...and exhausted. So that...

    That in effect was love.”
    Ford Madox Ford, Parade's End
    tags: love



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