Iris > Iris's Quotes

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  • #1
    Banana Yoshimoto
    “As I grow older, much older, I will experience many things, and I will hit rock bottom again and again. Again and again I will suffer; again and again I will get back on my feet. I will not be defeated. I won't let my spirit be destroyed.”
    Banana Yoshimoto, Kitchen

  • #2
    Zora Neale Hurston
    “Of course he wasn't dead. He could never be dead until she herself had finished feeling and thinking. The kiss of his memory made pictures of love and light against the wall. Here was peace. She pulled in her horizon like a great fish-net. Pulled it from around the waist of the world and draped it over her shoulder. So much of life in its meshes! She called in her soul to come and see.”
    Zora Neale Hurston, Their Eyes Were Watching God

  • #3
    Orson Scott Card
    “Perhaps it's impossible to wear an identity without becoming what you pretend to be.”
    Orson Scott Card, Ender's Game

  • #4
    Orson Scott Card
    “I also remembered that you were beautiful."
    "Memory does play tricks on us."
    "No. Your face is the same, but I don't remember what beautiful means anymore.”
    Orson Scott Card, Ender’s Game

  • #5
    Orson Scott Card
    “In the moment when I truly understand my enemy, understand him well enough to defeat him, then in that very moment I also love him. I think it’s impossible to really understand somebody, what they want, what they believe, and not love them the way they love themselves. And then, in that very moment when I love them.... I destroy them.”
    Orson Scott Card, Ender's Game

  • #6
    R.F. Kuang
    “They were monsters!" Rin shrieked. "They were not human!"

    "Have you ever considered" he said slowly "that that was exactly what they thought of us?”
    R.F. Kuang, The Poppy War

  • #7
    Madeline Miller
    “But in a solitary life, there are rare moments when another soul dips near yours, as stars once a year brush the earth. Such a constellation was he to me.”
    Madeline Miller, Circe

  • #8
    Khaled Hosseini
    “For you, a thousand times over”
    Khaled Hosseini, The Kite Runner

  • #9
    Khaled Hosseini
    “It was only a smile, nothing more. It didn't make everything all right. It didn't make ANYTHING all right. Only a smile. A tiny thing. A leaf in the woods, shaking in the wake of a startled bird's flight. But I'll take it. With open arms. Because when spring comes, it melts the snow one flake at a time, and maybe I just witnessed the first flake melting. - Amir”
    Khaled Hosseini, The Kite Runner

  • #10
    Ted Chiang
    “Some humans theorize that intelligent species go extinct before they can expand into outer space. If they're correct, then the hush of the night sky is the silence of the graveyard.”
    Ted Chiang, The Great Silence

  • #11
    “It's like any time a white friend suggests Korean barbecue. Or when I see a Food Network special where some tattooed white dude with a nineteenth-century-looking beard-and-mustache combo introduces viewers to this kimchi al pastor bánh mì monstrosity he peddles from a food truck that sends out location tweets. It's like when white people tell me how much they love kimchee and bull-go-ghee, and the words just roll off their tongues as if there exists nothing irreconcilable between the two languages.
    It's like, don't touch my shit.
    It's difficult to articulate because I know it's not rational. But as a bilingual immigrant from Korea, as someone who code-switches between Korean and English daily while running errands or going to the supermarket, not to mention the second-nature combination of the languages that I'll speak with my parents and siblings, switching on and switching off these at times unfeasibly different sounds, dialects, grammatical structures? It's fucking irritating. I don't want to be stingy about who gets to enjoy all these fermented wonders -- I'm glad the stigma around our stinky wares is dissolving away. But when my husband brings me a plate of food he made out of guesswork with a list of ingredients I've curated over the years of my burgeoning adulthood with the implicit help of my mother, my grandmother, and my grandmother's mother who taught me the patience of peeling dozens of garlic cloves in a sitting with bare hands, it puts me in snap-me-pff-a-hickory-switch mode.”
    Sung Yim, What About the Rest of Your Life

  • #12
    “You need your mother. Your mother beats you. Translation: You need your mother to beat you. Your mother loves you. Your mother beats you. Translation: Sometimes love looks like this. You look for a love that looks like this. You love your mother. Your mother hurts you. Translation: Pain becomes a beautiful thing.”
    Sung Yim, What About the Rest of Your Life

  • #13
    Liu Cixin
    “Is it possible that the relationship between humanity and evil is similar to the relationship between the ocean and an iceberg floating on its surface? Both the ocean and the iceberg are made of the same material. That the iceberg seems separate is only because it is in a different form. In reality, it is but a part of the vast ocean.…”
    Liu Cixin, The Three-Body Problem

  • #14
    Liu Cixin
    “Should philosophy guide experiments, or should experiments guide philosophy?”
    Liu Cixin, The Three-Body Problem

  • #15
    Ling  Ma
    “To live in a city is to live the life that it was built for, to adapt to its schedule and rhythms, to move within the transit layout made for you during the morning and evening rush, winding through the crowds of fellow commuters. To live in a city is to consume its offerings. To eat at its restaurants. To drink at its bars. To shop at its stores. To pay its sales taxes. To give a dollar to its homeless.

