Oscar > Oscar's Quotes

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  • #1
    Gabriel García Márquez
    “...time was not passing...it was turning in a circle...”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #2
    Gabriel García Márquez
    “Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice...”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #3
    Gabriel García Márquez
    “Tell me something, old friend: why are you fighting?"
    What other reason could there be?" Colonel Gerineldo Marquez answered. "For the great Liberal party."
    You're lucky because you know why," he answered. "As far as I'm concerned, I've come to realize only just now that I'm fighting because of pride."
    That's bad," Colonel Gerineldo Marquez said.
    Colonel Aureliano Buendia was amused at his alarm. "Naturally," he said. "But in any case, it's better than not knowing why you're fighting." He looked him in the eyes and added with a smile:
    Or fighting, like you, for something that doesn't have any meaning for anyone.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #4
    Gabriel García Márquez
    “because races condemned to one hundred years of solitude did not have a second opportunity on earth”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #5
    Gabriel García Márquez
    “The world must be all fucked up,” he said then, “when men travel first class and literature goes as freight.”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #6
    Gabriel García Márquez
    “Children inherit their parents' madness.”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #7
    Gabriel García Márquez
    “What did you expect?” he murmured. “Time passes.”
    Gabriel Garcí­a Márquez, One Hundred Years of Solitude

  • #8
    Gabriel García Márquez
    “We are the orphans of our son.”
    Gabriel Garcí­a Márquez, No One Writes to the Colonel and Other Stories

  • #9
    Gabriel García Márquez
    “You can’t eat it, but it sustains you,”
    Gabriel Garcí­a Márquez, No One Writes to the Colonel

  • #10
    Yukio Mishima
    “When a boy… discovers that he is more given into introspection and consciousness of self than other boys his age, he easily falls into the error of believing it is because he is more mature than they. This was certainly a mistake in my case. Rather, it was because the other boys had no such need of understanding themselves as I had: they could be their natural selves, whereas I was to play a part, a fact that would require considerable understanding and study. So it was not my maturity but my sense of uneasiness, my uncertainty that was forcing me to gain control over my consciousness. Because such consciousness was simply a steppingstone to aberration and my present thinking was nothing but uncertain and haphazard guesswork.”
    Yukio Mishima, Confessions of a Mask

  • #11
    Yukio Mishima
    “Still immersed in his dream, he drank down the tepid tea. It tasted bitter. Glory, as anyone knows, is bitter stuff.”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #12
    Yukio Mishima
    “There's a huge seal called 'impossibility' pasted all over this world. And don't ever forget that we're the only ones who can tear it off once and for all.”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #13
    Yukio Mishima
    “There is no such thing as a good father because the role itself is bad. Strict fathers, soft fathers, nice moderate fathers — one's as bad as another. They stand in the way of our progress while they try to burden us with their inferiority complexes, and their unrealized aspirations, and their resentments, and their ideals, and the weaknesses they've never told anyone about, and their sins, and their sweeter-than-honey dreams, and the maxims they've never had the courage to live by — they'd like to unload all that silly crap on us, all of it!”
    Yukio Mishima, The Sailor Who Fell from Grace with the Sea

  • #14
    Jorge Luis Borges
    “Mirrors and copulation are abominable, since they both multiply the numbers of men.”
    Jorge Luis Borges, Tlön, Uqbar, Orbis Tertius

  • #15
    Tom Robbins
    “Albert Camus wrote that the only serious question is whether to kill yourself or not.
    Tom Robbins wrote that the only serious question is whether time has a beginning and an end.
    Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm.
    There is only one serious question. And that is: Who knows how to make love stay?
    Answer me that and I will tell you whether or not to kill yourself.”
    Tom Robbins, Still Life with Woodpecker

  • #16
    Tom Robbins
    “There are two kinds of people in this world: Those who believe there are two kinds of people in this world and those who are smart enough to know better.”
    Tom Robbins, Still Life with Woodpecker

  • #17
    Tom Robbins
    “red hair is caused by sugar and lust.”
    Tom Robbins, Still Life with Woodpecker

  • #18
    Tom Robbins
    “The difference between a criminal and an outlaw is that while criminals frequently are victims, outlaws never are. Indeed, the first step toward becoming a true outlaw is the refusal to be victimized. All people who live subject to other people's laws are victims. People who break laws out of greed, frustration, or vengeance are victims. People who overturn laws in order to replace them with their own laws are victims. ( I am speaking here of revolutionaries.) We outlaws, however, live beyond the law. We don't merely live beyond the letter of the law-many businessmen, most politicians, and all cops do that-we live beyond the spirit of the law. In a sense, then, we live beyond society. Have we a common goal, that goal is to turn the tables on the 'nature' of society. When we succeed, we raise the exhilaration content of the universe. We even raise it a little bit when we fail.

    When war turns whole populations into sleepwalkers, outlaws don't join forces with alarm clocks. Outlaws, like poets, rearrange the nightmare.

