Sepulchre by the Sea > Sepulchre by the Sea's Quotes

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  • #1
    Charles Lamb
    “There is absolutely no such thing as reading but by a candle. We have tried the affectation of a book at noon-day in gardens, and in sultry arbours, but it was labor thrown away. Those gay motes in the beam come about you, hovering and teasing, like so many coquets, that will have you all to their self, and are jealous of your abstractions. By the midnight taper, the writers digests his meditations. By the same light we must approach to their perusal, if we would catch the flame, the odour.”
    Charles Lamb

  • #2
    Giorgio Bassani
    “She could sense it very clearly: for me, no less than for her, the past counted far more than the present, remembering something far more than possessing it. Compared to memory, every possession can only ever seem disappointing, banal, inadequate ... She understood me so well! My anxiety that the present 'immediately' turned into the past so that I could love it and dream about it at leisure was just like hers, was identical. It was 'our' vice, this: to go forwards with our heads forever turned back.”
    Giorgio Bassani

  • #3
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #4
    “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
    Ira Glass

  • #5
    “It's hard to make something that's interesting. It's really, really hard. It's like a law of nature, a law of aerodynamics, that anything that's written or anything that's created wants to be mediocre. The natural state of all writing is mediocrity... So what it takes to make anything more than mediocre is such an act of will...”
    Ira Glass

  • #6
    Roland Barthes
    “Are not couturiers the poets who, from year to year, from strophe to strophe, write the anthem of the feminine body?”
    Roland Barthes, The Language of Fashion

  • #7
    Woody Allen
    “To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be happy one must love or love to suffer or suffer from too much happiness.”
    Woody Allen

  • #8
    Andy Warhol
    “I can never get over when you're on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own.”
    Andy Warhol, The Philosophy of Andy Warhol

  • #9
    “The more identities a man has, the more they express the person they conceal.”
    John le Carré, Tinker, Tailor, Soldier, Spy

  • #10
    Anaïs Nin
    “We write to taste life twice, in the moment and in retrospect.”
    Anais Nin

  • #11
    Mark Twain
    “If you tell the truth, you don't have to remember anything.”
    Mark Twain

  • #12
    Albert Camus
    “Man is the only creature who refuses to be what he is.”
    Albert Camus

  • #13
    Pablo Picasso
    “Art is the lie that enables us to realize the truth.”
    Pablo Picasso

  • #14
    Jim Morrison
    “The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.”
    Jim MORRISON

  • #15
    George Orwell
    “Perhaps one did not want to be loved so much as to be understood.”
    George Orwell, 1984

  • #16
    William Blake
    “A truth that's told with bad intent
    Beats all the lies you can invent.”
    William Blake, Auguries of Innocence

  • #17
    Ayn Rand
    “People think that a liar gains a victory over his victim. What I’ve learned is that a lie is an act of self-abdication, because one surrenders one’s reality to the person to whom one lies, making that person one’s master, condemning oneself from then on to faking the sort of reality that person’s view requires to be faked…The man who lies to the world, is the world’s slave from then on…There are no white lies, there is only the blackest of destruction, and a white lie is the blackest of all.”
    Ayn Rand, Atlas Shrugged

  • #18
    Ntozake Shange
    “somebody/ anybody
    sing a black girl's song
    bring her out
    to know herself
    to know you
    but sing her rhythms
    carin/ struggle/ hard times
    sing her song of life
    she's been dead so long
    closed in silence so long
    she doesn't know the sound
    of her own voice
    her infinite beauty
    she's half-notes scattered
    without rhythm/ no tune
    sing her sighs
    sing the song of her possibilities
    sing a righteous gospel
    let her be born
    let her be born
    & handled warmly.”
    Ntozake Shange, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf

  • #19
    John Berger
    “Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.”
    John Berger

  • #20
    John Berger
    “Every city has a sex and an age which have nothing to do with demography. Rome is feminine. So is Odessa. London is a teenager, an urchin, and in this hasn’t changed since the time of Dickens. Paris, I believe, is a man in his twenties in love with an older woman.”
    John Berger

  • #21
    John Berger
    “If every event which occurred could be given a name, there would be no need for stories.”
    John Berger, Once in Europa

  • #22
    John Berger
    “To be desired is perhaps the closest anybody in this life can reach to feeling immortal.”
    John Berger

  • #23
    John Berger
    “A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another....

    One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object -- and most particularly an object of vision: a sight.”
    John Berger, Ways of Seeing

  • #24
    C.G. Jung
    “The pendulum of the mind oscillates between sense and nonsense, not between right and wrong.”
    Carl Gustav Jung

  • #25
    Kay Redfield Jamison
    “There is a particular kind of pain, elation, loneliness, and terror involved in this kind of madness. When you're high it's tremendous. The ideas and feelings are fast and frequent like shooting stars, and you follow them until you find better and brighter ones. Shyness goes, the right words and gestures are suddenly there, the power to captivate others a felt certainty. There are interests found in uninteresting people. Sensuality is pervasive and the desire to seduce and be seduced irresistible. Feelings of ease, intensity, power, well-being, financial omnipotence, and euphoria pervade one's marrow. But, somewhere, this changes. The fast ideas are far too fast, and there are far too many; overwhelming confusion replaces clarity. Memory goes. Humor and absorption on friends' faces are replaced by fear and concern. Everything previously moving with the grain is now against-- you are irritable, angry, frightened, uncontrollable, and enmeshed totally in the blackest caves of the mind. You never knew those caves were there. It will never end, for madness carves its own reality.”
    Kay Redfield Jamison, An Unquiet Mind: A Memoir of Moods and Madness

  • #26
    An intelligent person can rationalize anything; a wise person doesn't try.
    “An intelligent person can rationalize anything; a wise person doesn't try.”
    Jen Knox, Chaos Magic

  • #27
    David Foster Wallace
    “The so-called ‘psychotically depressed’ person who tries to kill herself doesn’t do so out of quote ‘hopelessness’ or any abstract conviction that life’s assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fire’s flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. It’s not desiring the fall; it’s terror of the flames. And yet nobody down on the sidewalk, looking up and yelling ‘Don’t!’ and ‘Hang on!’, can understand the jump. Not really. You’d have to have personally been trapped and felt flames to really understand a terror way beyond falling.”
    David Foster Wallace

  • #28
    William Blake
    “You never know what is enough unless you know what is more than enough.”
    William Blake, The Marriage of Heaven and Hell

  • #29
    Thich Nhat Hanh
    “My actions are my only true belongings.”
    Thich Nhat Hanh, Understanding Our Mind: 50 Verses on Buddhist Psychology

  • #30
    Thich Nhat Hanh
    “Feelings come and go like clouds in a windy sky. Conscious breathing is my anchor.”
    Thich Nhat Hang, Stepping into Freedom: An Introduction to Buddhist Monastic Training



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