Kristin Stine > Kristin's Quotes

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  • #1
    William Nicholson
    “Experience is a brutal teacher, but you learn fast.”
    William Nicholson, Shadowlands: A Play

  • #2
    I have loved the stars too fondly to be fearful of the night.
    “I have loved the stars too fondly to be fearful of the night.”
    Sarah Williams

  • #3
    Gillian Flynn
    “Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.

    Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)”
    Gillian Flynn, Gone Girl

  • #4
    Richard Brautigan
    I will be very careful the next time I fall in love, she told herself. Also, she had made a promise to herself that she intended on keeping. She was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. They weren't worth it in the long run. They were emotionally too expensive and the upkeep was complicated. They were like having a vacuum cleaner around the house that broke all the time and only Einstein could fix it. She wanted her next lover to be a broom.”
    Richard Brautigan, Sombrero Fallout

  • #5
    “You should date a girl who reads.
    Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.

    Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.

    She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.

    Buy her another cup of coffee.

    Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.

    It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does.

    She has to give it a shot somehow.

    Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.

    Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.

    Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.

    If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are.

    You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype.

    You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.

    Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads.

    Or better yet, date a girl who writes.”
    Rosemarie Urquico

  • #6
    Milan Kundera
    “We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.”
    Milan Kundera

  • #7
    Warsan Shire
    “You want me to be a tragic backdrop so that you can appear to be illuminated, so that people can say ‘Wow, isn’t he so terribly brave to love a girl who is so obviously sad?’ You think I’ll be the dark sky so you can be the star? I’ll swallow you whole.”
    Warsan Shire

  • #8
    Warsan Shire
    “1. I’m lonely so I do lonely things
    2. Loving you was like going to war; I never came back the same.
    3. You hate women, just like your father and his father, so it runs in your blood.
    4. I was wandering the derelict car park of your heart looking for a ride home.
    5. You’re a ghost town I’m too patriotic to leave.
    6. I stay because you’re the beginning of the dream I want to remember.
    7. I didn’t call him back because he likes his girls voiceless.
    8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth.
    9. I couldn’t love you, you were a small war.
    10. We covered the smell of loss with jokes.
    11. I didn’t want to fail at love like our parents.
    12. You made the nomad in me build a house and stay.
    13. I’m not a dog.
    14. We were trying to prove our blood wrong.
    15. I was still lonely so I did even lonelier things.
    16. Yes, I’m insecure, but so was my mother and her mother.
    17. No, he loves me he just makes me cry a lot.
    18. He knows all of my secrets and still wants to kiss me.
    19. You were too cruel to love for a long time.
    20. It just didn’t work out.
    21. My dad walked out one afternoon and never came back.
    22. I can’t sleep because I can still taste him in my mouth.
    23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
    24. The women in my family die waiting.
    25. Because I didn’t want to die waiting for you.
    26. I had to leave, I felt lonely when he held me.
    27. You’re the song I rewind until I know all the words and I feel sick.
    28. He sent me a text that said “I love you so bad.”
    29. His heart wasn’t as beautiful as his smile
    30. We emotionally manipulated one another until we thought it was love.
    31. Forgive me, I was lonely so I chose you.
    32. I’m a lover without a lover.
    33. I’m lovely and lonely.
    34. I belong deeply to myself .”
    Warsan Shire

  • #9
    Virginia Woolf
    “To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have- to want and want- how that wrung the heart, and wrung it again and again!”
    Virginia Woolf, To the Lighthouse

  • #10
    John Donne
    “Yet nothing can to nothing fall,
    Nor any place be empty quite;
    Therefore I think my breast hath all
    Those pieces still, though they be not unite;
    And now, as broken glasses show
    A hundred lesser faces, so
    My rags of heart can like, wish, and adore,
    But after one such love, can love no more.”
    John Donne, The Complete Poetry and Selected Prose

  • #11
    Pablo Neruda
    “I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
    Pablo Neruda, 100 Love Sonnets

  • #12
    Mary Oliver
    “You do not have to be good.
    You do not have to walk on your knees
    for a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting –
    over and over announcing your place
    in the family of things.”
    Mary Oliver

  • #13
    Jane Austen
    “In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.”
    Jane Austen, Pride And Prejudice

  • #14
    F. Scott Fitzgerald
    “I fell in love with her courage, her sincerity, and her flaming self respect. And it's these things I'd believe in, even if the whole world indulged in wild suspicions that she wasn't all she should be. I love her and it is the beginning of everything.”
    F. Scott Fitzgerald

  • #15
    Pablo Neruda
    “I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    Like a puma in the barrens of Quitratue.”
    Pablo Neruda

