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  • #1
    Jeanette Winterson
    “Don’t lie. You know you like to view but not to buy. I have found that I am not a space where people want to live, at least not without decorating first. And that is the stubbornness in me: I do not want to be someone’s little home.”
    Jeanette Winterson, Gut Symmetries

  • #2
    Jeanette Winterson
    “I didn't know what hate felt like, not the hate that comes after love. It's huge and desperate and it longs to be proved wrong. And every day it's proved right it grows a little more monstrous. If the love was passion, the hate will be obsession. A need to see the once-loved weak and cowed beneath pity. Disgust is close and dignity is far away. The hate is not only for the once loved, it's for yourself too; how could you ever have loved this?”
    Jeanette Winterson, The Passion

  • #3
    Jeanette Winterson
    “St Paul said it is better to marry than to burn, but my mother taught me it is better to burn than to marry. She wanted to be a nun. She hoped I would be a priest and saved to give me an education while my friends plaited rope and trailed after the plough.
    I can't be a priest because although my heart is as loud as hers I can pretend no answering riot. I have shouted to God and the Virgin, but they have not shouted back and I'm not interested in the still small voice. Surely a god can meet passion with passion?
    She says he can.
    Then he should.”
    Jeanette Winterson

  • #4
    bell hooks
    “For me, forgiveness and compassion are always linked: how do we hold people accountable for wrongdoing and yet at the same time remain in touch with their humanity enough to believe in their capacity to be transformed?”
    bell hooks

  • #5
    bell hooks
    “There are times when personal experience keeps us from reaching the mountain top and so we let it go because the weight of it is too heavy. And sometimes the mountain top is difficult to reach with all our resources, factual and confessional, so we are just there, collectively grasping, feeling the limitations of knowledge, longing together, yearning for a way to reach that highest point. Even this yearning is a way to know.”
    bell hooks, Teaching to Transgress: Education as the Practice of Freedom

  • #6
    bell hooks
    “Being oppressed means the absence of choices”
    bell hooks

  • #7
    bell hooks
    “I entered the classroom with the conviction that it was crucial for me and every other student to be an active participant, not a passive consumer...education as the practice of freedom.... education that connects the will to know with the will to become. Learning is a place where paradise can be created.”
    Bell Hooks

  • #8
    bell hooks
    “Yesterday I was thinking about the whole idea of genius and creative people, and the notion that if you create some magical art, somehow that exempts you from having to pay attention to the small things.”
    Bell Hooks

  • #9
    bell hooks
    “We need to theorize the meaning of beauty in our lives so that we can educate for critical consciousness, talking through the issues: how we acquire and spend money, how we feel about beauty, what the place of beauty is in our lives when we lack material privilege and even basic resources for living, the meaning and significance of luxury, and the politics of envy.”
    bell hooks, Art on My Mind: Visual Politics
    tags: beauty

  • #10
    bell hooks
    “Visionary feminism is a wise and loving politics. It is rooted in the love of male and female being, refusing to privilege one over the other. The soul of feminist politics is the commitment to ending patriarchal domination of women and men, girls and boys. Love cannot exist in any relationship that is based on domination and coercion. Males cannot love themselves in patriarchal culture if their very self-definition relies on submission to patriarchal rules. When men embrace feminist thinking and practice, which emphasizes the value of mutual growth and self-actualization in all relationships, their emotional well-being will be enhanced. A genuine feminist politics always brings us from bondage to freedom, from lovelessness to loving.”
    bell hooks

  • #11
    bell hooks
    “Emotional neglect lays the groundwork for the emotional numbing that helps boys feel better about being cut off. Eruptions of rage in boys are most often deemed normal, explained by the age-old justification for adolescent patriarchal misbehavior, "Boys will be boys." Patriarchy both creates the rage in boys and then contains it for later use, making it a resource to exploit later on as boys become men. As a national product, this rage can be garnered to further imperialism, hatred and oppression of women and men globally. This rage is needed if boys are to become men willing to travel around the world to fight wars without ever demanding that other ways of solving conflict can be found.”
    bell hooks

  • #12
    bell hooks
    “Within neo-colonial white supremacist capitalist patriarchy, the black male body continues to be perceived as an embodiment of bestial, violent, penis-as-weapon hypermasculine assertion. Psychohistories of white racism have always called attention to the tension between the construction of black male body as danger and the underlying eroticization that always then imagines that body as a location for transgressive pleasure. It has taken contemporary commodification of blackness to teach the world that this perceived threat, whether real or symbolic, can be diffused by a process of fetishization that renders the black masculine ‘menace’ feminine through a process of patriarchal objectification.”
    bell hooks, We Real Cool: Black Men and Masculinity

