Sam > Sam's Quotes

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  • #1
    E.E. Cummings
    “somewhere i have never travelled, gladly beyond
    any experience, your eyes have their silence:
    in your most frail gesture are things which enclose me,
    or which i cannot touch because they are too near

    your slightest look easily will unclose me
    though i have closed myself as fingers,
    you open always petal by petal myself as Spring opens
    (touching skilfully, mysteriously) her first rose

    or if your wish be to close me, i and
    my life will shut very beautifully, suddenly,
    as when the heart of this flower imagines
    the snow carefully everywhere descending;

    nothing which we are to perceive in this world equals
    the power of your intense fragility: whose texture
    compels me with the colour of its countries,
    rendering death and forever with each breathing

    (i do not know what it is about you that closes
    and opens; only something in me understands
    the voice of your eyes is deeper than all roses)
    nobody, not even the rain, has such small hands”
    E.E. Cummings, Selected Poems

  • #2
    James Joyce
    “A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.”
    James Joyce, Dubliners

  • #3
    Woody Allen
    “What if the worst is true? What if there's no God, and you only go around once, and that's it? Don't you want to be a part of the experience? You know, what the hell? It's not all a drag, and I'm thinking to myself: Geez! I should stop ruining my life searching for answers I'm never gonna get and just enjoy it while it lasts. And, you know, after--who knows? Maybe there is something, nobody really knows. I know that maybe is a very slim reed to hang your whole life on, but that's the best we have.”
    Woody Allen, Hannah and Her Sisters

  • #4
    Woody Allen
    Chapter 1.
    He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.'

    Uh, no let me start this over.

    'Chapter 1.
    He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'.

    Ah, corny, too corny for my taste. Can we ... can we try and make it more profound?

    'Chapter 1.
    He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...'

    No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here.

    'Chapter 1.
    He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...'

    Too angry, I don't want to be angry.

    'Chapter 1.
    He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.'

    I love this.

    'New York was his town, and it always would be.”
    Woody Allen, Manhattan

  • #5
    Thomas Mann
    “Nothing is more curious and awkward than the relationship of two people who only know each other with their eyes — who meet and observe each other daily, even hourly and who keep up the impression of disinterest either because of morals or because of a mental abnormality. Between them there is listlessness and pent-up curiosity, the hysteria of an unsatisfied, unnaturally suppressed need for communion and also a kind of tense respect. Because man loves and honors man as long as he is not able to judge him, and desire is a product of lacking knowledge.”
    Thomas Mann, Death in Venice and Other Tales

  • #6
    Bertolt Brecht
    “What are you working on?” Mr. K. was asked. Mr. K. replied: “I’m having a hard time; I’m preparing my next mistake.”
    Bertolt Brecht, Stories of Mr. Keuner

  • #7
    Woody Allen
    “I feel that life is divided into the horrible and the miserable. That's the two categories. The horrible are like, I don't know, terminal cases, you know, and blind people, crippled. I don't know how they get through life. It's amazing to me. And the miserable is everyone else. So you should be thankful that you're miserable, because that's very lucky, to be miserable.”
    Woody Allen, Annie Hall: Screenplay

  • #8
    Woody Allen
    “It reminds me of that old joke- you know, a guy walks into a psychiatrist's office and says, hey doc, my brother's crazy! He thinks he's a chicken. Then the doc says, why don't you turn him in? Then the guy says, I would but I need the eggs. I guess that's how I feel about relationships. They're totally crazy, irrational, and absurd, but we keep going through it because we need the eggs.”
    Woody Allen, Annie Hall: Screenplay

  • #9
    Leo Tolstoy
    “Man cannot possess anything as long as he fears death. But to him who does not fear it, everything belongs. If there was no suffering, man would not know his limits, would not know himself. ”
    Leo Tolstoy, War and Peace

  • #10
    Stanisław Lem
    “On the surface, I was calm: in secret, without really admitting it, I was waiting for something. Her return? How could I have been waiting for that? We all know that we are material creatures, subject to the laws of physiology and physics, and not even the power of all our feelings combined can defeat those laws. All we can do is detest them. The age-old faith of lovers and poets in the power of love, stronger than death, that finis vitae sed non amoris, is a lie, useless and not even funny. So must one be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...

