Sara > Sara's Quotes

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  • #1
    Terry Pratchett
    “If you have let pride get the better of you, then you have already lost, but if you grab pride by the scruff of the neck and ride it like a stallion, then you may have already won.”
    Terry Pratchett, I Shall Wear Midnight

  • #2
    Suzanne Collins
    “At some point, you have to stop running and turn around and face whoever wants you dead.The hard thing is finding the courage to do it.”
    Suzanne Collins, Catching Fire

  • #3
    “Of all the things I have learned since becoming a parent(and sometimes, it feels as if this might be everything I've learned), perhaps the hardest to accept is that it is selfish and possibly even dangerous to desire particular outcomes for our children.”
    Ben Hewitt

  • #4
    Terry Pratchett
    “Evil begins when you begin to treat people as things.”
    Terry Pratchett, I Shall Wear Midnight

  • #5
    Stephen  King
    “If you don't have time to read, you don't have the time (or the tools) to write. Simple as that.”
    Stephen King

  • #7
    Austin Kleon
    “Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.”
    Austin Kleon, Steal Like an Artist: 10 Things Nobody Told You About Being Creative

  • #8
    Stephen  King
    “Get busy living or get busy dying.”
    Stephen King, Different Seasons

  • #9
    Stephen  King
    “Home is where they want you to stay longer.”
    Stephen King, Revival

  • #10
    “I'm not going to wear a red dress," she said.
    "It would look stunning, My Lady," she called.
    She spoke to the bubbles gathered on the surface of the water. "If there's anyone I wish to stun at dinner, I'll hit him in the face.”
    Kristin Cashore, Graceling

  • #11
    Alfie Kohn
    “We’re told that parents push their children too hard to excel (by ghostwriting their homework and hiring tutors, and demanding that they triumph over their peers), but also that parents try to protect kids from competition (by giving trophies to everyone), that expectations have declined, that too much attention is paid to making children happy.

    Similarly, young adults are described as self-satisfied twits—more pleased with themselves than their accomplishments merit—but also as being so miserable that they’re in therapy. Or there’s an epidemic of helicopter parenting, even though parents are so focused on their gadgets that they ignore their children. The assumption seems to be that readers will just nod right along, failing to note any inconsistencies, as long as the tone is derogatory and the perspective is traditionalist.”
    Alfie Kohn, The Myth of the Spoiled Child: Challenging the Conventional Wisdom About Children and Parenting

  • #12
    Suzanne Collins
    “Well, don't expect us to be too impressed. We just saw Finnick Odair in his underwear.”
    Suzanne Collins, Mockingjay

  • #13
    “Of all the things I want for them, connection to this place and a sense of knowing how they fit into this world usurps all others. I want this for them more than happiness, because I think mere happiness is a shallow elucidation of the human experience, and by itself is not a particularly sturdy emotional foundation upon which to build a fulfilling life. I want this for them more than success, at least insofar as our culture has come to define success as being a product of money and power and recognition. I want this for them more than physical vitality, because I believe that good health--and not just health of body, but also of emotion and spirit--is only possibly when one feels connected to and secure in their place.”
    Ben Hewitt, Home Grown: Adventures in Parenting off the Beaten Path, Unschooling, and Reconnecting with the Natural World

  • #14
    Peter O. Gray
    “Everyone who has ever been to school knows that school is prison, but almost nobody beyond school age says it is. It's not polite. We all tiptoe around the truth because admitting it would make us seem cruel and would point a finger at well-intentioned people doing what they believe to be essential. . . . A prison, according to the common, general definition, is any place of involuntary confinement and restriction of liberty. In school, as in adult prisons, the inmates are told exactly what they must do and are punished for failure to comply. Actually, students in school must spend more time doing exactly what they are told than is true of adults in penal institutions. Another difference, of course, is that we put adults in prison because they have committed a crime, while we put children in school because of their age.”
    Peter O. Gray, Free to Learn: Why Unleashing the Instinct to Play Will Make Our Children Happier, More Self-Reliant, and Better Students for Life

  • #15
    “My success or failure in school was dependent on my ability to follow a curriculum that felt as if it had very little to do with me as a human being.”
    Ben Hewitt, Home Grown: Adventures in Parenting off the Beaten Path, Unschooling, and Reconnecting with the Natural World

  • #16
    Suzanne Collins
    “So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.”
    Suzanne Collins, Catching Fire

  • #17
    Suzanne Collins
    “Fire is catching! And if we burn, you burn with us!”
    Suzanne Collins, Mockingjay

  • #18
    Suzanne Collins
    “The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.”
    Suzanne Collins, Catching Fire

  • #19
    Suzanne Collins
    “There are much worse games to play.”
    Suzanne Collins, Mockingjay

  • #20
    Suzanne Collins
    “Technically, I am unarmed. But no one should ever underestimate the harm that fingernails can do. Especially if the target is unprepared.”
    Suzanne Collins, Mockingjay

  • #21
    Suzanne Collins
    “I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head.

