Isla > Isla's Quotes

“...we often mistake love for fireworks - for drama and dysfunction. But real love is very quiet, very still. It's boring, if seen from the perspective of high drama. Love is deep and calm - and constant.”
― Alex Michaelides, The Silent Patient

“She had a fire insider her.
She wondered if the fire was to warm her or destroy her.
The she realised.
A fire has no motive.
Only she could have that.
The power was hers.”
― Matt Haig

“My pain was never more valuable than his potential.”
― Chanel Miller, Know My Name

“...real motivation was purely selfish. I was on a quest to help myself. We are drawn to this particular profession because we are damaged - we study psychology to heal ourselves.”
― Alex Michaelides, The Silent Patient

“At the time I didn’t understand. But that’s how therapy works. A patient delegates his unacceptable feelings to his therapist; and she holds everything he is afraid to feel, and feels it for him. Then, ever so slowly, she feeds his feelings back to him.”
― Alex Michaelides, The Silent Patient

“Her silence was like a mirror—reflecting yourself back at you. And it was often an ugly sight.”
― Alex Michaelides, The Silent Patient

“When you love someone,” he said haltingly, “. . . you want to make this world look different for them. To give all the ugly stuff meaning, and amplify the good. That’s what you do. For your readers. For me. You make beautiful things, because you love the world, and maybe the world doesn’t always look how it does in your books, but . . . I think putting them out there, that changes the world a little bit. And the world can’t afford to lose that.”
― Emily Henry, Beach Read

“Every time she tried to branch out to new projects, they kept insisting that Asian was her brand, was what her audience expected. They never let her talk about anything other than being an immigrant, other than the fact that half her family died in Cambodia, that her dad killed himself on the twentieth anniversary of Tiananmen. Racial trauma sells, right? They treated her like a museum”
― R.F. Kuang, Yellowface

“Writing isn't the whole world, Junie. And there's plenty of careers that won't give you such constant heartbreak. That's all I'm saying." But writing is the whole world. How can I explain this to her?”
― R.F. Kuang, Yellowface

“It is easy to mourn the lives we aren't living. Easy to wish we'd developed other other talents, said yes to different offers. Easy to wish we'd worked harder, loved better, handled our finances more astutely, been more popular, stayed in the band, gone to Australia, said yes to the coffee or done more bloody yoga.
It takes no effort to miss the friends we didn't make and the work we didn't do the people we didn't do and the people we didn't marry and the children we didn't have. It is not difficult to see yourself through the lens of other people, and to wish you were all the different kaleidoscopic versions of you they wanted you to be. It is easy to regret, and keep regretting, ad infinitum, until our time runs out.
But it is not lives we regret not living that are the real problem. It is the regret itself. It's the regret that makes us shrivel and wither and feel like our own and other people's worst enemy.
We can't tell if any of those other versions would of been better or worse. Those lives are happening, it is true, but you are happening as well, and that is the happening we have to focus on.”
― Matt Haig, The Midnight Library

“Never underestimate the big importance of small things”
― Matt Haig, The Midnight Library

“Between life and death there is a library, and within that library, the shelves go on forever. Every book provides a chance to try another life you could have lived. To see how things would be if you had made other choices… Would you have done anything different, if you had the chance to undo your regrets?”
― Matt Haig, The Midnight Library

“When a woman is assaulted, one of the first questions people ask is, Did you say no? This question assumes that the answer was always yes, and that it is her job to revoke the agreement. To defuse the bomb she was given. But why are they allowed to touch us until we physically fight them off? Why is the door open until we have to slam it shut?”
― Chanel Miller, Know My Name: A Memoir

“They seemed angry that I’d made myself vulnerable, more than the fact that he’d acted on my vulnerability.”
― Chanel Miller, Know My Name

“Whenever I hear a survivor say they wish they'd had the courage to come forward, I instinctively shake my head. It was never about your courage. Fear of retaliation is real. Security is not free. It bothered me that coming forward should feel like heading toward a guillotine. I don't think most survivors want to live in hiding. We do because silence means safety. Openness means retaliation. Which means it's not the telling of the stories that we fear, it's what people will do when we tell our stories.”
― Chanel Miller, Know My Name

“For years, the crime of sexual assault depended on our silence. The fear of knowing what happened if we spoke. Society gave us one thousand reasons; don’t speak if you lack evidence, if it happened too long ago, if you were drunk, if the man is powerful, if you’ll face blowback, if it threatens your safety. Ford broke all the rules. She had none of the requirements society tells us we need before we dare open our mouths.”
― Chanel Miller, Know My Name: A Memoir

“When society questions a victim’s reluctance to report, I will be here to remind you that you ask us to sacrifice our sanity to fight outdated structures that were designed to keep us down. Victims do not have the time for this. Victims are also students, teachers, parents, who can’t give up work or education. The average adult can barely find time to renew their license at the DMV. It is not reasonable to casually demand that victims put aside their lives to spend more time pursuing something they never asked for in the first place. This is not about the victims’ lack of effort. This is about society’s failure to have systems in place in which victims feel there’s a probable chance of achieving safety, justice, and restoration rather than being retraumatized, publicly shamed, psychologically tormented, and verbally mauled. The real question we need to be asking is not, Why didn’t she report, the question is, Why would you?”
― Chanel Miller, Know My Name: A Memoir

“He was not forced to acknowledge the facts of his present. He was talked about in terms of his lost potential, what he would never be, rather than what he is. They spoke as if his future was patiently waiting for him to step into it. Most of us understand that your future is not promised to you. It is constructed day by day, through the choices you make. Your future is earned, little by little, through hard work and action. If you don't act accordingly, that dream dissolves.

If punishment is based on potential, privileged people will be given lighter sentences. Brock was shielded inside projections of what people like him grow up to become, or are supposed to become...The judge argued that he'd already lost so much, given up so many opportunities, What happens to those who start off with little to lose? Instead of a...Stanford athlete, let's imagine a Hispanic nineteen-year-old working in the fraternity kitchen commits the same crime. Does this story end differently? Does the Washington Post call him a surgeon?

My point can be summed up in the line Brock wrote: I just existed in a reality where nothing can go wrong or nobody could think of what I was doing as wrong. Privilege accompanies the light skinned, helped maintain his belief that consequences did not apply to him.”
― Chanel Miller, Know My Name

“I had absolutely no interest in being somebody else's muse.
I am not a muse.
I am the somebody.
End of fucking story.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“Passion is...it's fire. And fire is great, man. But we're made of water. Water is how we keep living. Water is what we need to survive.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end. You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.”
― Taylor Jenkins Reid, Daisy Jones & The Six

“I think you have to have faith in people before they earn it. Otherwise it's not faith, right?”
― Taylor Jenkins Reid, Daisy Jones & The Six