Warwick > Warwick's Quotes

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  • #1
    Stephen Fry
    “It may be that The Great Gatsby is as perfect, word for word, just in terms of English; but Ulysses is deeper, richer, wider – and is comic, whereas The Great Gatsby is a tragic novel. And I think all great art is comic art.

    (video)”
    Stephen Fry

  • #2
    “Sometimes you do it to save face, thought Jerry, other times you just do it because you haven't done your job unless you've scared yourself to death. Other times again, you go in order to remind yourself that survival is a fluke. But mostly you go because the others go; for machismo; and because in order to belong you must share.”
    John le Carré, The Honourable Schoolboy

  • #3
    Alasdair Gray
    “A good poem is a tautology. It expands one word by adding a number which clarify it, thus making a new word which has never before been spoken. The seedword is always so ordinary that hardly anyone perceives it. Classical odes grow from and or because, romantic lyrics from but and if. Immature verses expand a personal pronoun ad nauseam, the greatest works bring glory to a common verb. Good poems, therefore, are always close to banality, over which, however, they tower like precipices.”
    Alasdair Gray, Every Short Story, 1951-2012

  • #4
    Jules Barbey d'Aurevilly
    “Men are all the same. Novelty amongst themselves displeases and upsets them – but if the novelty is wearing a skirt, they go crazy for it.

    (Les hommes sont tous les mêmes. L'étrangeté leur déplaît, d'homme à homme, et les blesse ; mais si l'étrangeté porte des jupes, ils en raffolent.)”
    Jules Barbey d'Aurevilly, Les Diaboliques
    tags: men, women

  • #5
    Alasdair Gray
    “Her book was filled with centaurs because she had not fully grasped the complexity of actual people, actual horses.”
    Alasdair Gray, Every Short Story, 1951-2012

  • #6
    Raymond Chandler
    “I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat and a gun. I put them on and went out of the room.”
    Raymond Chandler, Farewell, My Lovely

  • #7
    Raymond Chandler
    “Throw up into your typewriter every morning. Clean up every noon.”
    Raymond Chandler

  • #8
    Brenda Ueland
    “I learned...that inspiration does not come like a bolt, nor is it kinetic, energetic striving, but it comes into us slowly and quietly and all the time, though we must regularly and every day give it a little chance to start flowing, prime it with a little solitude and idleness.”
    Brenda Ueland

  • #9
    Gérard de Nerval
    “It is impossible for a Parisian to resist the desire to flick through the old volumes laid out by a bookseller.

    [Il est impossible, pour un Parisien, de résister au désir de feuilleter de vieux ouvrages étalés par un bouquiniste.]”
    Gérard de Nerval, Les Filles du feu - Les Chimères

  • #10
    Dorothy Allison
    “Two or three things I know for sure, and one of them is the way you can both hate and love something you are not sure you understand.”
    Dorothy Allison, Two or Three Things I Know for Sure

  • #11
    J.G. Ballard
    “The film festival measured a mile in length, from the Martinez to the Vieux Port, where sales executives tucked into their platters of fruits de mer, but was only fifty yards deep. For a fortnight the Croisette and its grand hotels willingly became a facade, the largest stage set in the world. Without realizing it, the crowds under the palm trees were extras recruited to play their traditional roles. As they cheered and hooted, they were far more confident than the film actors on display, who seemed ill at ease when they stepped from their limos, like celebrity criminals ferried to a mass trial by jury at the Palais, a full-scale cultural Nuremberg furnished with film clips of the atrocities they had helped to commit.”
    J.G. Ballard, Super-Cannes

  • #12
    F. Scott Fitzgerald
    “These things excite me so,’ she whispered. ‘If you want to kiss me any time during the evening, Nick, just let me know and I'll be glad to arrange it for you. Just mention my name. Or present a green card.”
    F. Scott Fitzgerald, The Great Gatsby

  • #13
    J.G. Ballard
    “The house was silent, but somewhere in the garden was a swimming pool filled with unsettled water.”
    J.G. Ballard, Super-Cannes

  • #14
    Omar Khayyám
    “So I be written in the Book of Love. I do not care about that Book Above. Erase my name, or write it as you will. So I be written in the Book of Love.”
    Omar Khayyam

  • #15
    Warren Ellis
    “You're miserable, edgy and tired. You're in the perfect mood for journalism.”
    Warren Ellis

  • #16
    Walter Cronkite
    “I think being a liberal, in the true sense, is being nondoctrinaire, nondogmatic, non-committed to a cause - but examining each case on its merits. Being left of center is another thing; it's a political position. I think most newspapermen by definition have to be liberal; if they're not liberal, by my definition of it, then they can hardly be good newspapermen. If they're preordained dogmatists for a cause, then they can't be very good journalists; that is, if they carry it into their journalism."

