M.J. Camilleri > M.J.'s Quotes

“I teleported home last night with Ron and Sid and Meg
Ron stole Meggy's heart away and I got Sidney's leg.”
― Douglas Adams, The Restaurant at the End of the Universe

“Paul remembered an essay by Edmund Wilson where Wilson had said, in typically grudging Wilson manner, that Wordsworth’s criterion for the writing of good poetry—strong emotion recalled in a time of tranquillity—would do well enough for most dramatic fiction as well. It was probably true. Paul had known writers who found it impossible to write after so much as a minor marital spat, and he himself usually found it impossible to write when upset. But there were times when a kind of reverse effect obtained—these were times when he had gone to the work not just because the work ought to be done but because it was a way to escape whatever was upsetting him.”
― Stephen King, Misery

“It was in the Cornish summer of his twelfth year that Peter began to notice just how different the worlds of children and grown-ups were. You could not exactly say that the parents never had fun. They went for swims - but never for longer than twenty minutes. They liked a game of volleyball, but only for half an hour or so. Occasionally they could be talked into hide-and-seek or lurky turkey or building a giant sand-castle, but those were special occasions. The fact was that all grown-ups, given half the chance, chose to sink into one of three activities on the beach: sitting around talking, reading newspapers and books, or snoozing. Their only exercise (if you could call it that) was long boring walks, and these were nothing more than excuses for more talking. On the beach, they often glanced at their watches and, long before anyone was hungry, began telling each other it was time to start thinking about lunch or supper.
They invented errands for themselves - to the odd-job man who lived half a mile away, or to the garage in the village, or to the nearby town on shopping expeditions. They came back complaining about the holiday traffic, but of course they were the holiday traffic. These restless grown-ups made constant visits to the telephone box at the end of the lane to call their relatives, or their work, or their grown-up children. Peter noticed that most grown-ups could not begin their day happily until they had driven off to find a newspaper, the right newspaper. Others could not get through the day without cigarettes. Others had to have beer. Others could not get by without coffee. Some could not read a newspaper without smoking a cigarette and drinking coffee. Adults were always snapping their fingers and groaning because someone had returned from town and forgotten something; there was always one more thing needed, and promises were made to get it tomorrow - another folding chair, shampoo, garlic, sun-glasses, clothes pegs - as if the holiday could not be enjoyed, could not even begin, until all these useless items had been gathered up.”
― Ian McEwan, The Daydreamer

“Write what you know.”
― Mark Twain, The Adventures of Tom Sawyer and Adventures of Huckleberry Finn

“No matter how mundane some action might appear, keep at it long enough and it becomes a contemplative, even meditative act.”
― Haruki Murakami, What I Talk About When I Talk About Running

“Pain is inevitable. Suffering is optional. Say you’re running and you think, ‘Man, this hurts, I can’t take it anymore. The ‘hurt’ part is an unavoidable reality, but whether or not you can stand anymore is up to the runner himself.”
― Haruki Murakami, What I Talk About When I Talk About Running

“People would eat a boot if it was home made.”
― Elizabeth Bowen, The Collected Stories

“She looked as if she had been poured into her clothes and had forgotten to say "when". ”
― P.G. Wodehouse

“It has never been hard to tell the difference between a Scotsman with a grievance and a ray of sunshine.”
― P.G. Wodehouse

“One of the triumphs of civilisation, Peter Walsh thought. It is one of the triumphs of civilisation, as the light high bell of the ambulance sounded. Swiftly, cleanly, the ambulance sped to the hospital, having picked up instantly, humanely, some poor devil; some one hit on the head, struck down by disease, knocked over perhaps a minute or so ago at one of these crossings, as might happen to oneself. That was civilisation. It struck him coming back from the East - the efficiency, the organisation, the communal spirit of London. Every cart or carriage of its own accord drew aside to let the ambulance pass. Perhaps it was morbid; or was it not touching rather, the respect which they showed this ambulance with its victim inside- busy men hurrying home, yet instantly bethinking them as it passed of some wife; or presumably how easily it might have been them there, stretched on a shelf with a doctor and a nurse.”
― Virginia Woolf, Mrs. Dalloway

“Behind the counter sat one of those absolutely inimitable and indomitable ladies, produced only in the city of Paris, but produced there in great numbers, who would be as outraged and unsettling in any other city as a mermaid on a mountain-top. All over Paris they sit behind their counters like a mother bird in a nest and brood over the cash-register as though it were an egg. Nothing occurring under the circle of heaven where they sit escapes their eye, if they have ever been surprised by anything, it was only in a dream - a dream they long ago ceased having. They are neither ill- nor good-natured, though they have their days and styles, and they know, in the way, apparently, that other people know when they have to go to the bathroom, everything about everyone who enters their domain. Though some are white-haired and some not, some fat, some thin, some grandmothers and some but lately virgins, they all have exactly the same shrewd, vacant, all-registering eye; it is difficult to believe that they ever cried for milk, or looked at the sun; it seems they must have come into the world hungry for banknotes, and squinting helplessly, unable to focus their eyes until they came to rest on a cash-register.”
― James Baldwin, Giovanni’s Room

