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  • #1
    Anna Sheehan
    “And that was really all. Will would have liked to say they lived happily ever after, if she wasn't cursed with both Wit and Honesty. But there was no such thing as happily ever after, no matter how much she loved her faerie tales. But they lived. And they were often happy. And it was always possible for each of them to banish the shadows from each other's lives. And that really is all anyone can hope for.”
    Anna Sheehan, Spinning Thorns

  • #2
    Scott Lynch
    “If you want to write a negative review, don't tickle me gently with your aesthetic displeasure about my work. Unleash the goddamn Kraken."

    [on Twitter, July 17, 2012]”
    Scott Lynch

  • #3
    “It's not reasonable to love people who are only going to die," she said.
    Nash thought about that for a moment, stroking Small's neck with great deliberation, as if the fate of the Dells depended on that smooth, careful movement.
    "I have two responses to that," He said at last. "First, everyone is going to die. Second, love is stupid. It has nothing to do with reason. You love whomever you love. Against all reason I loved my father." He looked at her keenly. "Did you love yours?"
    "Yes," she whispered.
    He stroked Small's nose. "I love you," he said, "even knowing you'll never have me. And I love my brother, more than I ever realized before you came along. You can't help whom you love, Lady. Nor can you know what it's liable to cause you to do.”
    Kristin Cashore, Fire

  • #4
    “But that's how memory works," Bitterblue said quietly. "Things disappear without your permission, then come back again without your permission." And sometimes they came back incomplete and warped.”
    Kristin Cashore, Bitterblue

  • #5
    Chimamanda Ngozi Adichie
    “Racism should never have happened and so you don't get a cookie for reducing it.”
    Chimamanda Ngozi Adichie, Americanah

  • #6
    Chimamanda Ngozi Adichie
    “The only reason you say that race was not an issue is because you wish it was not. We all wish it was not. But it’s a lie. I came from a country where race was not an issue; I did not think of myself as black and I only became black when I came to America. When you are black in America and you fall in love with a white person, race doesn’t matter when you’re alone together because it’s just you and your love. But the minute you step outside, race matters. But we don’t talk about it. We don’t even tell our white partners the small things that piss us off and the things we wish they understood better, because we’re worried they will say we’re overreacting, or we’re being too sensitive. And we don’t want them to say, Look how far we’ve come, just forty years ago it would have been illegal for us to even be a couple blah blah blah, because you know what we’re thinking when they say that? We’re thinking why the fuck should it ever have been illegal anyway? But we don’t say any of this stuff. We let it pile up inside our heads and when we come to nice liberal dinners like this, we say that race doesn’t matter because that’s what we’re supposed to say, to keep our nice liberal friends comfortable. It’s true. I speak from experience.”
    Chimamanda Ngozi Adichie, Americanah

  • #7
    “When a monster stopped behaving like a monster, did it stop being a monster? Did it become something else?”
    Kristin Cashore, Graceling

  • #8
    Anne Ursu
    “There is a way the truth hits you, both hard and gentle at the same time. It punches you in the stomach as it puts its loving arm around your shoulder. Yes, I am terrible to behold, the truth says. But you suspected it all along, didn't you? And isn't better, now that you know? Now, at least, it all makes sense.”
    Anne Ursu, The Real Boy

  • #9
    Sangu Mandanna
    “I’d rather spend the rest of my life without ever seeing you again,” he says, “than watch them destroy you because of me.”
    Sangu Mandanna, The Lost Girl

  • #10
    Corinne Duyvis
    “That would make it easy for Amara. Not having a choice was always easy. It was always safer. However bad things were, you kept your head down and did as you were told in order to avoid worse.

    The world always wanted people like her to believe those lies.

    You were never safe as long as you were at someone else’s whim.

    Amara’s eyes met Cilla’s, dark and beaten and haunted.

    Not having a choice was the worst thing in the world.

    Amara pushed the knife down. Nolan didn’t stop her. And in that moment, with her enemy’s knife in her own hand, a point pressing on Cilla’s arm, Cilla’s skin familiar against hers, relief sneaked up on her and refused to let go. Because what she’d told Cilla wasn’t true. It wasn’t that she couldn’t go back to her old life; she could. If she went back, she’d hate herself, but it meant survival. It might be worth it or it might not be, and she’d never have to find out because it would never happen. She wasn’t going back.

    It wasn’t because of what Maart wanted, or because of what Cilla asked, or because of what Jorn said. She’d made the choice. It was hers alone. This or nothing.

    Blood welled up from Cilla’s arm. Amara let the knife clatter to the ground. She reached for the cut. She was almost smiling now, a desperate smile that had her lips trembling, that came with tears burning her eyes.

    This or nothing.”
    Corinne Duyvis, Otherbound

  • #11
    Corinne Duyvis
    “I look at the sky and the dust that separates us from the stars that will be my home. I breathe in the night air, the rotten night air, and I miss,
    I miss,
    I miss.”
    Corinne Duyvis, On the Edge of Gone

  • #12
    Ta-Nehisi Coates
    “But race is the child of racism, not the father. And the process of naming “the people” has never been a matter of genealogy and physiognomy so much as one of hierarchy. Difference in hue and hair is old. But the belief in the preeminence of hue and hair, the notion that these factors can correctly organize a society and that they signify deeper attributes, which are indelible—this is the new idea at the heart of these new people who have been brought up hopelessly, tragically, deceitfully, to believe that they are white.”
    Ta-Nehisi Coates, Between the World and Me

  • #13
    Julie   Murphy
    “It’s like how I notice some girls have big boobs or shiny hair or knobby knees. Those things are okay to say. But the word fat, the one that best describes me, makes lips frown and cheeks lose their color.”
    Julie Murphy, Dumplin'

  • #14
    Jean Rhys
    “As soon as I turned the key I saw it hanging, the color of fire and sunset. the colour of flamboyant flowers. ‘If you are buried under a flamboyant tree, ‘ I said, ‘your soul is lifted up when it flowers. Everyone wants that.’

    She shook her head but she did not move or touch me.”
    Jean Rhys, Wide Sargasso Sea



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