    [Interview with Ron Powers (Chicago Sun Times) for Playboy, 1973]”
    Walter Cronkite

  • #17
    Christopher Hitchens
    “I became a journalist because I did not want to rely on newspapers for information.”
    Christopher Hitchens

  • #18
    Annie Dillard
    “One of the things I know about writing is this: spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book or for another book; give it, give it all, give it now. The impulse to save something good for a better place later is the signal to spend it now. Something more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.”
    Annie Dillard, The Writing Life

  • #19
    D.H. Lawrence
    “For my part, I prefer my heart to be broken. It is so lovely, dawn-kaleidoscopic within the crack.”
    D.H. Lawrence

  • #20
    Jules de Goncourt
    “A sign of the times: there are no longer any chairs in the bookshops along the embankments. [Noël] France was the last bookseller who provided chairs where you could sit down and chat and waste a little time between sales. Nowadays books are bought standing. A request for a book and the naming of the price: that is the sort of transaction to which the all-devouring activity of modern trade has reduced bookselling, which used to be a matter for dawdling, idling, and chatty, friendly browsing.”
    Jules De Goncourt, Pages from the Goncourt Journals

  • #21
    Philip Pullman
    “I'm trying to undermine the basis of Christian belief... I'm not in the business of offending people. I find the books upholding certain values that I think are important, such as life is immensely valuable and this world is an extraordinarily beautiful place. We should do what we can to increase the amount of wisdom in the world.

    [Washington Post interview, 19 February 2001]”
    philip pullman

  • #22
    Elias Lönnrot
    “For this I weep all my days
    and throughout my lifetime grieve
    that I swam from my own lands
    and came from familiar lands
        towards these strange doors
        to these foreign gates.”
    Elias Lönnrot, The Kalevala

  • #23
    Ford Madox Ford
    “You seduced a young woman in order to be able to finish your talks with her. You could not do that without living with her. You could not live with her without seducing her; but that was the by-product. The point is that you can't otherwise talk. You can't finish talks at street corners; in museums; even in drawing-rooms. You mayn't be in the mood when she is in the mood – for the intimate conversation that means the final communion of your souls. You have to wait together – for a week, for a year, for a lifetime, before the final intimate conversation may be attained...and exhausted. So that...

    That in effect was love.”
    Ford Madox Ford, Parade's End
    tags: love

  • #24
    Kiran Nagarkar
    “Pain may be the only reality but if mankind had any sense it would pursue the delusion called happiness. All the philosophers and poets who tell us that pain and suffering have a place and purpose in the cosmic order of things are welcome to them. They are frauds. We justify pain because we do not know what to make of it, nor do we have any choice but to bear it. Happiness alone can make us momentarily larger than ourselves.”
    Kiran Nagarkar

  • #25
    Thomas Mann
    “Travelers prove their lack of education if they make fun of the customs and values of their hosts, and the qualities that do a person honour are many and varied.”
    Thomas Mann, The Magic Mountain

  • #26
    Sarah Caudwell
    “On my first day in London I made an early start. Reaching the Public Record Office not much after ten, I soon secured the papers I needed for my research and settled in my place. I became, as is the way of the scholar, so deeply absorbed as to lose all consciousness of my surroundings or of the passage of time. When at last I came to myself, it was almost eleven and I was quite exhausted: I knew I could not prudently continue without refreshment.”
    Sarah Caudwell, Thus Was Adonis Murdered

  • #27
    Doris Lessing
    “That a work of the imagination has to be “really” about some problem is, again, an heir of Socialist Realism. To write a story for the sake of storytelling is frivolous, not to say reactionary.

    The demand that stories must be “about” something is from Communist thinking and, further back, from religious thinking, with its desire for self-improvement books as simple-minded as the messages on samplers.

    The phrase “political correctness” was born as Communism was collapsing. I do not think this was chance. I am not suggesting that the torch of Communism has been handed on to the political correctors. I am suggesting that habits of mind have been absorbed, often without knowing it.

    There is obviously something very attractive about telling other people what to do: I am putting it in this nursery way rather than in more intellectual language because I see it as nursery behavior. Art — the arts generally — are always unpredictable, maverick, and tend to be, at their best, uncomfortable. Literature, in particular, has always inspired the House committees, the Zhdanovs, the fits of moralizing, but, at worst, persecution. It troubles me that political correctness does not seem to know what its exemplars and predecessors are; it troubles me more that it may know and does not care.

    Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are 20 rabble-rousers whose real motive is desire for power over others, no less rabble-rousers because they see themselves as anti-racists or feminists or whatever.”
    Doris Lessing

  • #28
    Max Beerbohm
    “I utilise all my spare moments. I've read twenty-seven of the Hundred Best Books. I collect ferns.”
    Max Beerbohm, Zuleika Dobson

  • #29
    Ian McEwan
    “A strange mood has seized the almost-educated young. They're on the march, angry at times, but mostly needful, longing for authority's blessing, its validation of their chosen identities. The decline of the West in new guise perhaps. Or the exaltation and liberation of the self. A social-media site famously proposes seventy-one gender options – neutrois, two spirit, bigender…any colour you like, Mr Ford. Biology is not destiny after all, and there's cause for celebration. A shrimp is neither limiting nor stable. I declare my undeniable feeling for who I am. If I turn out to be white, I may identify as black. And vice versa. I may announce myself as disabled, or disabled in context. If my identity is that of a believer, I'm easily wounded, my flesh torn to bleeding by any questioning of my faith. Offended, I enter a state of grace. Should inconvenient opinions hover near me like fallen angels or evil djinn (a mile being too near), I'll be in need of the special campus safe room equipped with Play-Doh and looped footage of gambolling puppies. Ah, the intellectual life! I may need advance warning if upsetting books or ideas threaten my very being by coming too close, breathing on my face, my brain, like unwholesome drugs.”
    Ian McEwan, Nutshell



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