    Must I go on living here then, among the objects we both had touched, in the air she had breathed? In the name of what? In the hope of her return? I hoped for nothing. And yet I lived in expectation. Since she had gone, that was all that remained. I did not know what achievements, what mockery, even what tortures still awaited me. I knew nothing, and I persisted in the faith that the time of cruel miracles was not past.”
    Stanisław Lem, Solaris

  • #11
    Andrei Tarkovsky
    “It is obvious that art cannot teach anyone anything, since in four thousand years humanity has learnt nothing at all. We should long ago have become angels had we been capable of paying attention to the experience of art, and allowing ourselves to be changed in accordance with the ideals it expresses. Art only has the capacity, through shock and catharsis, to make the human soul receptive to good. It’s ridiculous to imagine that people can be taught to be good…Art can only give food – a jolt – the occasion – for psychical experience.”
    Andrei Tarkovsky

  • #12
    Paul Auster
    “You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.”
    Paul Auster, Invisible

  • #13
    Leo Tolstoy
    “Respect was invented to cover the empty place where love should be.”
    Leo Tolstoy, Anna Karenina

  • #14
    Kazuo Ishiguro
    “Memories, even your most precious ones, fade surprisingly quickly. But I don’t go along with that. The memories I value most, I don’t ever see them fading.”
    Kazuo Ishiguro, Never Let Me Go

  • #15
    Arthur Schopenhauer
    “Money is human happiness in the abstract; and so the man who is no longer capable of enjoying such happiness in the concrete, sets his whole heart on money.”
    Arthur Schopenhauer

  • #16
    Gabriel García Márquez
    “It's enough for me to be sure that you and I exist at this moment.”
    Gabriel García Márquez, One Hundred Years of Solitude

  • #17
    Kazuo Ishiguro
    “The evening's the best part of the day. You've done your day's work. Now you can put your feet up and enjoy it.”
    Kazuo Ishiguro, The Remains of the Day

  • #18
    Milan Kundera
    “The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return.”
    Milan Kundera, Ignorance

  • #20
    William Faulkner
    “It takes two people to make you, and one people to die. That's how the world is going to end.”
    William Faulkner, As I Lay Dying

  • #21
    John Steinbeck
    “I wonder how many people I've looked at all my life and never seen.”
    John Steinbeck, The Winter of Our Discontent

  • #22
    John Steinbeck
    “And this I believe: that the free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual. This is what I am and what I am about.”
    John Steinbeck, East of Eden

  • #23
    Leonard Cohen
    “Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.”
    Leonard Cohen

  • #24
    Samuel Butler
    “Sensible people get the greater part of their own dying done during their own lifetime”
    Samuel Butler, The Way of All Flesh

  • #25
    Nathaniel Hawthorne
    “We men of study, whose heads are in our books, have need to be straightly looked after! We dream in our waking moments, and walk in our sleep.”
    Nathaniel Hawthorne, The Scarlet Letter

  • #26
    Haruki Murakami
    “You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.”
    Haruki Murakami, After Dark

  • #27
    Milan Kundera
    “Just imagine living in a world without mirrors. You'd dream about your face and imagine it as an outer reflection of what is inside you. And then, when you reached forty, someone put a mirror before you for the first time in your life. Imagine your fright! You'd see the face of a stranger. And you'd know quite clearly what you are unable to grasp: your face is not you.”
    Milan Kundera, Immortality

  • #28
    Virginia Woolf
    “And all the lives we ever lived and all the lives to be are full of trees
    and changing leaves.”
    Virginia Woolf, To the Lighthouse

  • #29
    Salman Rushdie
    “We know the force of gravity, but not its origins; and to explain why we become attached to our birthplaces we pretend that we are trees and speak of roots. Look under your feet. You will not find gnarled growths sprouting through the soles. Roots, I sometimes think, are a conservative myth, designed to keep us in our places.”
    Salman Rushdie, Shame

  • #30
    Paul Auster
    “As long as a man had the courage to reject what society told him to do, he could live life on his own terms. To what end? To be free. But free to what end? To read books, to write books, to think.”
    Paul Auster, The Brooklyn Follies

  • #31
    Henry David Thoreau
    “Happiness is like a butterfly, the more you chase it, the more it will evade you, but if you notice the other things around you, it will gently come and sit on your shoulder.”
    Henry David Thoreau



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