Mo > Mo's Quotes

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  • #1
    Tayari Jones
    “People say, That which doesn't kill you makes you stronger. But they are wrong. What doesn't kill you doesn't kill you. That's all you get. Sometimes, you just have to hope that's enough.”
    Tayari Jones

  • #3
    Leigh Bardugo
    “No mourners, no funerals. Another way of saying good luck. But it was something more. A dark wink to the fact that there would be no expensive burials for people like them, no marble markers to remember their names, no wreaths of myrtle and rose.”
    Leigh Bardugo, Crooked Kingdom

  • #4
    Daniel José Older
    “Crazy. It was the same word María and Tía Rosa flung at Grandpa Lázaro. The same word anyone said when they didn't understand something. "Crazy" was a way to shut people up, disregard them entirely.”
    Daniel José Older, Shadowshaper

  • #5
    Maurice Sendak
    “The qualities that make for excellence in children's literature can be summed up in a single word: imagination. And imagination as it relates to the child is, to my mind, synonymous with fantasy. Contrary to most of the propaganda in books for the young, childhood is only partly a time of innocence. It is, in my opinion, a time of seriousness, bewilderment, and a good deal of suffering. It's also possibly the best of all times. Imagination for the child is the miraculous, freewheeling device he uses to course his way through the problems of every day....It's through fantasy that children achieve catharsis.”
    Maurice Sendak

  • #6
    Eli Clare
    “Laugh and cry and tell stories. Sad stories about bodies stolen, bodies no longer here. Enraging stories about the false images, devastating lies, untold violence. Bold, brash stories about reclaiming our bodies and changing the world.”
    Eli Clare, Exile and Pride: Disability, Queerness, and Liberation

  • #7
    “When K & I returned to the gingerbread house after taking Nana home, I was beyond exhausted. But I couldn't sleep, not for a long time. I stayed awake. Thinking of boys, of myself, & of all the intersections in between.
    ...
    Regardless, there were times when I was at least part boy. A femme boy deep down. Shy sweater fag, my cardigan on hand to comfort me in the cold world. Bookworm queer boy at heart, K told me on more than one occasion. Certain moods & I was the most enviable of drag princesses, eyelashes all a-flutter & my fingers tickling the air with each gesture. Sometimes I was full of flirtatious swagger, but that playful swag could turn fierce snarl for defense, if need be. Never, I promised myself one line I wouldn't cross, never would I be the mean kind of boy that laughed me back inside the store's red doors when I did no good at hot afternoon sour pissing contests. Of course, there were plenty of times I was such a fairy lady that I ceased to be even part boy.

    Yes, Rob would have accused me of bringing the communal growl down for saying I'm part boy. And pre-Stonewall dykes would have wanted to call my game. What kind of dyke was I, anyway? Good question. Simple & complicated all at once, I wasn't a pigeon to be tucked away neatly into a hole. I didn't wear a fixed category without feeling pain. I was more, or less, or something different entirely.”
    Felicia Luna Lemus, Trace Elements of Random Tea Parties

  • #8
    Daniel José Older
    “Maybe the word hasn’t been invented yet – that thing beyond diversity. We often define movements by what they’re against, but the final goal is greater than the powers it dismantles, deeper than any statistic. It’s something like equity – a commitment to harvesting a narrative language so broad it has no face, no name.”
    Daniel José Older

  • #9
    Dorothy Allison
    “... suffering does not ennoble. It destroys. To resist destruction, self-hatred, or lifelong hopelessness, we have to throw off the conditioning of being despised, the fear of becoming the they that is talked about so dismissively, to refuse lying myths and easy moralities, to see ourselves as human, flawed, and extraordinary. All of us extraordinary”
    Dorothy Allison

  • #10
    Lewis Carroll
    “That's the reason they're called lessons, the Gryphon remarked: because they lessen from day to day.”
    Lewis Carroll

  • #11
    Dorothy Allison
    “Why write stories? To join the conversation.”
    Dorothy Allison, Trash

  • #12
    Randall Jarrell
    “Before the bat could answer, the mockingbird exclaimed angrily: "You sound as if there were something wrong with imitating things!"

    "Oh no," the bat said.

    "Well then, you sound as if there something wrong with driving them off. It's my territory, isn't it? If you can't drive things off your own territory what can you do?"

    The bat didn't know what to say; after a minute the chipmunk said uneasily, "He just meant it's odd to drive them all off and then imitate them so well too."

    "Odd!" cried the mockingbird. "Odd! If I didn't it really would be odd. Did you ever hear of a mockingbird that didn't?"

    The bat said politely, "No indeed. No, it's just what mockingbirds do do. That's really why I made up the poem about it--I admire mockingbirds so much, you know."

    The chipmunk said, "He talks about them all the time."

    "A mockingbird's sensitive," said the mockingbird; when he said sensitive his voice went way up and way back down. "They get on my nerves. You just don't understand how much they get on my nerves. Sometimes I think if I can't get rid of them I'll go crazy."

