Celine > Celine's Quotes

“Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”
― H. Jackson Brown Jr., P.S. I Love You

“Interview on The Skiffy and Fanty Show 2010. In response to query that young adults may not be open to the nuances/realism in Moorehawke:

‘(In fact)young adult readers seem to (be very inclined)to reading the (Moorehawke) books thematically. Some (not all) adult reviewers ... tend to be very plot oriented. Because the books are a slow release of information and very character driven ... (they) don’t reward impatient reading ... but young adults seem to be very patient readers. They’re very analytical as well. I get very analytical responses from my young adult readers.”
― Celine Kiernan

“Do you have an audience in mind when writing? (March 2010 Bookgeeks interview)
In terms of story, the only audience I have in mind is me. I’m very much aware that I can’t please everyone when it comes to story, so I might as well try to please myself. But in terms of communication with the reader, I am very aware of the audience. Readers can’t hear my tone of voice or watch my expressions; a sheet of white paper and a series of little black marks is all they have – and via that sheet of paper and series of little black marks I need to convey an entire universe, I need to make characters who breath. I can’t do that without bearing the audience in mind.”
― Celine Kiernan

“Beauty is in the eye of the beholder and it may be necessary from time to time to give a stupid or misinformed beholder a black eye.”
― Jim Henson

“(on teaching writing)

So many writers come to class with one question dominant in their mind, 'How do I make a living from this?' It's a fair enough question and one I always try to answer well - but it saddens me that it so often overshadows the more relevant questions of 'why am I writing' and 'what am I saying' and 'how do I keep it honest.”
― Celine Kiernan

“But then what is the alternative to trying to tell the truth about the Holocaust, the Famine, the Armenian genocide, the injustice of dispossession in the Americas and Australia? That everyone should be reduced to silence? To pretend that the Holocaust was the work merely of a well-armed minority who didn’t do as much harm as is claimed-and likewise, to argue that the Irish Famine was either an inevitability or the fault of the Irish-is to say that both were mere unreliable rumors, and not the great motors of history they so obviously proved to be. It suited me to think so at the time, but still I believe it to be true, that if there are going to be areas of history which are off-bounds, then in principle we are reduced to fudging, to cosmetic narrative. ”
― Thomas Keneally, Searching for Schindler: A Memoir

“Yet it is the masculine values that prevail. Speaking crudely, football and sport are ‘important’; the worship of fashion, the buying of clothes ‘trivial’. And these values are inevitably transferred from life to fiction. This is an important book, the critic assumes, because it deals with war. This is an insignificant book because it deals with the feelings of women in a drawing-room. A scene in a battle-field is more important than a scene in a shop — everywhere and much more subtly the difference of value persists.”
― Virginia Woolf

“And what else could we have come here for, except to sense these tiny victories? Not the big victories that crush and kill the victor. Not the wars and civil ructions, but the saving grace of a Hollandaise sauce that has escaped all the possibilities of culinary disaster and is being spread like a yellow prayer on a plump cod steak - victoriously.”
― Sebastian Barry, On Canaan's Side

“For those who believe in God, most of the big questions are answered. But for those of us who can't readily accept the God formula, the big answers don't remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”
― Charles Bukowski

“Fantasy is hardly an escape from reality. It's a way of understanding it.”
― Lloyd Alexander

“Whatever you give a woman, she will make greater. If you give her sperm, she'll give you a baby.. If you give her a house, she'll give you a home. If you give her groceries, she'll give you a meal. If you give her a smile, she'll give you her heart. She multiplies and enlarges what is given to her. So, if you give her any crap, be ready to receive a ton of shit!”
― Erick S. Gray

“On the Hunger Games Fan Race fail and the portrayal of POC in fantasy literature:
It is as if the POC in the text are walking around with a great big red sign over them for some editors and it reads I AM NOT A REAL CHARACTER. I AM A PROBLEM YOU MUST DEAL WITH. The white characters are permitted to saunter about with their physical descriptions hanging out all over the place, but best not make mention of dark skin or woolly/curly hair or dark eyes (Unless, of course, that character is white. None of my white-skinned dark-eyed characters had any problem being described as such. And I’m pretty sure that Sól’s curly hair never gave anyone a single pause for thought.) As I said, I understand the desire not to define a POC simply by their physical attributes, and I understand cutting physical descriptions if no other character is described physically – but pussyfooting about in this manner with POC is doing nothing but white wash the characters themselves. It’s already much too hard to get readers to latch onto the fact that some characters may not be caucasian, why must we dance about their physical description as if it were some kind of shameful dirty little secret. You know what it reminds me of? It reminds me of the way homosexuality used to only ever be hinted at in texts. It was up to the reader to ‘read between the lines’ or ‘its there if you look for it’ and all that total bullshit which used to be the norm.”
― Celine Kiernan

“Write what is important to you, regardless of fashion or marketability or anything like that – all those things are so far out of your control that you may as well not think about them. Of course, this may mean you’ll never be published but that’s a risk we all take every single time we set hands to keyboard or pen to paper. For me, if I can sit back at the end of a project and say, ‘yes, I stayed honest, I said what I wanted to say, and I made it sing to the best of my ability’, then I’m happy enough. Of course, if anyone wants to buy the damned thing off me when I’m done, that’s jam I won’t refuse.”
― Celine Kiernan