  • #16
    Jalal ad-Din Muhammad ar-Rumi
    “When I am with you, we stay up all night.
    When you're not here, I can't go to sleep.
    Praise God for those two insomnias!
    And the difference between them.”
    Rumi

  • #17
    Naomi Shulman
    “Nice people made the best Nazis. My mom grew up next to them. They got along, refused to make waves, looked the other way when things got ugly and focused on happier things than “politics.” They were lovely people who turned their heads as their neighbors were dragged away. You know who weren’t nice people? Resisters.”
    Naomi Shulman

  • #18
    Alexander Chee
    “You ought to know, you were my best friend. You were. I know you loved me. I loved you.
    No one should have gone through what we went through, but we did. And it kills me to think of it.
    But I didn't love you like you loved me. I don't hate you for that. It just makes me sorry, that there isn't someone else who could love you better.
    I know when you think about how I went, you'll get it. I was always uneasy about being alive. The idea of being dead makes me feel clear. When I think of it. It makes me think peace, peace, peace. It makes me happy. I am looking forward to it, to the absence of everything. And so I want you to be happy for me, that this is better for me. That I found what I needed. I know you won't be. But it's the last thing I want. You happy.”
    Alexander Chee, Edinburgh

  • #19
    Rainbow Rowell
    “You don't know when you're twenty-three.
    You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems.
    She didn't know at twenty-three.”
    Rainbow Rowell, Landline

  • #20
    Edna St. Vincent Millay
    Time Does Not Bring Relief

    Time does not bring relief; you all have lied
    Who told me time would ease me of my pain!
    I miss him in the weeping of the rain;
    I want him at the shrinking of the tide;
    The old snows melt from every mountain-side,
    And last year’s leaves are smoke in every lane;
    But last year’s bitter loving must remain
    Heaped on my heart, and my old thoughts abide.
    There are a hundred places where I fear
    To go,—so with his memory they brim.
    And entering with relief some quiet place
    Where never fell his foot or shone his face
    I say, “There is no memory of him here!”
    And so stand stricken, so remembering him.”
    Edna St. Vincent Millay, Collected Poems

  • #21
    Anne Sexton
    “Do you like me?”
    No answer.
    Silence bounced, fell off his tongue
    and sat between us
    and clogged my throat.
    It slaughtered my trust.
    It tore cigarettes out of my mouth.
    We exchanged blind words,
    and I did not cry,
    I did not beg,
    but blackness filled my ears,
    blackness lunged in my heart,
    and something that had been good,
    a sort of kindly oxygen,
    turned into a gas oven.”
    Anne Sexton

  • #22
    Ani DiFranco
    “You broke me bodily.
    The heart ain't the half of it,
    And I'll never learn to laugh at it
    In my good natured way.
    In fact, I'm laughing less in general,
    But I learned a lot at my own funeral.
    And I knew you'd be the death of me,
    So I guess that's the price I pay.”
    Ani DiFranco

  • #23
    Graham Greene
    “I wrote at the start that this was a record of hate, and walking there beside Henry towards the evening glass of beer, I found the one prayer that seemed to serve the winter mood: O God, You've done enough, You've robbed me of enough, I'm too tired and old to learn to love, leave me alone forever.”
    Graham Greene, The End of the Affair

  • #24
    Graham Greene
    “There I go again. I want. I don't want. If I could love You, I could love Henry. God was made man. He was Henry with his astigmatism, Richard with his spots, not only Maurice. If I could love a leper's sores, couldn't I love the boringness of Henry? But I'd turn from the leper if he were here, I suppose, as I shut myself away from Henry. I want the dramatic always. I imagine I'm ready for the pain of your nails... Dear God, I'm no use. I'm still the same bitch and fake. Clear me out of the way.”
    Graham Greene, The End of the Affair

  • #25
    Michael Ondaatje
    “Madox, what is the name of that hollow at the base of a woman’s neck? At the front. Here. What is it, does it have an official name? That hollow about the size of an impress of your thumb?"
    Madox watches me for a moment through the noon glare.
    "Pull yourself together," he mutters.”
    Michael Ondaatje, The English Patient, The English Patient

  • #26
    Graham Greene
    “I had to touch you with my hands, I had to taste you with my tongue; one can't love and do nothing.”
    Graham Greene, The End of the Affair

  • #27
    Graham Greene
    “I can never think of you as a friend. You can do without a friend.”
    Graham Greene, The End of the Affair

  • #28
    Graham Greene
    “If I'm a bitch and a fake, is there nobody who will love a bitch and a fake?”
    Graham Greene, The End of the Affair

  • #29
    Alix E. Harrow
    “It occurs to me that this lonely, beastly, bleeding boy is the only person who has ever fought for me, ever stood between me and the dark and told me to save myself.”
    Alix E. Harrow, Starling House



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