    To live in a city is to take part in and to propagate its impossible systems. To wake up. To go to work in the morning. It is also to take pleasure in those systems because, otherwise, who could repeat the same routines, year in, year out?”
    Ling Ma, Severance

  • #16
    Liu Cixin
    “When twilight fades, you can see the stars. When dawn fades, all that’s left is…” “All that’s left is the harsh light of reality.”
    Liu Cixin, The Dark Forest

  • #17
    Liu Cixin
    “Of course she's not afraid. She knows that the sun will rise again tomorrow.”
    Liu Cixin, The Dark Forest

  • #18
    Liu Cixin
    “And now we know that this is the journey that must be made by every civilization: awakening inside a cramped cradle, toddling out of it, taking flight, flying faster and farther, and, finally, merging with the fate of the universe as one. The ultimate fate of all intelligent beings has always been to become as grand as their thoughts.”
    Liu Cixin, Death's End

  • #19
    John Boyne
    “Maybe there were no villains in my mother’s story at all. Just men and women, trying to do their best by each other. And failing.”
    John Boyne, The Heart's Invisible Furies

  • #20
    Hanya Yanagihara
    “You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.”
    Hanya Yanagihara, A Little Life

  • #21
    Hanya Yanagihara
    “It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.”
    Hanya Yanagihara, A Little Life

  • #22
    Hanya Yanagihara
    “They all—Malcolm with his houses, Willem with his girlfriends, JB with his paints, he with his razors—sought comfort, something that was theirs alone, something to hold off the terrifying largeness, the impossibility, of the world, of the relentlessness of its minutes, its hours, its days.”
    Hanya Yanagihara, A Little Life

  • #23
    Hanya Yanagihara
    “There was a period-- or at least you hoped there was-- with every painting or project when the life of that painting became more real to you than your everyday life, when you sat wherever you were and thought only of returning to the studio, when you were barely conscious that you had tapped out a hill of salt onto the dinner table and in it were drawing your plots and patterns and plans, the white grains moving under your fingertip like silt.”
    Hanya Yanagihara, A Little Life

  • #24
    Hanya Yanagihara
    “He’d watch that kind light suffuse the car like syrup, watch it smudge furrows from foreheads, slick gray hairs into gold, gentle the aggressive shine from cheap fabrics into something lustrous and fine. And then the sun would drift, the car rattling uncaringly away from it, and the world would return to its normal sad shapes and colors, the people to their normal sad state, a shift as cruel and abrupt as if it had been made by a sorcerer’s wand.”
    Hanya Yanagihara, A Little Life

  • #25
    Silvia Moreno-Garcia
    “The world might indeed be a cursed circle; the snake swallowed its tail and there could be no end, only an eternal ruination and endless devouring.”
    Silvia Moreno-Garcia, Mexican Gothic

  • #26
    Sally Wen Mao
    “Where do you wander, where do you search for this petal that grows from the stone in your chest?”
    Sally Wen Mao, Oculus: Poems
    tags: poetry

  • #27
    Glennon Doyle
    “Being human is not hard because you're doing it wrong, it's hard because you're doing it right.”
    Glennon Doyle, Untamed

  • #28
    Glennon Doyle
    “It’s okay to feel all of the stuff you’re feeling. You’re just becoming human again. You’re not doing life wrong; you’re doing it right. If there’s any secret you’re missing, it’s that doing it right is just really hard. Feeling all your feelings is hard, but that’s what they’re for. Feelings are for feeling. All of them. Even the hard ones. The secret is that you’re doing it right, and that doing it right hurts sometimes.”

    I did not know, before that woman told me, that all feelings were for feeling. I did not know that I was supposed to feel everything. I thought I was supposed to feel happy. I thought that happy was for feeling and that pain was for fixing and numbing and deflecting and hiding and ignoring. I thought that when life got hard, it was because I had gone wrong somewhere. I thought that pain was weakness and that I was supposed to suck it up. But the thing was that the more I sucked it up, the more food and booze I had to suck down.”
    Glennon Doyle, Untamed

  • #29
    Wang Anyi
    “But do not look down on even the most minute of things; for with the coming of daybreak, even the tiniest particles of dust in this world sing and dance in the sunlight.”
    Anyi Wang, The Song of Everlasting Sorrow: A Novel of Shanghai

  • #30
    Liu Cixin
    “The universe is a dark forest. Every civilization is an armed hunter stalking through the trees like a ghost, gently pushing aside branches that block the path and trying to tread without sound. Even breathing is done with care. The hunter has to be careful, because everywhere in the forest are stealthy hunters like him. If he finds other life—another hunter, an angel or a demon, a delicate infant or a tottering old man, a fairy or a demigod—there’s only one thing he can do: open fire and eliminate them. In this forest, hell is other people. An eternal threat that any life that exposes its own existence will be swiftly wiped out. This is the picture of cosmic civilization. It’s the explanation for the Fermi Paradox.”
    Liu Cixin, The Dark Forest



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