“On the ghosts in Moorehawke & Into The Grey/Taken Away:
The ghosts ...are symbolic of those unresolved moments in history that linger, and affect the next generation. Sometimes this happens without that generation ever really knowing the truth of what has come before. This is so true of war, I think, where we are often only left the stories that the previous generation wanted us to hear... How much harder would the truth be to deny were it lingering about as an actual manifestation of the past?”
― Celine Kiernan

“YA heroines can have romances that are subplots: can have goals other than getting/keeping a man: can put their lovers second. JUST LIKE YAheroes DO!”
― Celine Kiernan

“‎YA heroines can choose to have sex & they can choose not to without either decision becoming the focus of their story.”
― Celine Kiernan

“It is possible for YA heroines to go an entire book without discussing their love lives.”
― Celine Kiernan

“A YA heroine does not have to pick up a weapon nor wear men's clothing to be equal to her male counterparts.”
― Celine Kiernan

“A female character can: Like babies, Be devoted to her lover, Cry, Be gentle, Be scared, Be uncertain, Take advice, and still be a YA heroine”
― Celine Kiernan

“Something that’s bothered me for a while now is the current profligacy in YA culture of Team Boy 1 vs Team Boy 2 fangirling. [...] Despite the fact that I have no objection to shipping, this particular species of team-choosing troubled me, though I had difficulty understanding why. Then I saw it applied to Suzanne Collins’s The Hunger Games trilogy – Team Peeta vs Team Gale – and all of a sudden it hit me that anyone who thought romance and love-triangles were the main event in that series had utterly missed the point. Sure, those elements are present in the story, but they aren’t anywhere near being the bones of it, because The Hunger Games, more than anything else, is about war, survival, politics, propaganda and power. Seeing such a strong, raw narrative reduced to a single vapid argument – which boy is cuter? – made me physically angry.

So, look. People read different books for different reasons. The thing I love about a story are not necessarily the things you love, and vice versa. But riddle me this: are the readers of these series really so excited, so thrilled by the prospect of choosing! between! two! different! boys! that they have to boil entire narratives down to a binary equation based on male physical perfection and, if we’re very lucky, chivalrous behaviour? While feminism most certainly champions the right of women to chose their own partners, it also supports them to choose things besides men, or to postpone the question of partnership in favour of other pursuits – knowledge, for instance. Adventure. Careers. Wild dancing. Fun. Friendship. Travel. Glorious mayhem. And while, as a woman now happily entering her fourth year of marriage, I’d be the last person on Earth to suggest that male companionship is inimical to any of those things, what’s starting to bother me is the comparative dearth of YA stories which aren’t, in some way, shape or form, focussed on Girls Getting Boyfriends, and particularly Hot Immortal Or Magical Boyfriends Whom They Will Love For All Eternity.

Blog post: Love Team Freezer”
― Foz Meadows

“Dogs' lives are too short. Their only fault, really.”
― Agnes Sligh Turnbull

“When we’ve decided to tell the truth in a story, we should tell good, strong versions of it, proper versions that kids can do something with.”
― Celine Kiernan

“It is as though the human race is always only waiting for permission to hate.”
― Celine Kiernan, The Moorehawke Trilogy bundle

“fiction has served to propagate the notion that courtesans ply their trade in the area and that geiko spend the night with their customers. Once an idea like this is planted in the general culture it takes on a life of its own. I understand that there are some scholars of Japan in foreign countries who also believe these misconceptions to be true. But”
― Mineko Iwasaki, Geisha of Gion: The True Story of Japan's Foremost Geisha

“it is the uncreative who are most likely to confuse a mere lifestyle with a creative discovery.”
― Anthony Cronin, Dead As Doornails: A Memoir

“punishment was withholding food. Starvation was the way the regime preferred to eliminate its opponents. It”
― Barbara Demick, Nothing to Envy: Real Lives in North Korea

“By the time Chester was born in i9o9, an agricultural depression, race riots in northern and southern cities, and nearly a thousand lynchings had further aggravated the precariousness of black lives.”
― Edward Margolies, The Several Lives of Chester Himes

“There were two off-campus Negro fraternities, one of which Chester pledged for, but even these, he said later, admitted students on the basis of skin shadings, with men of lighter complexion being viewed as more desirable.2”
― Edward Margolies, The Several Lives of Chester Himes

“Jack Warner "didn't want any niggers on his lot." At another studio where he was being considered for a publicity position, he learned that the all-Negro cast of Cabin in the Sky was excluded from the whites-only commissary.”
― Edward Margolies, The Several Lives of Chester Himes

“Himes's message was the cruelty, the destructiveness, the absurdity of black oppression. These messages may be found in all his books, but his best writings transcend message to express a comic exuberance, a vitality, a richness of black life that all the injustices and dreadful miseries he records cannot overcome.”
― Edward Margolies, The Several Lives of Chester Himes