    The trite mythos of the outlaw; the self-conscious romanticism of the outlaw; the black wardrobe of the outlaw; the fey smile of the outlaw; the tequila of the outlaw and the beans of the outlaw; respectable men sneer and say 'outlaw'; young women palpitate and say 'outlaw'. The outlaw boat sails against the flow; outlaws toilet where badgers toilet. All outlaws are photogenic. 'When freedom is outlawed, only outlaws will be free.' There are outlaw maps that lead to outlaw treasures. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here. Outlaws are can openers in the supermarket of life.”
    Tom Robbins, Still Life with Woodpecker

  • #19
    Tom Robbins
    “The day of the full moon, when the moon is neither increasing nor decreasing, the Babylonians called Sa-bat, meaning "heart-rest." It was believed that on this day, the woman in the moon, Ishtar, as the moon goddess was known in Babylon, was menstruating, for in Babylon, as in virtually every ancient and primitive society, there had been since the earliest times a taboo against a woman working, preparing food, or traveling when she was passing her monthly blood. On Sa-bat, from which comes our Sabbath, men as well as women were commanded to rest, for when the moon menstruated, the taboo was on everyone. Originally (and naturally) observed once a month, the Sabbath was later to be incorporated by the Christians into their Creation myth and made conveniently weekly. So nowadays hard-minded men with hard muscles and hard hats are relieved from their jobs on Sundays because of an archetypal psychological response to menstruation.”
    Tom Robbins, Still Life with Woodpecker

  • #20
    Tom Robbins
    “Western civilization was declining too fast for comfort, but too slowly to be very exciting.”
    Tom Robbins, Still Life with Woodpecker

  • #21
    Tom Robbins
    “Who knows how to make love stay?
    Tell love you are going to the Junior's Deli on Flatbush Avenue in Brooklyn to pick up a cheesecake, and if love stays, it can have half.”
    Tom Robbins, Still Life with Woodpecker

  • #22
    Allen Ginsberg
    “I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of the night.”
    Allen Ginsberg, Howl, Kaddish and Other Poems

  • #23
    Allen Ginsberg
    “Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!
    Holy! Holy! Holy! Holy! Holy! Holy!
    The world is holy! The soul is holy! The skin is holy!
    The nose is holy! The tongue and cock and hand
    and asshole holy!
    Everything is holy! everybody's holy! everywhere is
    holy! everyday is in eternity! Everyman's an
    angel!
    The bum's as holy as the seraphim! the madman is
    holy as you my soul are holy!
    The typewriter is holy the poem is holy the voice is
    holy the hearers are holy the ecstasy is holy!
    Holy Peter holy Allen holy Solomon holy Lucien holy
    Kerouac holy Huncke holy Burroughs holy Cas-
    sady holy the unknown buggered and suffering
    beggars holy the hideous human angels!
    Holy my mother in the insane asylum! Holy the cocks
    of the grandfathers of Kansas!
    Holy the groaning saxophone! Holy the bop
    apocalypse! Holy the jazzbands marijuana
    hipsters peace & junk & drums!
    Holy the solitudes of skyscrapers and pavements! Holy
    the cafeterias filled with the millions! Holy the
    mysterious rivers of tears under the streets!
    Holy the lone juggernaut! Holy the vast lamb of the
    middle class! Holy the crazy shepherds of rebell-
    ion! Who digs Los Angeles IS Los Angeles!
    Holy New York Holy San Francisco Holy Peoria &
    Seattle Holy Paris Holy Tangiers Holy Moscow
    Holy Istanbul!
    Holy time in eternity holy eternity in time holy the
    clocks in space holy the fourth dimension holy
    the fifth International holy the Angel in Moloch!
    Holy the sea holy the desert holy the railroad holy the
    locomotive holy the visions holy the hallucina-
    tions holy the miracles holy the eyeball holy the
    abyss!
    Holy forgiveness! mercy! charity! faith! Holy! Ours!
    bodies! suffering! magnanimity!
    Holy the supernatural extra brilliant intelligent
    kindness of the soul!”
    Allen Ginsberg, Howl and Other Poems

  • #24
    Allen Ginsberg
    “who bared their brains to Heaven under the El and saw Mohammedan
    angels staggering on tenement roofs illuminated,
    who passed through universities with radiant eyes hallucinating Arkansas
    and Blake-light tragedy among the scholars of war,
    who were expelled from the academies for crazy & publishing obscene odes
    on the windows of the skull,”
    Allen Ginsberg, Howl and Other Poems

  • #25
    John Donne
    “No man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.”
    John Donne, No man is an island – A selection from the prose

  • #26
    Ken Kesey
    “But it's the truth even if it didn't happen.”
    Ken Kesey, One Flew Over the Cuckoo's Nest

  • #27
    Ken Kesey
    “He Who Marches Out Of Step Hears Another Drum”
    Ken Kesey, One Flew Over the Cuckoo’s Nest

  • #28
    Ken Kesey
    “His whole body shakes with the strain as he tries to lift something he knows he can't lift, something everybody knows he can't lift.

    But, for just a second, when we hear the cement grind at our feet, we think, by golly, he might do it.”
    Ken Kesey, One Flew Over the Cuckoo’s Nest

  • #29
    F. Scott Fitzgerald
    “Actually that’s my secret — I can’t even talk about you to anybody because I don’t want any more people to know how wonderful you are.”
    F. Scott Fitzgerald, Tender Is the Night

  • #30
    Allen Ginsberg
    “I’m with you in Rockland
    where we are great writers on the same dreadful typewriter”
    Allen Ginsberg, Howl and Other Poems



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