  • #13
    bell hooks
    “Contrary to what some folks would have us believe, it is not tragic, even if undesirable, for a person to leave a liberal arts education not having read major works from this canon. Their lives are not ending. And the exciting dimension of knowledge is that we can learn a work without formally studying it. If a student graduates without reading Shakespeare and then reads or studies this work later, it does not delegitimize whatever formal course of study that was completed.”
    bell hooks, Outlaw Culture

  • #14
    Anaïs Nin
    “Everything with me is either worship and passion or pity and understanding. I hate rarely, though when I hate, I hate murderously. For example now, I hate the bank and everything connected with it. I also hate Dutch paintings, penis-sucking, parties, and cold rainy weather. But I am much more preoccupied with loving.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #15
    Gabriel García Márquez
    “I discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature. I discovered that I am not disciplined out of virtue but as a reaction to my negligence, that I appear generous in order to conceal my meanness, that I pass myself off as prudent because I am evil-minded, that I am conciliatory in order not to succumb to my repressed rage, that I am punctual only to hide how little I care about other people’s time. I learned, in short, that love is not a condition of the spirit but a sign of the zodiac.”
    Gabriel Garcia Marquez, Memories of My Melancholy Whores

  • #16
    Margaret Atwood
    “What fabrications they are, mothers. Scarecrows, wax dolls for us to stick pins into, crude diagrams. We deny them an existence of their own, we make them up to suit ourselves -- our own hungers, our own wishes, our own deficiencies.”
    Margaret Atwood, The Blind Assassin

  • #17
    Anne Carson
    “[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.”
    Anne Carson

  • #18
    Anne Carson
    “Men know almost nothing about desire, they think it has to do with sexual activity or can be discharged that way. But sex is a substitute, like money or language. Sometimes I just want to stop seeing.”
    Anne Carson

  • #19
    Anne Carson
    “You used to say. "Desire doubled is love and love doubled is madness."
    Madness doubled is marriage
    I added
    when the caustic was cool, not intending to produce
    a golden rule.”
    Anne Carson, The Beauty of the Husband: A Fictional Essay in 29 Tangos

  • #20
    Henry Miller
    “Paint what you like and die happy”
    Henry Miller

  • #21
    Henry Miller
    “I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...”
    Henry Miller, Tropic of Cancer

  • #22
    Henry Miller
    “We do not talk - we bludgeon one another with facts and theories gleaned from cursory readings of newspapers, magazines and digests. ”
    Henry Miller

  • #23
    Henry Miller
    “The worst sin that can be committed against the artist is to take him at his word, to see in his work a fulfillment instead of an horizon.”
    Henry Miller

  • #24
    Nicole Krauss
    “I want to say somewhere: I've tried to be forgiving. And yet. There were times in my life, whole years, when anger got the better of me. Ugliness turned me inside out. There was a certain satisfaction in bitterness. I courted it. It was standing outside, and I invited it in.”
    Nicole Krauss, The History of Love

  • #25
    Vincent van Gogh
    “What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.”
    Vincent Van Gogh

  • #26
    May Sarton
    “If art is not to be life-enhancing, what is it to be? Half the world is feminine--why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'?”
    May Sarton, Journal of a Solitude

  • #27
    Paulo Freire
    “If the structure does not permit dialogue the structure must be changed”
    Paulo Freire

  • #28
    Paulo Freire
    “Leaders who do not act dialogically, but insist on imposing their decisions, do not organize the people--they manipulate them. They do not liberate, nor are they liberated: they oppress.”
    Paulo Freire, Pedagogy of the Oppressed

  • #29
    Audre Lorde
    “Those of us who stand outside the circle of this society's definition of acceptable women; those of us who have been forged in the crucibles of difference - those of us who are poor, who are lesbians, who are black, who are older - know that survival is not an academic skill...For the master's tools will not dismantle the master's house. They will never allow us to bring about genuine change.”
    Audre Lorde

  • #30
    Audre Lorde
    “I want to live the rest of my life, however long or short, with as much sweetness as I can decently manage, loving all the people I love, and doing as much as I can of the work I still have to do. I am going to write fire until it comes out of my ears, my eyes, my noseholes--everywhere. Until it's every breath I breathe. I'm going to go out like a fucking meteor!”
    Audre Lorde



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