Antonis > Antonis's Quotes

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  • #1
    George R.R. Martin
    “... a mind needs books as a sword needs a whetstone, if it is to keep its edge.”
    George R.R. Martin, A Game of Thrones

  • #2
    Napoleon Hill
    “Our only limitations are those we set up in our own minds”
    Napoleon Hill

  • #3
    Richard P. Feynman
    “You have no responsibility to live up to what other people think you ought to accomplish. I have no responsibility to be like they expect me to be. It's their mistake, not my failing.”
    Richard P. Feynman, Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character

  • #4
    Richard P. Feynman
    “I think it's much more interesting to live not knowing than to have answers which might be wrong.”
    Richard P. Feynman

  • #5
    Douglas McGrath
    “Perhaps it is our imperfections that make us so perfect for one another!”
    Douglas McGrath

  • #6
    Lawrence M. Krauss
    “Every atom in your body came from a star that exploded. And, the atoms in your left hand probably came from a different star than your right hand. It really is the most poetic thing I know about physics: You are all stardust. You couldn’t be here if stars hadn’t exploded, because the elements - the carbon, nitrogen, oxygen, iron, all the things that matter for evolution and for life - weren’t created at the beginning of time. They were created in the nuclear furnaces of stars, and the only way for them to get into your body is if those stars were kind enough to explode. So, forget Jesus. The stars died so that you could be here today.”
    Lawrence M. Krauss

  • #7
    Mark  Lawrence
    “Few things worth having can be got easily.”
    Mark Lawrence, Prince of Thorns

  • #8
    K.J. Parker
    “It never ceases to amaze me how adaptable social geometry can be. Within a couple of days I went from being the centre of the circle to an indefinite point outside its circumference.”
    K.J. Parker, Blue and Gold

  • #9
    K.J. Parker
    “A wise man once said that any human being is capable of infinite achievement, so long as it’s not the work they’re supposed to be doing.”
    K.J. Parker, Blue and Gold

  • #10
    Italo Calvino
    “After a seven days' march through woodland, the traveler directed toward Baucis cannot see the city and yet he has arrived. The slender stilts that rise from the ground at a great distance from one another and are lost above the clouds support the city. You climb them with ladders. On the ground the inhabitants rarely show themselves: having already everything they need up there, they prefer not to come down. Nothing of the city touches the earth except those long flamingo legs on which it rests and, when the days are sunny, a pierced, angular shadow that falls on the foilage.

    "There are three hypotheses about the inhabitants of Baucis: that they hate the earth; that they respect it so much they avoid all contact; that they love it as it was before they existed and with spyglasses and telescopes aimed downward they never tire of examining it, leaf by leaf, stone by stone, ant by ant, contemplating with fascination their own absence.”
    Italo Calvino, Invisible Cities

  • #11
    Brandon Sanderson
    “People with passion are people who will destroy—for a man's passion is not true until he proves how much he's willing to sacrifice for it. Will he kill? Will he go to war? Will he break and discard that which he has, all in the name of what he needs?”
    Brandon Sanderson, The Hero of Ages

  • #12
    Charles Yu
    “...unfortunately, it's true: time does heal. It will do so whether you like it or not, and there's nothing anyone can do about it. If you're not careful, time will take away everything that ever hurt you, everything you have ever lost, and replace it with knowledge. Time is a machine: it will convert your pain into experience. Raw data will be compiled, will be translated into a more comprehensible language. The individual events of your life will be transmuted into another substance called memory and in the mechanism something will be lost and you will never be able to reverse it, you will never again have the original moment back in its uncategorized, preprocessed state. It will force you to move on and you will not have a choice in the matter.”
    Charles Yu, How to Live Safely in a Science Fictional Universe

  • #13
    Charles Yu
    “At some point in your life, this statement will be true: tomorrow you will lose everything forever.”
    Charles Yu, How to Live Safely in a Science Fictional Universe

  • #14
    Charles Yu
    “If I could be half the person my dog is, I'd be twice the human I am.”
    Charles Yu, How to Live Safely in a Science Fictional Universe
    tags: dogs

  • #15
    Charles Yu
    “You can only go to places that you will let yourself go.”
    Charles Yu, How to Live Safely in a Science Fictional Universe