    Handsome lad like you. There must be some special girl. Come on, what’s her name?" says Caesar.

    Peeta sighs. "Well, there is this one girl. I’ve had a crush on her ever since I can remember. But I’m pretty sure she didn’t know I was alive until the reaping."

    Sounds of sympathy from the crowd. Unrequited love they can relate to.

    She have another fellow?" asks Caesar.

    I don’t know, but a lot of boys like her," says Peeta.

    So, here’s what you do. You win, you go home. She can’t turn you down then, eh?" says Caesar encouragingly.

    I don’t think it’s going to work out. Winning...won’t help in my case," says Peeta.

    Why ever not?" says Caesar, mystified.

    Peeta blushes beet red and stammers out. "Because...because...she came here with me.”
    Suzanne Collins, The Hunger Games

  • #22
    Naomi Wolf
    “A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women’s history; a quietly mad population is a tractable one.”
    Naomi Wolf, The Beauty Myth

  • #23
    Naomi Wolf
    “Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.”
    Naomi Wolf, The Beauty Myth

  • #24
    Naomi Wolf
    “Men are visually aroused by women's bodies and less sensitive to their arousal by women's personalities because they are trained early into that response, while women are less visually aroused and more emotionally aroused because that is their training. This asymmetry in sexual education maintains men's power in the myth: They look at women's bodies, evaluate, move on; their own bodies are not looked at, evaluated, and taken or passed over. But there is no "rock called gender" responsible for that; it can change so that real mutuality--an equal gaze, equal vulnerability, equal desire--brings heterosexual men and women together.”
    Naomi Wolf, The Beauty Myth

  • #25
    Naomi Wolf
    “The last thing the consumer index wants men and women to do is to figure out how to love one another: The $1.5 trillion retail-sales industry depends on sexual estrangement between men and women, and is fueled by sexual dissatisfaction. Ads do not sell sex--that would be counterproductive, if it meant that heterosexual women and men turned to one another and were gratified. What they sell is sexual discontent.”
    Naomi Wolf, The Beauty Myth

  • #26
    Terry Pratchett
    “Oh, I feel very angry a lot of the time," said Tiffany, "but I just put it away somewhere until I can do something useful with it.”
    Terry Pratchett, I Shall Wear Midnight

  • #27
    Terry Pratchett
    “There have been times, lately, when I dearly wished that I could change the past. Well, I can’t, but I can change the present, so that when it becomes the past it will turn out to be a past worth having.”
    Terry Pratchett, I Shall Wear Midnight

  • #28
    Terry Pratchett
    “Well, child? Aren't you going to try to turn me into some kind of unspeakable creature?

    I don't think I shall bother, madam, seeing as you are making such a good job of it yourself!”
    Terry Pratchett, I Shall Wear Midnight

  • #29
    Suzanne Collins
    “You've got to go through it to get to the end of it.”
    Suzanne Collins, Catching Fire

  • #30
    Suzanne Collins
    “How much energy they put into harming each other. How little into saving.”
    Suzanne Collins

  • #31
    Suzanne Collins
    “Suddenly I know just what I’m going to do. Something that will blow anything Peeta did right out of the water. I go over to the knot-tying station and get a length of rope. I start to manipulate it, but it’s hard because I’ve never made this actual knot myself. I’ve only watched Finnick’s clever fingers, and they moved so fast. After about ten minutes, I’ve come up with a respectable noose. I drag one of the target dummies out into the middle of the room and, using some chinning bars, hang it so it dangles by the neck. Tying its hands behind its back would be a nice touch, but I think I might be running out of time. I hurry over to the camouflage station, where some of the other tributes, undoubtedly the morphlings, have made a colossal mess. But I find a partial container of bloodred berry juice that will serve my needs. The flesh-colored fabric of the dummy’s skin makes a good, absorbent canvas. I carefully finger paint the words on its body, concealing them from view. Then I step away quickly to watch the reaction on the Gamemakers’ faces as they read the name on the dummy.

    *SENECA CRANE.*”
    Suzanne Collins, Catching Fire



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