Katie > Katie's Quotes

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  • #1
    Margaret Atwood
    “I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.”
    Margaret Atwood

  • #2
    Margaret Atwood
    “Touch comes before sight, before speech. It is the first language and the last, and it always tells the truth.”
    Margaret Atwood, Der blinde Mörder

  • #3
    Margaret Atwood
    “This is how the girl who couldn't speak and the man who couldn't see fell in love.”
    Margaret Atwood, The Blind Assassin

  • #4
    Margaret Atwood
    “A home filled with nothing but yourself. It's heavy, that lightness. It's crushing, that emptiness.”
    Margaret Atwood, The Tent

  • #5
    Margaret Atwood
    “Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.”
    Margaret Atwood, The Robber Bride

  • #6
    Margaret Atwood
    “Then she let him lick her fingers for her. He ran his tongue around the small ovals of her nails. This was the closest she could get to him without becoming food: she was in him, or part of her was in part of him. Sex was the other way around: While that was going on, he was in her. I'll make you mine, lovers said in old books. They never said, I'll make you me.”
    Margaret Atwood

  • #7
    Milan Kundera
    “You can't measure the mutual affection of two human beings by the number of words they exchange.”
    Milan Kundera

  • #8
    Milan Kundera
    “The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body.The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?”
    Milan Kundera, The Unbearable Lightness of Being

  • #9
    Milan Kundera
    “He suddenly recalled from Plato's Symposium: People were hermaphrodites until God split then in two, and now all the halves wander the world over seeking one another. Love is the longing for the half of ourselves we have lost.”
    Milan Kundera, The Unbearable Lightness of Being

  • #10
    Nicole Krauss
    “Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.”
    Nicole Krauss, The History of Love

  • #11
    Nicole Krauss
    “Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.”
    Nicole Krauss, The History of Love

  • #12
    Nicole Krauss
    “She was gone, and all that was left was the space you'd grown around her, like a tree that grows around a fence. For a long time, it remained hollow. Years, maybe. And when at last it was filled again, you knew that the new love you felt for a woman would have been impossible without Alma. If it weren't for her, there would never have been an empty space, or the need to fill it.”
    Nicole Krauss, The History of Love

  • #13
    Nicole Krauss
    “When will you learn that there isn't a word for everything?”
    Nicole Krauss, The History of Love

  • #14
    Michael Ondaatje
    “She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.”
    Michael Ondaatje, The English Patient

  • #15
    Michael Ondaatje
    “He wants the minute and secret reflection between them, the depth of field minimal, their foreignness intimate like two pages of a closed book.”
    Michael Ondaatje, The English Patient

  • #16
    Michael Ondaatje
    “This last night we tear into each other, as if to wound, as if to find the key to everything before morning.”
    Michael Ondaatje, Coming Through Slaughter

  • #17
    Marcus Tullius Cicero
    “A room without books is like a body without a soul.”
    Marcus Tullius Cicero

  • #18
    Eleanor Roosevelt
    “A woman is like a tea bag; you never know how strong it is until it's in hot water.”
    Eleanor Roosevelt

  • #19
    Pablo Neruda
    “I crave your mouth, your voice, your hair.
    Silent and starving, I prowl through the streets.
    Bread does not nourish me, dawn disrupts me, all day
    I hunt for the liquid measure of your steps.

    I hunger for your sleek laugh,
    your hands the color of a savage harvest,
    hunger for the pale stones of your fingernails,
    I want to eat your skin like a whole almond.

    I want to eat the sunbeam flaring in your lovely body,
    the sovereign nose of your arrogant face,
    I want to eat the fleeting shade of your lashes,

    and I pace around hungry, sniffing the twilight,
    hunting for you, for your hot heart,
    Like a puma in the barrens of Quitratue.”
    Pablo Neruda

  • #20
    Pablo Neruda
    “I want
    To do with you what spring does with the cherry trees.”
    Pablo Neruda, Twenty Love Poems and a Song of Despair

  • #21
    Sylvia Plath
    “I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.”
    Sylvia Plath, The Unabridged Journals of Sylvia Plath

  • #22
    Sylvia Plath
    “Remember, remember, this is now, and now, and now. Live it, feel it, cling to it. I want to become acutely aware of all I’ve taken for granted.”
    Sylvia Plath

  • #23
    Kazuo Ishiguro
    “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
    Kazuo Ishiguro, Never Let Me Go

  • #24
    Kazuo Ishiguro
    “Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
    Kazuo Ishiguro, Never Let Me Go

  • #25
    Muriel Barbery
    “Do you know that it is in your company that I have had my finest thoughts?”
    Muriel Barbery, The Elegance of the Hedgehog

  • #26
    Muriel Barbery
    “We have a knowledge of harmony, anchored deep within. It is this knowledge that enables us, at every instant, to apprehend quality in our lives and, on the rare occasions when everything is in perfect harmony, to appreciate it with the apposite intensity. And I am not referring to the sort of beauty that is the exclusive preserve of Art. Those who feel inspired, as I do, by the greatness of small things will pursue them to the very heart of the inessential where, cloaked in everyday attire, this greatness will emerge from within a certain ordering of ordinary things and from the certainty that all is as it should be, the conviction that it is fine this way.

    Muriel Barbery, The Elegance of the Hedgehog

  • #27
    Albert Camus
    “In the depth of winter, I finally learned that within me there lay an invincible summer.”
    Albert Camus

  • #28
    Albert Camus
    “I opened myself to the gentle indifference of the world.”
    Albert Camus, L'Étranger

  • #29
    Nicole Krauss
    “She’s kept her love for him as alive as the summer they first met. In order to do this, she’s turned life away. Sometimes she subsists for days on water and air. Being the only known complex life-form to do this, she should have a species named after her. Once Uncle Julian told me how the sculptor and painter Alberto Giacometti said that sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you’re limiting yourself at first, but after a while you realize that having a quarter-of-an-inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.

    My mother did not choose a leaf or a head. She chose my father. And to hold on to a certain feeling, she sacrificed the world.”
    Nicole Krauss, The History of Love

  • #30
    “Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don't blush, I am telling you some truths. That is just being "in love", which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.”
    Shawn Slovo, Captain Corelli's Mandolin filmscript



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