  • #16
    Charles Yu
    “Living like this means you don't have a container anymore for the different days, can't hold in a little twenty-four-hour-sized box set of events that constitute a unit, something you can compartmentalize, something with a beginning and an end, something to fill with a to-do list. Living like this means that it all runs together, a cold and bright December morning with your father or a lazy evening in late August, one of those sunsets that seem to take longer than is possible, where the sun just refuses to go down, where the hour seems to elongate to the point that it doesn't seem like it can stretch any farther without detaching completely from the hour before it, like a piece of taffy, like under sea molten lava forming a new island, a piece of time detaching from the seafloor and floating up to the surface.”
    Charles Yu, How to Live Safely in a Science Fictional Universe

  • #17
    Mark  Lawrence
    “We die a little every day and by degrees we’re reborn into different men, older men in the same clothes, with the same scars.”
    Mark Lawrence, King of Thorns

  • #18
    Mark  Lawrence
    “The way I’d put it,” said Makin, “is that Rike can’t make an omelet without wading thigh deep in the blood of chickens and wearing their entrails as a necklace.”
    Mark Lawrence, King of Thorns

  • #19
    Mark  Lawrence
    “We’re built of contradictions, all of us. It’s those opposing forces that give us strength, like an arch, each block pressing the next. Give me a man whose parts are all aligned in agreement and I’ll show you madness. We walk a narrow path, insanity to each side. A man without contradictions to balance him will soon veer off.”
    Mark Lawrence, King of Thorns

  • #20
    Mark  Lawrence
    “Orrin of Arrow might have given them bread. He might have resolved to change this place. I just walk through it. Later I will scrape it from my shoes.”
    Mark Lawrence, King of Thorns

  • #21
    Mark  Lawrence
    “Memory is all we are. Moments and feelings, captured in amber, strung on filaments of reason. Take a man’s memories and you take all of him. Chip away a memory at a time and you destroy him as surely as if you hammered nail after nail through his skull.”
    Mark Lawrence, King of Thorns

  • #22
    Mark  Lawrence
    “There is no sound more annoying than the chatter of a child, and none more sad than the silence they leave when they are gone.”
    Mark Lawrence, King of Thorns

  • #23
    Oscar Wilde
    “To expect the unexpected shows a thoroughly modern intellect.”
    Oscar Wilde, An Ideal Husband

  • #24
    Glen Cook
    “Morning is wonderful. Its only drawback is that it comes at such an inconvenient time of day.”
    Glen Cook, Sweet Silver Blues

  • #25
    “If souls existed, they resided in flesh.”
    Zachary Jernigan, No Return

  • #26
    Mervyn Peake
    “So limp of brain that for them to conceive an idea is to risk a haemorrhage. So limp of body that their purple dresses appear no more indicative of housing nerves and sinews than when they hang suspended from their hooks.”
    Mervyn Peake, Gormenghast

  • #27
    Mervyn Peake
    “Indeed he had worn that piece of furniture - or symbol of bone-laziness - into such a shape as made the descent of any other body than his own into that crater of undulating horsehair a hazardous enterprise.”
    Mervyn Peake, Gormenghast

  • #28
    Mervyn Peake
    “And then he began to laugh in a peculiar way of his own which was both violent and soundless. His heavy reclining body, draped in its black gown, heaved to and fro. His knees drew themselves up to his chin. His arms dangled over the sides of the chair and were helpless. His head rolled from side to side. It was as though he were in the last stages of strychnine poisoning. But no sound came, nor did his mouth even open. Gradually the spasm grew weaker, and when the natural sand colour of his face had returned (for his corked-up laughter had turned it dark red) he began his smoking again in earnest.”
    Mervyn Peake, Gormenghast

  • #29
    Mervyn Peake
    “How merciful a thing is man's ignorance of his immediate future! What a ghastly, paralysing thing it would have been if all those present could have known what was about to happen within a matter of seconds! For nothing short of pre-knowledge could have stopped the occurrence, so suddenly it sprang upon them.”
    Mervyn Peake, Gormenghast

  • #30
    Mervyn Peake
    “To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating.
    Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface.
    How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.”
    Mervyn Peake, Gormenghast



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