William Rohner > William's Quotes

“They are hopelessly vulgar. Whether or no being hopelessly vulgar is being 'bad' is a question for the metaphysicians. They are bad enough to dislike, at any rate; and for this short life that is quite enough.”
― Henry James, Daisy Miller

“if nocturnal meditations in the Colosseum are recommended by the poets, they are deprecated by the doctors.”
― Henry James, Daisy Miller

“Direct your eye inward, and you'll find / A thousand regions in your mind / Yet undiscovered. Travel them, and be / Expert in home-cosmography”
― Henry David Thoreau

“The great grindstone, Earth, had turned when Mr. Lorry looked out again, and the sun was red on the courtyard. But, the lesser grindstone stood alone there in the calm morning air, with red upon it that the sun had never give, and would never take away.”
― Charles Dickens, A Tale of Two Cities

“It would never have occurred to him that in placing the apricot in my palm he was giving me his ass to hold or that, in biting the fruit, I was also biting into that part of his body that must have been fairer than the rest because it never apricates - and near it, if I dared to bite that far, his apricock.”
― André Aciman, Call Me by Your Name

“They recruited the most supple and athletic of the cops to train as mounted policemen, and a small kid could be mesmerized just watching one who’d been lazing majestically down the street stop to write a parking ticket and then lean way over in the saddle so as to place the ticket under the car’s windshield wiper, a physical gesture, if ever there was one, of magnificent condescension to the machine age.”
― Philip Roth, The Plot Against America

“I was still too much of a fledgling with people to understand that, in the long run, nobody is a picnic and that I was no picnic myself.”
― Philip Roth, The Plot Against America

“They were happier now than they would ever be again. A tenpenny tea set made Cam happy for days. She heard them stamping and crowing on the floor above her head the moment they woke. They came bustling along the passage. Then the door sprang open and in they came, fresh as roses, staring, wide awake, as if this coming into the dining-room after was a positive event to them, and so on, with one thing after another, all day long, until she went up to say good-night to them, and found them netted in their cots like birds among cherries and raspberries, still making up stories about some little bit of rubbish-–something they heard, something they had picked up in the garden. They had all their little treasures. . . And so she went down and said to her husband, Why must they grow up and lose it all? Never will they be so happy again. And he was angry. Why take such a gloomy view of life? he said. It is not sensible. For it was odd; and he believed it to be true; that with all his gloom and desperation he was happier, more hopeful on the whole, than she was. Less exposed to human worries––perhaps that was it. He had always his work to fall back on.”
― Virginia Woolf, To the Lighthouse

“He was really, Lily Briscoe thought, in spite of his eyes, but then look at his nose, look at his hands, the most uncharming human being she had ever met. Then why did she mind what he said? Women can't write, women can't paint - what did that matter coming from him, since clearly it was not true to him but for some reason helpful to him, and that was why he said it? Why did her whole being bow, like corn under a wind, and erect itself again from this abasement only with a great and rather painful effort? She must make it once more. There's the sprig on the table-cloth; there's my painting; I must move the tree to the middle; that matters - nothing else. Could she not hold fast to that, she asked herself, and not lose her temper, and not argue; and if she wanted revenge take it by laughing at him?”
― Virginia Woolf, To the Lighthouse

“Nor praise the deep vermilion in the rose," she read, and so reading she was ascending, she felt, on to the top, on to the summit. How satisfying! How restful! All the odds and ends of the day stuck to this magnet; her mind felt swept, felt clean. And then there it was, suddenly entire; she held it in her hands, beautiful and reasonable, clear and complete, here--the sonnet.

But she was becoming conscious of her husband looking at her. He was smiling at her, quizzically, as if he were ridiculing her gently for being asleep in broad daylight, but at the same time he was thinking, Go on reading. You don't look sad now, he thought. And he wondered what she was reading, and exaggerated her ignorance, her simplicity, for he liked to think that she was not clever, not book-learned at all. He wondered if she understood what she was reading. Probably not, he thought. She was astonishingly beautiful. Her beauty seemed to him, if that were possible, to increase.”
― Virginia Woolf, To the Lighthouse

“But what after all is one night? A short space, especially when the darkness dims so soon, and so soon a bird sings, a cock crows, or a faint green quickens, like a turning leaf, in the hollow of the wave. Night, however, succeeds to night. The winter holds a pack of them in store and deals them equally, evenly, with indefatigable fingers. They lengthen; they darken. Some of them hold aloft clear planets, plates of brightness. The autumn trees, ravaged as they are, take on the flash of tattered flags kindling in the gloom of cool cathedral caves where gold letters on marble pages describe death in battle and how bones bleach and burn far away in Indian sands. The autumns trees gleam in the yellow moonlight, in the light of harvest moons, the light which mellows the energy of labour, and smooths the stubble, and brings the wave lapping blue to the shore.”
― Virginia Woolf, To the Lighthouse

“How to read "Harry Potter and the Sorcerer's Stone"? Why, very quickly, to begin with, and perhaps also to make an end. Why read it? Presumably, if you cannot be persuaded to read anything better, Rowling will have to do.”
― Harold Bloom

“We read deeply for varied reasons, most of them familiar: that we cannot know enough people profoundly enough; that we need to know ourselves better; that we require knowledge, not just of self and others, but of the way things are. Yet the strongest, most authentic motive for deep reading…is the search for a difficult pleasure.”
― Harold Bloom

“Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct.”
― Robert Frost

“Whoso would be a man, must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore it if it be goodness. Nothing is at last sacred but the integrity of your own mind. Absolve you to yourself, and you shall have the suffrage of the world.”
― Ralph Waldo Emerson, Self-Reliance and Other Essays

“The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for everything. When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead. The totalitarian world, whether founded on Marx, Islam, or anything else, is a world of answers rather than questions. There, the novel has no place.”
― Milan Kundera, The Book of Laughter and Forgetting

“Would you please please please please please please please stop talking?”
― Ernest Hemingway, Men Without Women

“Sometimes we are inclined to class those who are once-and-a-half witted with the half-witted, because we appreciate only a third part of their wit.”
― Henry David Thoreau, Walden or, Life in the Woods

“The soul is no traveller; the wise man stays at home, and when his necessities, his duties, on any occasion call him from his house, or into foreign lands, he is at home still, and shall make men sensible by the expression of his countenance, that he goes the missionary of wisdom and virtue, and visits cities and men like a sovereign, and not like an interloper or a valet.”
― Ralph Waldo Emerson