Stefan > Stefan's Quotes

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  • #1
    Astrid Lindgren
    “The children came to a perfume shop. In the show window was a large jar of freckle salve, and beside the jar was a sign, which read: DO YOU SUFFER FROM FRECKLES?

    'What does the sign say?' ask Pippi. She couldn’t read very well because she didn’t want to go to school as other children did.

    'It says, "Do you suffer from freckles?"' said Annika.

    'Does it indeed?' said Pippi thoughtfully. 'Well, a civil question deserves a civil answer. Let’s go in.'

    She opened the door and entered the shop, closely followed by Tommy and Annika. An elderly lady stood back of the counter. Pippi went right up to her. 'No!' she said decidedly.

    'What is it you want?' asked the lady.

    'No,' said Pippi once more.

    'I don’t understand what you mean,' said the lady.

    'No, I don’t suffer from freckles,' said Pippi.

    Then the lady understood, but she took one look at Pippi and burst out, 'But, my dear child, your whole face is covered with freckles!'

    'I know it,' said Pippi, 'but I don’t suffer from them. I love them. Good morning.'

    She turned to leave, but when she got to the door she looked back and cried, 'But if you should happen to get in any salve that gives people more freckles, then you can send me seven or eight jars.”
    Astrid Lindgren, Pippi Longstocking

  • #2
    Oscar Wilde
    “Life is not governed by will or intention. Life is a question of nerves, and fibres, and slowly built-up cells in which thought hides itself and passion has its dreams. You may fancy yourself safe, and think yourself strong. But a chance tone of colour in a room or a morning sky, a particular perfume that you had once loved and that brings sublte memories with it, a line from a piece of music that you had ceased to play--I tell you Dorian, that it is on things like these that our lives depend.”
    Oscar Wilde, The Picture of Dorian Gray and Other Writings

  • #3
    Astrid Lindgren
    “„Lass dich nicht unterkriegen; sei frech und wild und wunderbar.”
    Astrid Lindgren, Pippi Longstocking

  • #4
    Oscar Wilde
    “But then one regrets the loss even of one's worst habits. Perhaps one regrets them the most. They are such an essential part of one's personality.”
    Oscar Wilde, The Picture of Dorian Gray

  • #5
    Oscar Wilde
    “He lives the poetry that he cannot write. The others write the poetry that they dare not realize”
    Oscar Wilde

  • #6
    Oscar Wilde
    “Knowledge would be fatal. It is the uncertainty that charms one. A mist makes things wonderful.”
    Oscar Wilde, The Picture of Dorian Gray

  • #7
    Oscar Wilde
    “It was not intended as a compliment. It was a confession. Now that I have made it, something seems to have gone out of me. Perhaps one should never put one's worship into words.”
    Oscar Wilde, The Picture of Dorian Gray

  • #8
    Emily Brontë
    “He had been content with daily labour and rough animal enjoyments, 'till Catherine crossed his path. Shame at her scorn, and hope of her approval, were his first prompts to higher pursuits; and, instead of guarding him from one and winning him to the other, his endeavors to raise himself had produced just the contrary result.”
    Emily Brontë, Wuthering Heights

  • #9
    Emily Brontë
    “I've no more business to marry Edgar Linton than I have to be in heaven and if the wicked man in there had not brought Heathcliff so low I shouldn't have thought of it. It would degrade me to marry Heathcliff now so he shall never know how I love him and that not because he's handsome, Nelly, but because he's more myself than I am. Whatever our souls are made of his and mine are the same and Linton's is as different as a moonbeam from lightning or frost from fire.”
    Emily Brontë, Wuthering Heights

  • #10
    Jane Austen
    “I certainly have not the talent which some people possess, of conversing easily with those I have never seen before.”
    Jane Austen, Pride and Prejudice

  • #11
    Paul Auster
    “Bit by bit, I found myself relaxing into the conversation. Kitty had a natural talent for drawing people out of themselves, and it was easy to fall in with her, to feel comfortable in her presence. As Uncle Victor had once told me long ago, a conversation is like having a catch with someone. A good partner tosses the ball directly into your glove, making it almost impossible for you to miss it; when he is on the receiving end, he catches everything sent his way, even the most errant and incompetent throws. That’s what Kitty did. She kept lobbing the ball straight into the pocket of my glove, and when I threw the ball back to her, she hauled in everything that was even remotely in her area: jumping up to spear balls that soared above her head, diving nimbly to her left or right, charging in to make tumbling, shoestring catches. More than that, her skill was such that she always made me feel that I had made those bad throws on purpose, as if my only object had been to make the game more amusing. She made me seem better than I was, and that strengthened my confidence, which in turn helped to make my throws less difficult for her to handle. In other words, I started talking to her rather than to myself, and the pleasure of it was greater than anything I had experienced in a long time.”
    Paul Auster, Moon Palace



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