“Death speaks: There was a merchant in Bagdad who sent his servant to market to buy provisions and in a little while the servant came back, white and trembling and said, Master, just now when I was in the market-place I was jostled by a woman in the crowd and when I turned I saw it was Death that jostled me. She looked at me and made a threatening gesture; now, lend me your horse, and I will ride away from this city and avoid my fate. I will go to Samarra and there Death will not find me. The merchant lent him his horse, and the servant mounted it, and he dug his spurs in its flanks and as fast as the horse could gallop he went. Then the merchant went down to the market-place and he saw me standing in the crowd and he came to me and said, Why did you make a threatening gesture to my servant when you saw him this morning? That was not a threatening gesture, I said, it was only a start of surprise. I was astonished to see him in Bagdad, for I had an appointment with him tonight in Samarra.”
― W. Somerset Maugham

“SHE HAD WATCHED THEM in supermarkets and she knew the signs. At seven o'clock on a Saturday evening they would be standing in the checkout line reading the horoscope in Harper's Bazaar and in their carts would be a single lamb chop and maybe two cans of cat food and the Sunday morning paper, the early edition with the comics wrapped outside. They would be very pretty some of the time, their skirts the right length and their sunglasses the right tint and maybe only a little vulnerable tightness around the mouth, but there they were, one lamb chop and some cat food and the morning paper. To avoid giving off the signs, Maria shopped always for a household, gallons of grapefruit juice, quarts of green chile salsa, dried lentils and alphabet noodles, rigatoni and canned yams, twenty-pound boxes of laundry detergent. She knew all the indices to the idle lonely, never bought a small tube of toothpaste, never dropped a magazine in her shopping cart. The house in Beverly Hills overflowed with sugar, corn-muffin mix, frozen roasts and Spanish onions. Maria ate cottage cheese.”
― Joan Didion, Play It As It Lays

“Sadness is not always a terrible illness. Sadness is, perhaps, the most honest response to living.”
― Ellena Savage, Blueberries: Essays Concerning Understanding

“Is 'self-care' a neoliberal scam promoting individualistic coping strategies in the absence of broader social obligations or the possibility of radical structural change? (Well, yes, I say to myself as I slip into my fourth late-night bath of the week, thinking about
my next semester of unemployment.)”
― Ellena Savage, Blueberries: Essays Concerning Understanding

“All useless, according to the common sense of utility, yet all of them inspiring in me curiosity and the simplest delight. Delight in the fact that beautiful things made by people forty years ago sit around, bringing pleasure to a stranger in the now. It reminds
me of my duty, everyone's duty, to the future. My friends kids will need in twenty years to find crap like this at the markets so that they can feel held by the hands of past people's future dreams and not feel totally alone.”
― Ellena Savage, Blueberries: Essays Concerning Understanding

“A craving for freedom and independence is generated only in a man still living on hope.”
― Albert Camus

“It makes Celia furious that around ninety percent of the women on Italian TV are fabulous specimens with great legs, superb chests and hair as glossy as a mink's pelt, and that every prime-time programme, whether it be a games show or football analysis, seems to require the presence of an attractive young woman with no discernible function other than to be decorative. She shakes her head in disbelief at the shopping channels, with their delirious women screaming about the wonders of the latest buttock-firming apparatus, and bald blokes in shiny suits shouting ‘Buy my carpets! Buy my jewellery, for God's sake!' hour after hour after hour. She can't resolve the contradictions of a country where spontaneous generosity is as likely to be encountered as petty deviousness; where a predilection for emetically sentimental ballads accompanies a disconcertingly hard-headed approach to interpersonal relationships (friends summarily discarded, to be barely acknowledged when they pass on the streets); where veneration for tradition competes with an infatuation with the latest technology, however low the standard of manufacture (the toilet in Elisabetta's apartment wouldn't look out of place on the Acropolis, but it doesn't flush properly; her brother-in-law's Ferrari is as fragile as a newborn giraffe); where sophistication and the maintenance of ‘la bella figura’ are of primary importance, while the television programmes are the most infantile and demeaning in the world; where there's a church on every corner yet religion often seems a form of social decoration, albeit a form of decoration that's essential to life - 'It's like the wallpaper is holding the house up,’ Celia wrote from Rome. She'll never make sense of Italy, but that's the attraction, or a major part of it, which is something Charlie will never understand, she says. But he does understand it to an extent. He can understand how one might find it interesting for a while, for the duration of a holiday; he just doesn't understand how an English person - an English woman, especially - could live there.”
― Jonathan Buckley, Telescope

“Janina, clearly a woman under some stress, comes up to ask me if I might turn the music down, as she needs to get an early night. Leaving, she asks: 'Don't you get bored with it? Always the same music every day.'
I point out that it is not always the same music. More than five hundred sonatas here,' I tell her, whacking the CD
box.
‘Yes, but they all sound the same,' says Janina. She turns to Ellen. 'Do you like it? I don't know how you can bear it'
Ellen answers that she hardly hears it any more. We moved house when I was six or seven,' she says, 'and I thought I'd never get used to the noise of the traffic. But after a few months I didn't notice it. It's like that.’
'But do you find it interesting?' Janina asks her.
‘Sometimes,’ says Ellen. 'But I can't say it moves me at all.'
I have to intervene. ‘Nor me,' I tell them. 'That's not the point. It's not meant to move you. That's why I like it. It's just music. It doesn't mean something else. It doesn't mean anything.’
My guardians look at me, united in scepticism. ‘That doesn't make sense,' says Ellen.
‘Consider the blackbird singing in the garden,’ I suggest. ‘What does that mean? It means nothing but it's beautiful. It gives pleasure.’
‘It means something to the blackbird, presumably,’ says Ellen. If I could, I'd kiss her.”
― Jonathan Buckley, Telescope

“It is very simple to be happy, but it is very difficult to be simple.”
― Rabindranath Tagore