sara > sara's Quotes

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  • #1
    Wisława Szymborska
    “Dying - you can't do that to a cat.”
    Wislawa Szymborska

  • #2
    Elizabeth Acevedo
    “And I think about all the things we could be
    if we were never told our bodies were not built for them.”
    Elizabeth Acevedo, The Poet X

  • #3
    Elizabeth Acevedo
    “My parents probably wanted a girl who would sit in the pews wearing pretty florals and a soft smile. They got combat boots and a mouth silent until it’s sharp as an island machete.”
    Elizabeth Acevedo, The Poet X

  • #4
    Elizabeth Acevedo
    “When has anyone ever told me
    I had the right to stop it all
    without my knuckles, or my anger,
    with just some simple words.”
    Elizabeth Acevedo, The Poet X

  • #5
    Agatha Christie
    “But no artist, I now realize, can be satisfied with art alone. There is a natural craving for recognition which cannot be gain-said.”
    Agatha Christie, And Then There Were None
    tags: j-w

  • #6
    Carmen Maria Machado
    “Why do you want to hide it from me?'
    'I'm not hiding it. It just isn't yours.”
    Carmen Maria Machado, Her Body and Other Parties: Stories

  • #7
    Carmen Maria Machado
    “I believe in a world where impossible things happen. Where love can outstrip brutality, can neutralize it, as though it never was, or transform it into something new and more beautiful. Where love can outdo nature.”
    Carmen Maria Machado, Her Body and Other Parties

  • #8
    Diana Wynne Jones
    “I'm going up to my room now, where I may die.”
    Diana Wynne Jones, Howl’s Moving Castle

  • #9
    Ocean Vuong
    “Because the sunset, like survival, exists only on the verge of its own disappearing. To be gorgeous, you must first be seen, but to be seen allows you to be hunted.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #10
    Ocean Vuong
    “What were you before you met me?"
    "I think I was drowning"
    "And what are you now?"
    "Water”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #11
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #12
    Madeline Miller
    “In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #13
    Madeline Miller
    “When he died, all things soft and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #14
    Madeline Miller
    “We were like gods at the dawning of the world, & our joy was so bright we could see nothing else but the other.”
    Madeline Miller, The Song of Achilles

  • #15
    Sappho
    “Sweet mother, I cannot weave –
    slender Aphrodite has overcome me
    with longing for a girl.”
    Sappho, Sappho: A New Translation of the Complete Works

  • #16
    Ocean Vuong
    “Sometimes I ask for too much just to feel my mouth overflow.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #17
    Ocean Vuong
    “He dies at the party where everyone laughs & all you want is to go into the kitchen & make seven omelets before burning down the house.”
    Ocean Vuong, Night Sky with Exit Wounds

  • #18
    Ocean Vuong
    “Note to self: If a guy tells you his favorite poet is Jack Kerouac, there's a very good chance he's a douchebag.”
    Ocean Vuong, Night Sky with Exit Wounds
    tags: poetry

  • #19
    Mary Oliver
    “What kind of life is it always to plan

    and do, to promise and finish, to wish

    for the near and the safe? Yes, by the

    heavens, if I wanted a boat I would want

    a boat I couldn't steer.”
    Mary Oliver, Blue Horses

  • #20
    Mary Oliver
    “Let the path become where I choose to walk, and not

    otherwise established.”
    Mary Oliver, Blue Horses
    tags: path

  • #21
    Mary Oliver
    “I have a lot of edges called Perhaps and almost nothing you can call Certainty.”
    Mary Oliver, Blue Horses: Poems

  • #22
    Sally Rooney
    “It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
    Sally Rooney, Normal People

  • #23
    Sally Rooney
    “Generally I find men are a lot more concerned with limiting the freedoms of women than exercising personal freedom for themselves.”
    Sally Rooney, Normal People

  • #24
    William Blake
    “Love seeketh not Itself to please
    Nor for itself hath any care,
    But for another gives its ease
    And builds a Heaven in Hell's despair.'

    So sung a little Clod of Clay
    Trodden with the cattle's feet,
    But a Pebble of the brook
    Warbled out these metres meet:

    'Love seeketh only Self to please,
    To bind another to Its delight,
    Joys in another's loss of ease,
    And builds a Hell in Heaven's despite.”
    William Blake, Songs of Innocence and Experience

  • #25
    Oscar Wilde
    “You will always be fond of me. I represent to you all the sins you never had the courage to commit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #26
    Oscar Wilde
    “Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
    Oscar Wilde, The Picture of Dorian Gray

  • #27
    Oscar Wilde
    “She is all the great heroines of the world in one. She is more than an individual. I love her, and I must make her love me. I want to make Romeo jealous. I want the dead lovers of the world to hear our laughter, and grow sad. I want a breath of our passion to stir dust into consciousness, to wake their ashes into pain. ”
    Oscar Wilde, The Picture of Dorian Gray

  • #28
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #29
    Charlotte Perkins Gilman
    “It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.”
    Charlotte Perkins Gilman, The Yellow Wallpaper and Other Stories

  • #30
    Jane Austen
    “I can listen no longer in silence. I must speak to you by such means as are within my reach. You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago. Dare not say that man forgets sooner than woman, that his love has an earlier death. I have loved none but you. Unjust I may have been, weak and resentful I have been, but never inconstant. You alone have brought me to Bath. For you alone, I think and plan. Have you not seen this? Can you fail to have understood my wishes? I had not waited even these ten days, could I have read your feelings, as I think you must have penetrated mine. I can hardly write. I am every instant hearing something which overpowers me. You sink your voice, but I can distinguish the tones of that voice when they would be lost on others. Too good, too excellent creature! You do us justice, indeed. You do believe that there is true attachment and constancy among men. Believe it to be most fervent, most undeviating, in F. W.

    I must go, uncertain of my fate; but I shall return hither, or follow your party, as soon as possible. A word, a look, will be enough to decide whether I enter your father's house this evening or never.”
    Jane Austen, Persuasion



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