    "If they didn't get on your nerves so, maybe you wouldn't be able to imitate them so well, the chipmunk said in a helpful, hopeful voice.”
    Randall Jarrell, The Bat-Poet

  • #13
    “In my old age, I see that life is often more fantastic and terrible than stories we believed as children, and that perhaps there is no harm in finding magic among the trees.”
    Eowyn Ivey, The Snow Child

  • #14
    Philip Pullman
    “We don’t need a list of rights and wrongs, tables of dos and don’ts: we need books, time, and silence. Thou shalt not is soon forgotten, but Once upon a time lasts forever.”
    Philip Pullman

  • #15
    Jandy Nelson
    “Life's a freaking mess. In fact, I'm going to tell Sarah we need to start a new philosophical movement: messessentialism instead of existentialism: For those who revel in the essential mess that is life. Because Gram's right, there's not one truth ever, just a bunch of stories, all going on at once, in our heads, in our hearts, all getting in the way of each other. It's all a beautiful calamitous mess. It's like the day Mr. James took us into the woods and cried triumphantly, "That's it! That's it!" to the dizzying cacophony of soloing instruments trying to make music together. That is it.”
    Jandy Nelson, The Sky Is Everywhere
    tags: life

  • #17
    Carol Rifka Brunt
    “That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space.
    The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
    So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.”
    Carol Rifka Brunt, Tell the Wolves I'm Home

  • #18
    Ana Castillo
    “You say your city the way some Americans say this is their country. You never feel right saying that - my country. For some reason looking Mexican means you can't be American.”
    Ana Castillo, Peel My Love Like an Onion

  • #18
    Lewis Carroll
    “It’s no use going back to yesterday, because I was a different person then.”
    Lewis Carroll

  • #19
    Gilda Radner
    “I wanted a perfect ending. Now I've learned, the hard way, that some poems don't rhyme, and some stories don't have a clear beginning, middle, and end.”
    Gilda Radner

  • #21
    Marjane Satrapi
    “We are focusing on the small details and hiding the misery in the world. Look at the smoker and we miss global warming, war, and the crap we eat--not the bad guys but smoking. I smoke and they talk about cancer, I eat and they talk about cholesterol, I make love, it's AIDS. Before AIDS and cholesterol and cancer there's the pleasure of making love and eating and smoking. I have to die someday, so if the thing that gave me pleasure all of my life kills me instead of me going under a truck, that's fine. Besides, why should I live so that when I die I give fresh meat to the worms? I hope that I am rotted and they don't want to eat me. F@#$ck the worms.”
    Marjane Satrapi

  • #22
    Barb Johnson
    “There's real trouble in the world. The kind that can't be fixed. The kind we lie awake keeping vigil against. Love is not trouble. It's all we have to light our days, to bring music to the time we've been given.”
    Barb Johnson, More of This World or Maybe Another

  • #23
    Maurice Sendak
    “Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.”
    Maurice Sendak

  • #24
    Benjamin Alire Sáenz
    “I never knew what to say."

    "Really? You seem comfortable enough with words."

    "I have a formal and aesthetic relationship to words.”
    Benjamin Alire Sáenz, Everything Begins and Ends at the Kentucky Club

  • #25
    Nalo Hopkinson
    “How you mean, ‘doughnut hole’?” Ti-Jeanne had asked. “That’s what they call it when an inner city collapses and people run to the suburbs,” he’d answered.”
    Nalo Hopkinson, Brown Girl in the Ring

  • #26
    Charlie Jane Anders
    “That’s the definition of evil right there: not faking it like everybody else. Because all of us crazy fuckers can’t stand it when someone else lets their crazy show.”
    Charlie Jane Anders, All the Birds in the Sky
    tags: evil

  • #27
    Janet Frame
    “People dread silence because it is transparent; like clear water, which reveals every obstacle—the used, the dead, the drowned, silence reveals the cast-off words and thoughts dropped in to obscure its clear stream. And when people stare too close to silence they sometimes face their own reflections, their magnified shadows in the depths, and that frightens them. I know; I know.”
    Janet Frame, Scented Gardens for the Blind

  • #29
    Victoria Schwab
    “Monsters, monsters, big and small,
    "They're gonna come and eat you all.
    Corsai, Corsai, tooth and claw,
    Shadow and bone will eat you raw.
    Malchai, Malchai, sharp and sly,
    Smile and bite and drink you dry.
    Sunai, Sunai, eyes like coal,
    Sing you a song and steal your soul.
    Monsters, monsters, big and small,
    They're gonna come and eat you all!”
    Victoria schwab, This Savage Song

  • #30
    Daphne du Maurier
    “If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.”
    Daphne du Maurier, Rebecca

  • #31
    Janet Mock
    “There is no formula when it comes to gender and sexuality. Yet it is often only people whose gender identity and/or sexual orientation negates society’s heteronormative and cisnormative standards who are targets of stigma, discrimination, and violence. I wish that instead of investing in these hierarchies of what’s right and who’s wrong, what’s authentic and who’s not, and ranking people according to these rigid standards that ignore diversity in our genders and sexualities, we gave people freedom and resources to define, determine, and declare who they are.”
    Janet Mock, Redefining Realness: My Path to Womanhood, Identity, Love & So Much More

  • #32
    Rachel Hartman
    “We were all monsters and bastards, and we were all beautiful.”
    Rachel Hartman

  • #33
    N.K. Jemisin
    “They’re afraid because we exist, she says. There’s nothing we did to provoke their fear, other than exist. There’s nothing we can do to earn their approval, except stop existing – so we can either die like they want, or laugh at their cowardice and go on with our lives.”
    N.K. Jemisin, The Stone Sky



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